Tess O’Rourke dreams of becoming the first female chief of police in Long Beach, California. As commander of the East Division, she is well on her way . . . until the night she responds to an officer-needs-assistance call and fatally shoots an unarmed teenager. Despite being cleared of wrongdoing by a grand jury, Tess is so hounded by the public that she takes a job in Oregon to escape the bad press. Winning over the residents of Rogue’s Hollow might be more difficult than adjusting to her new role as police chief in the small, backwater town. Especially when her closest friend, the pastor’s wife, goes missing and the woman’s cousin is found shot. Tess finds an ally in sheriff’s deputy Steve Logan, but as they track down Rogue’s Hollow’s first murderer, she worries that she’s breaking one of her rules and getting too close to him.

It’s the crossover event fans have been waiting for, as The Flash joins forces with Green Arrow! When the Green Arrow needs help tracking down a sinister bomber in Star City, speedster Barry Allen is out the door in a flash. But as The Flash saves the day with his friends on Team Arrow, a huge dimensional rift appears over his hometown of Central City—and thousands of refugees with superspeed come pouring out. Can the combined skills of Team Arrow and The Flash’s friends at S.T.A.R. Labs manage the chaos long enough to stop the rift from tearing their universe apart? This exciting first installment in the new crossover trilogy promises to be one of the most action-packed reads of the season. Supergirl, Superman, and the heroes from DC’s Legends of Tomorrow will be joining in on the fun in books two and three of this can’t-miss trilogy.

Written as a tool for both researchers and communication managers, the Handbook of Crisis Communication is a comprehensive examination of the latest research, methods, and critical issues in crisis communication. Includes in-depth analyses of well-known case studies in crisis communication, from terrorist attacks to Hurricane Katrina Explores the key emerging areas of new technology and global crisis communication Provides a starting point for developing crisis communication as a distinctive field research rather than as a sub-discipline of public relations or corporate communication

The Crisis Manager offers wise counsel for anticipating and responding to crises as well as taking the steps required to reduce the impact of these events. Author Otto Lerbinger helps readers understand the ways of thinking required for successful crisis management in today's world.

Vaccines have saved more lives than any other single medical advance. Yet today only four companies make vaccines, and there is a growing crisis in vaccine availability. Why has this happened? This remarkable book recounts for the first time a devastating episode in 1955 at Cutter Laboratories in Berkeley, California, thathas led many pharmaceutical companies to abandon vaccine manufacture. Drawing on interviews with public health officials, pharmaceutical company executives, attorneys, Cutter employees, and victims of the vaccine, as well as on previously unavailable archives, Dr. Paul Offit offers a full account of the Cutter disaster. He describes the nation's relief when the polio vaccine was developed by Jonas Salk in 1955, the production of the vaccine at industrial facilities such as the one operated by Cutter, and the tragedy that occurred when 200,000 people were inadvertently injected with live virulent polio virus: 70,000 became ill, 200 were permanently paralyzed, and 10 died. Dr. Offit also explores how, as a consequence of the tragedy, one jury's verdict set in motion events that eventually suppressed the production of vaccines already licensed and deterred the development of new vaccines that hold the promise of preventing other fatal diseases.

Leading authorities on negotiations present the result of years of research, application, testing and experimentation, and practical experience. Principles and applications from numerous disciplines are combined to create a conceptual framework for the hostage negotiator. Ideas and concepts are explained so that the practicing negotiator can apply the principles outlined.

The contention of Film and the American Presidency is that over the twentieth century the cinema has been a silent partner in setting the parameters of what we might call the presidential imaginary. This volume surveys the partnership in its longevity, placing stress on especially iconic presidents such as Lincoln and FDR. The contributions to this collection probe the rich interactions between these high institutions of culture and politics—Hollywood and the presidency—and argue that not only did Hollywood acting become an idiom for presidential style, but that Hollywood early on understood its own identity through the presidency’s peculiar mix of national epic and unified protagonist. Additionally, they contend that studios often made their films to sway political outcomes; that the performance of presidential personae has been constrained by the kinds of bodies (for so long, white and male) that have occupied the office, such that presidential embodiment obscures the body politic; and that Hollywood and the presidency may finally be nothing more than two privileged figures of media-age power.