A native of the El Paso / Ciudad Juárez region, acclaimed author and scholar Alicia Gaspar de Alba writes that she grew up with "a forked tongue and a severe case of cultural schizophrenia, the split in the psyche that happens to someone who grows up in the borderlands between nations, languages and cultures." Border dwellers struggle with place and identity in the short fiction included in this collection. An El Paso-born American citizen with a high school diploma and a talent for writing seeks a job as a reporter at the El Paso Herald after World War I, but gets hired as a janitor and research specialist instead. A Mexican woman takes her young daughter north to protect her from sexual abuse, only to leave the girl with relatives while she crosses the river in search of a job and a new life. And a college student gets a Tarot reading to help her discern the historical symbolism of her bicultural identity. The award-winning writer explores other "crimes of the tongue" in the essays in this volume: pochismo, or the mixing of English and Spanish, as both a family taboo and a politics of identity; the haunting memory of La Llorona, protector of undocumented immigrants and abandoned children, and her blood-curdling cry of loss and revenge; the intersection of the personal and the political in the transgressive work of Chicana/Latina artists; the sexual and linguistic rebellions of La Malinche and Sor Juana Inés de la Cruz; and the reverse coyotaje, or border crossing, of Chicana lesbian feminist theory translated into Spanish and visual art as a way of sneaking this counterhegemonic pocha poetic thought into Mexico. These essays and stories are always intellectually rigorous and often achingly personal.

A native of the El Paso / Ciudad Juarez region, acclaimed author and scholar Alicia Gaspar de Alba writes that she grew up with “a forked tongue and a severe case of cultural schizophrenia, the split in the psyche that happens to someone who grows up in the borderlands between nations, languages and cultures.” Border dwellers struggle with place and identity in the short fiction included in this collection. An El Paso-born American citizen with a high school diploma and a talent for writing seeks a job as a reporter at the El Paso Herald after World War I but gets hired as a janitor and research specialist instead. A Mexican woman takes her young daughter north to protect her from sexual abuse, only to leave the girl with relatives while she crosses the river in search of a job and a new life. And a college student gets a Tarot reading to help her discern the historical symbolism of her bicultural identity. The award-winning writer explores other “crimes of the tongue” in the essays in this volume: pochismo, or the mixing of English and Spanish, as both a family taboo and a politics of identity; the haunting memory of La Llorona, protector of undocumented immigrants and abandoned children, and her blood-curdling cry of loss and revenge; the intersection of the personal and the political in the transgressive work of Chicana/Latina artists; the sexual and linguistic rebellions of La Malinche and Sor Juana Ines de la Cruz; and the reverse coyotaje, or border crossing, of Chicana lesbian feminist theory translated into Spanish and visual art as a way of sneaking this counterhegemonic pocha poetic thought into Mexico. These essays and stories are always intellectually rigorous and often achingly personal.

Marie's was not the only body lying undiscovered under the Peak District snow that January morning - nor the first. In 1945 the wreckage of a bomber, full of dead crewmen, was found on Irontongue Hill. The missing pilot was declared responsible, but why would a decorated hero desert? His granddaughter is now determined to uncover the truth and DC Ben Cooper is sufficiently intrigued to offer to help. -- back cover.

For readers of Anthony Doerr’s All the Light We Cannot See and Tim O’Brien’s The Things They Carried, a transportive historical novel about finding morality in the throes of war and colonization Released from Nazi forced labor as World War II ends, 20-year-old Sam is quickly drafted and sent to the island of Java to help regain control of the colony. But the Indonesian independence movement is far ahead of the Dutch, and Sam is thrown into a guerilla war, his loyalties challenged when his squad commits atrocities reminiscent of those he suffered at the hands of the Nazis. Sam falls in love with both Sari and the beautiful island she calls home, but as he loses friends to sniper fire and jungle malady, he also loses sight of what he wants most — to be a good man.

"The Kingship of Self-Control" is a self-help book that emphasizes the importance of self-discipline and control in achieving personal and professional success. The author explores the idea that true power and mastery come from within, and he advocates for the development of self-control as a means to attain a more fulfilling and purposeful life. In the book, William George Jordan discusses various aspects of self-control, including the power of thought, the influence of habits, and the significance of mastering one's impulses and desires. The author suggests practical strategies and principles to cultivate self-control, enabling readers to overcome challenges and make better choices in their daily lives. Overall, "The Kingship of Self-Control" is a classic work in the genre of self-help literature, offering insights and guidance on the path to personal development and achieving one's goals through the mastery of self-control.

A sensuous, textured novel of life in a refugee camp, long-listed for the Orwell Prize for Political Fiction On a hill overlooking a refugee camp in Sudan, a young man strings up bedsheets that, in an act of imaginative resilience, will serve as a screen in his silent cinema. From the cinema he can see all the comings and goings in the camp, especially those of two new arrivals: a girl named Saba, and her mute brother, Hagos. For these siblings, adapting to life in the camp is not easy. Saba mourns the future she lost when she was forced to abandon school, while Hagos, scorned for his inability to speak, must live vicariously through his sister. Both resist societal expectations by seeking to redefine love, sex, and gender roles in their lives, and when a businessman opens a shop and befriends Hagos, they cast off those pressures and make an unconventional choice. With this cast of complex, beautifully drawn characters, Sulaiman Addonia details the textures and rhythms of everyday life in a refugee camp, and questions what it means to be an individual when one has lost all that makes a home or a future. Intimate and subversive, Silence Is My Mother Tongue dissects the ways society wages war on women and explores the stories we must tell to survive in a broken, inhospitable environment.