The Eisner and Harvey Award-nominated series continues to recount the criminal deeds of the bandits, bank robbers, serial killers, and gangsters of yesteryear while reprinting some of the most notorious pre-Code comics of all time! Our latest deluxe hardcover--including every uncensored page from Crime Does Not Pay issues #58 to #61--is packed with timeless true-crime tales by artists George Tuska, Jack Cole, Fred Guardineer, Dan Barry, Charles Biro, and others! This volume also features an enlightening new foreword by Eisner Award-winning writer Jeff Jensen (Green River Killer)! "Even in today's more jaded times, the guilt-free exuberance the creators poured into every bullet and blood spatter is infectious. This Crime pays, with hours of fun." -The Seattle Times

Excerpt from Why Crime Does Not Pay The publishers believe that a picture of life sketched by a master hand - somebody who stands in the world of crime as Edison does in his field or as Morgan and Rockefeller do in theirs - could not fail to be impressive and valuable and prove the oft repeated statement that crime does not pay. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Traces the development of the comic book, looks at publishers and genres, and discusses industry trends.