At a time when night-singing insects have slipped beyond our notice—indeed, are more likely to be heard as NatureSounds than in a backyard—John Himmelman seeks to reconnect us to creatures whose songs form a part of our own natural history. On warm summer evenings, night-singing insects produce a whirring, chirping soundscape—a calming aural tapestry celebrated by poets and naturalists for millennia. But “cricket radio” is not broadcast for the easy-listening pleasure of humans. The nocturnal songs of insects are lures and warnings, full of risks and rewards for these tiny competitive performers. What moves crickets and katydids to sing, how they produce their distinctive sounds, how they hear the songs of others, and how they vary cadence, volume, and pitch to attract potential mates, warn off competitors, and evade predators is part of the engaging story Cricket Radio tells. Himmelman’s narrative weaves together his personal experiences as an amateur naturalist in search of crickets and katydids with the stories of scientists who study these insects professionally. He also offers instructions for bringing a few of the little singers into our homes and gardens. We can, Himmelman suggests, be reawakened to these night songs that have meant so much to the human psyche. The online insect calls that accompany this colorfully illustrated narrative provide a bridge of sound to our past and to our vital connection with other species.

This exercise routine hosted by professional dancer and fitness expert Barbi Powers leads viewers through a complete ballet and classical dance inspired workout, designed to increase core strength, balance, and grace, all while teaching viewers the most popular poses and moves in modern dance and ballet. ~ Cammila Albertson, Rovi

John Osborne has long been a fan of radio - from late night sessions of John Peel to Test Match Special at dawn, he has always enjoyed tuning in to the riches of our best broadcasts. When his dull temporary job became drearier than ever, John decided to remain attached to his headphones all day to listen to some of Britain's more unknown stations as well as revisiting the mainstream to fully experience the breadth of our radio output. The result is a funny, disarming ride through aspects of Britain that are uplifting, informative and sometimes plain bizarre. Throughout his month of intensive radio listening, John flits through talk radio, sports shows, dips into the mainstream and the minority, exalts in specialist music shows, comedy and local radio before expanding his mind with an experimental arts channel. It seems there is something for everyone at the turn of a dial, whether that is the ranting of the permanently enraged, the gentle tinkle of a string quartet, West Indian stomp or the sound of frozen peas being thrown around Elephant and Castle underground station. John also gets under the skin of the radio business by interviewing presenters such as Mark Radcliffe and Nicholas Parsons as well as industry insiders. John's daily life is directly affected by his radio habit as he finds himself organising a poker night during exposure to The Jazz, and Zane Lowe's energy on Radio One goads him into cooking his stir fry at the same speed as Morecambe and Wise prepared their breakfast. Finally, John decides to turn his life around and radio becomes hissaviour.

Snarl for the Camera is a book about animals, and the filming of animals. During his many years as a leading wildlife cameraman, James Gray has filmed everything from human lice (which he had to feed on his own blood) to elephants in Thailand, polar bears in the Arctic, anacondas in Venezuela, mountain gorillas in Uganda, and golden monkeys and pandas in China. In a series of entertaining and informative stories, the author describes his (sometimes very scary) experiences filming wild animals - like the time he found he'd parked himself right on top of a polar bear's den... James reveals the eye-opening truth behind the making of nature programmes: keeping television producers happy requires not only an inordinate amount of patience and perseverance - wading through swamps or squatting in trees for days on end - but may also require giving nature a helping hand.

The spirit of the game was first nurtured on the playing fields of the English public school, and in the pages of Tom Brown's Schooldays- this Corinthian spirit was then exported around the world. The competitive spirit, the importance of fairness, the nobility of the gifted amateur seemed to sum up everything that was good about Britishness and the games they played. Today, sport is dominated by corruption, money, celebrity and players who are willing to dive in the box if it wins them a penalty. Yet, we still believe and talk about the game as if it had a higher moral purpose. Since the age of Thomas Arnold, Sport has been used to glorify dictatorships and was at the heart of cold war diplomacy. Prime Ministers, princes and presidents will do whatever they can to ensure that their country holds a major sporting tournament. Nelson Mandela saw the victory of the Rugby World Cup as essential to his hopes for the Rainbow Nation. Mihir Bose has lived his life around sport and in this book he tells the story of how Sport has lost its original spirit and how it has emerged in the 20th century to become the most powerful political tool in the world. With examples and stories from around the world including how the sport-hating Thomas Arnold become an icon; how a German manufacturer gave Jessie Owens a pair of shoes at the Berlin games of 1936 and went on to dominate the world of sport; how India stole cricket from the ICC; how an Essex car dealer become the most powerful man in Formula 1; and who really sold football out. Praise for Mihir Bose: 'Mihir Bose is India's CLR James.' Simon Barnes, The Times. 'Mihir's insider knowledge is unsurpassed' David Welch. 'His Olympic contacts are second to none. He knows everybody.' Sue Mott.

This book looks at the rich and complex history of broadcasting and community broadcasting in the multicultural and multilingual milieu in India. It explores the world of community radio and how community radio broadcasters hear and speak to their audiences under the overarching theme of polyphony. The book discusses the socio-historical contexts which allowed community radio to thrive in India. It highlights its potential to create alternative spaces of representation, and opportunity and its importance in preserving and disseminating local knowledge and traditions. The author weaves together ethnographic research and literature, as well as personal narratives and stories of those involved in the field. Further, the monograph critically examines the impact of development agendas on community projects and processes, discussing in detail the pervasiveness of the development discourse in every aspect of community radio and how it manifests on air. It also illustrates the limitations of community radio, within the context of its participation in the “spectacle of development”. Accessible and deeply insightful, this book will be of interest to researchers and students of cultural studies, sociology, social anthropology, media and communication studies, and South Asian studies.

This book focuses on the development of cricket in Australia, with a focus on the commercial and professional aspects of the game. It takes a historical approach and analyses the reasons behind the ebbs and flows of commercialisation in the game. It also applies economic analysis to help provide it with some original insights into the way in which the game is structured and has developed in Australia. The book would be of interest to a range of people both in Australia and abroad, who are interested in the manner in which sport in the modern world has become a commercialised pursuit.