A passionate and purposeful book on finding real creativity through nature. An essential book for our times and all artists at whatever level. In her most passionate and personal book to date, acclaimed watercolour artist Ann Blockley takes both budding and more experienced artists through a series of ideas for working with nature – in its widest sense – to nurture our creativity, inspire us, make us more sustainable artists, and replenish energy and flow when our artistic streams run dry. In 'Go Outside and Play', the author exhorts artists to recapture a fun, no-pressure way of being outside and use that feeling when creating. In 'Connecting Materials to Place' she creates her own paint from the local pond. In 'The Slow Movement', the artist reveals her year of working on a specific local hedgerow and painting a series of different interpretation in its every-changing detail. She created regular creative rituals, using her weekly playing card as a starting point for a new painting to reflect the season each week. She reuses old paintings, and tissue and paper – wabi-sabi style – to create new textures and even new paintings. Including work from other artists as well as her own, she shows the ideas and work from textile and mixed-media artists. From allotment inspiration to reusing old painting and from nature prints to the alchemy of found materials, this is a journey to find new creativity through our connection with our natural world.

"Highly informative and remarkably entertaining." —Elle From forest trails in Korea, to islands in Finland, to eucalyptus groves in California, Florence Williams investigates the science behind nature’s positive effects on the brain. Delving into brand-new research, she uncovers the powers of the natural world to improve health, promote reflection and innovation, and strengthen our relationships. As our modern lives shift dramatically indoors, these ideas—and the answers they yield—are more urgent than ever.

During the 1980s and 1990s, the Resource Institute, headed by Jonathan White, held a series of "floating seminars" aboard a sixty-five-foot schooner featuring leading thinkers and artists from a broad array of disciplines. Over a period of ten years, White conducted interviews with the writers, scientists, environmentalists, and poets who gathered on board to explore our relationship to the wild. The interviews are gathered in this sparkling collection. Some of these visionaries are still making history, while others have passed away, making this legacy especially vital to the narrative about our planet. White describes the conversations in Talking on the Water as the "roots" of an integrated community. "While at first these roots may not appear to be linked, a closer look reveals that they are sustained in common ground. Whether we are talking to a poet, a biologist, a science fiction writer, or an ex-Dominican priest, all of these people share a deep and longstanding concern for their relationship with nature." Beloved fiction writer Ursula K. Le Guin discusses the nature of language, microbiologist Lynn Margulis contemplates Darwin's career and the many meanings of evolution, and anthropologist Richard Nelson sifts through the spiritual life of Alaska's native people. Rounding out

In the environmental realm, science and art are inextricably linked. While science determines how we measure the health of our planet, art allows us to visualize our relationship to the natural world.In 'Art of Action', seventy-nine artists share their stories and work to paint a portrait of our natural world today and the potential pathways - both positive and negative - we may follow from here. Their art expresses appreciation for all species and landscapes and explores our natural world lost, mourned and reconstructed. It described the fantasy of paradises new and vanished.Each chapter asks us to celebrate, reflect, interact, protect and act, demonstrating the diversity of life and the legacy that the next generation will inherit.No book can change the natural world. But these stories and photographs can build awareness, the first critical step in changing our collective paradigm from one that exploits and destroys nature to one that nurtures and values our environment.

Bioluminescent algae, symbiotic aquariums, self-healing concrete, clavicle wind instruments and structures made from living trees - biology applied outside the lab has never been so intriguing, or so beautiful. Bio Design examines the thrilling advances in the field, showcasing some seventy projects (concepts, prototypes and completed designs) that cover a range of fields - from architecture and industrial design to fashion and medicine. The revised and expanded edition features twelve new projects (replacing ten existing projects): Hy-Fi (by David Benjamin); One Central Park, Sydney (Jean Nouvel); Guard from Above (Sjoerd Hoogendoorn); Cell-laden Hydrogels for Biocatalysis (Alshakim Nelson); Zoa (Modern Meadow); Amino Labs (Julie Legault); Algae and Mycelium Projects (Eric Klarenbeek); Interwoven and Harvest (Diane Scherer); Concrete Honey (John Becker); Bistro In Vitro (Koert van Mensvoort); Circumventive Organs (Agi Haines); Quantworm Mine (Liv Bargman and Nina Cutler). It also includes a new 'how-to' section at the end (Tips for Collaboration/FAQs/Further Resources), as well as a fully revised introduction.

Reveals how our survival depends on embracing complexity consciousness and relating to nature and all life as sacred • Rejects the “survival of the fittest” narrative in favor of sacred symbiosis, creative cooperation, interdependence and complex thinking • Provides examples from complexity studies, cultural history, philosophy, indigenous spirituality, biomimicry, and ecology to show how nature’s intelligence and creativity abound everywhere • Documents how indigenous cultures lived in relative harmony with nature because they perceived themselves as part of the “ordered whole” of all life In Future Sacred, Julie J. Morley offers a new perspective on the human connection to the cosmos by unveiling the connected creativity and sacred intelligence of nature. She rejects the “survival of the fittest” narrative--the idea that survival requires strife--and offers symbiosis and cooperation as nature’s path forward. She shows how an increasingly complex world demands increasingly complex consciousness. Our survival depends upon embracing “complexity consciousness,” understanding ourselves as part of nature, as well as relating to nature as sacred. Morley begins by documenting how indigenous cultures lived in relative harmony with nature because they perceived themselves as part of the “ordered whole” of all life--until modernity introduced dualistic thinking, thus separating mind from matter, and humans from nature. The author deconstructs the fallacy behind social and neo-Darwinism and the materialist theories of “dead matter” versus those that offer a connection with the sentient mind of nature. She presents evidence from complexity studies, cultural history, philosophy, indigenous spirituality, biomimicry, and ecology, highlighting the idea that nature’s intelligence and creativity abound everywhere--from cells to cetaceans, from hydrogen to humans, from sunflowers to solar panels--and that all sentient beings contribute to the evolution of life as a whole, working together in sacred symbiosis. Morley concludes that our sacred future depends on compassionately understanding and integrating multiple intelligences, seeing relationships and interdependence as fundamental and sacred, as well as honoring the experiences of all sentient beings. Instead of “mastery over nature,” we must shift toward synergy with nature--and with each other as diverse expressions of nature’s creativity.

Repackaged with a new afterword, this "valuable and entertaining" (New York Times Book Review) book explores how scientists are adapting nature's best ideas to solve tough 21st century problems. Biomimicry is rapidly transforming life on earth. Biomimics study nature's most successful ideas over the past 3.5 million years, and adapt them for human use. The results are revolutionizing how materials are invented and how we compute, heal ourselves, repair the environment, and feed the world. Janine Benyus takes readers into the lab and in the field with maverick thinkers as they: discover miracle drugs by watching what chimps eat when they're sick; learn how to create by watching spiders weave fibers; harness energy by examining how a leaf converts sunlight into fuel in trillionths of a second; and many more examples. Composed of stories of vision and invention, personalities and pipe dreams, Biomimicry is must reading for anyone interested in the shape of our future.