Memoir of what it was like growing up in the Love Family

What is counterculture? – It’s an alternative lifestyle... – The ideas that spread a revolution... – A movement that changes the world... This new collection of essays celebrates the incredible originality of British post-war culture. British Art, film, theatre, dance, literature and music have attracted international recognition, from the Angry Young Men to the Sex Pistols to Grayson Perry. Now gaming, the internet and social media enable creative communities to flourish and either fight for social justice – or just be entertained,. Can we find the creative inspiration to succeed in a post-capitalist future? ‘...a wonderfully scholarly, readable and useful treat on the perils of labelling culture.’ – Helen Lederer, Comedienne 'It is the delinquents, deviants and subversive Counterculturalists that embody the true grittiness of British Culture. Subversive and volatile beings of anarchy, freeing the masses from the commodification of commercialised ‘expression’. Lurking in the margins, Mark Edwards in Counterculture UK - A Celebration, expresses the liberated and reactionary nature of dance to mainstream culture through his euphoric exploration of free expression, movement and identity. A sensitive reflection of the youth within the ‘northern powerhouse’ during socially and politically turbulent times that hyperextends itself to our present day discourses. As dance is digitised through meme and viral media so to does the Counterculturalist, constantly dancing their own revolution and liberating those who dare to be free in expression.' ***** – Kristian Gath, QWERTY Theatre 'This is a good introduction to a diverse range of topics, some of which, of course, will hold more interest than others, but I think overall most are dealt with in a knowledgeable and capable way. The writers know the subjects well enough that they can provide a clear overview as well as zoom in on the specific events or people who drove the movement or changes within the different fields and I like that we get different voices for each chapter. There is nothing new or revolutionary in the book and the examples provided for most of the topics would be well-known (to the point of mainstream...) to most people, but I still rather enjoyed reading the individual essays and seeing it in a context where the impact of certain events are shown on a variety of different stages. The book can be used as a short starter to the different subjects. If you want to delve deeper, there is not much help in the book, but as long as you are aware of that from the outset, I doubt it will disappoint.' **** - JBM 1776 Amazon 100 Reviewer 'I found it interesting when the author questioned the idea of whether "counter culture" declines when it becomes the "culture" and is therefore no longer pushing against anything. I also enjoyed the way the author reminded the reader that the new technology of today's world really helps give space for people to explore their interests/fantasies and share them with others. I wonder where that will take us in the future?' **** – Gemma Raishbrook, Amazon

A valuable resource for students and general audiences, this book provides a unique global perspective on the history, beliefs, and practices of emergent faith communities; new religious traditions; and religious movements worldwide, from the 19th century to the present. New Religions: Emerging Faiths and Religious Cultures in the Modern World provides insightful global perspectives on the emergent faith communities and new traditions and movements of the last two centuries. Readers will gain access to the information necessary to explore the significance, complexities, and challenges that modern religious traditions have faced throughout their history and that continue to impact society today. The work identifies the themes and issues that have often brought new religions into conflict with the larger societies of which they are a part. Coverage includes new religious groups that emerged in America, such as the Seventh-day Adventists, the Latter-day Saints, and the Jehovah's Witnesses; alternative communities around the globe that emerged from the major Western and Eastern traditions, such as Aum Shinrikyo and Al-Qaeda; and marginalized groups that came to a sudden end, such as the Peoples Temple, Heaven's Gate, and the Branch Davidians. The entries highlight thematic and broader issues that run across the individual religious traditions, and will also help students analyze and assess the common difficulties faced by emergent religious communities.

Insider twentysomething Christian journalist Brett McCracken has grown up in the evangelical Christian subculture and observed the recent shift away from the "stained glass and steeples" old guard of traditional Christianity to a more unorthodox, stylized 21st-century church. This change raises a big issue for the church in our postmodern world: the question of cool. The question is whether or not Christianity can be, should be, or is, in fact, cool. This probing book is about an emerging category of Christians McCracken calls "Christian hipsters"--the unlikely fusion of the American obsessions with worldly "cool" and otherworldly religion--an analysis of what they're about, why they exist, and what it all means for Christianity and the church's relevancy and hipness in today's youth-oriented culture.

The Bloomsbury Handbook of Popular Music and Youth Culture provides a comprehensive and fully up-to-date overview of key themes and debates relating to the academic study of popular music and youth culture. While this is a highly popular and rapidly expanding field of research, there currently exists no single-source reference book for those interested in this topic. The handbook is comprised of 32 original chapters written by leading authors in the field of popular music and youth culture and covers a range of topics including: theory; method; historical perspectives; genre; audience; media; globalization; ageing and generation.

"In this important study, Yinger . . . successfully demonstrates his central point: countercultures are best understood as a continuous part of human experience and social organization".--"Library Journal".

Fringe to Famous examines exchange between small scenes of cultural production and mainstream institutions and markets. Drawing on Australian examples in music, streetwear, comedy, screen and digital games, it argues that there has been much greater crossover between the two than is generally recognized. The book resists a tendency to represent fringe and mainstream as abstract opposites, bringing a focus instead to concrete historical formations. It offers an alternative both to romantic celebrations of a 'pure' fringe – discredited now by half a century of critical responses to the counterculture – and to an increasingly hardened anti-romantic reaction. Drawing on extensive original interviews, Fringe to Famous offers an overview of transformations in Australian culture since the 1980s, concluding with suggestions for cultural policy 'after the creative industries'. It proposes an idea of 'generative hybridity' between fringe and mainstream that allows us to imagine new possibilities for arts and culture in the 2020s and beyond.