Cécile Fabre defends an ethical account of war which focuses on the individual, as a rational and moral agent, over collective groups of people. She offers a new account of just and unjust war, exploring wars of national defence, civil wars, humanitarian intervention, wars involving private military forces, and asymmetrical wars.

Cécile Fabre defends an ethical account of war which focuses on the individual, as a rational and moral agent, over collective groups of people. She offers a new account of just and unjust war, exploring wars of national defence, civil wars humanitarian intervention, wars involving private military forces, and asymmetrical wars.

Just war theory exists to stop armies and countries from using armed force without good cause. But how can we judge whether a war is just? In this original book, John W. Lango takes some distinctive approaches to the ethics of armed conflict. DT A revisionist approach that involves generalising traditional just war principles, so that they are applicable by all sorts of responsible agents to all forms of armed conflict DT A cosmopolitan approach that features the Security Council DT A preventive approach that emphasises alternatives to armed force, including negotiation, nonviolent action and peacekeeping missions DT A human rights approach that encompasses not only armed humanitarian intervention but also armed invasion, armed revolution and all other forms of armed conflict Lango shows how these can be applied to all forms of armed conflict, however large or small: from interstate wars to UN peacekeeping missions, and from civil wars counter-insurgency and counter-terrorism operations.

In Cosmopolitan Belongingness and War, Matthew Leep develops a cosmopolitan account of war that blends sharp inquiry into interspecies politics with original poetry on animals, loss, and war. Informed by the works of Jacques Derrida, this book is not only a somber and sobering exploration of the loss of animal lives during the Iraq War—from the initial US invasion to later struggles with ISIS—but also an imaginative tracing of animal experiences in "spectral-poetic moments." By emphasizing elegies, poetic space, and multispecies belonging, Leep envisions the cosmopolitan text as a hybrid form of critical and poetic engagement with animal others. An insightful mix of cosmopolitan poetics, poetry, and analysis of the Iraq War in its multispecies entanglements, Cosmopolitan Belongingness and War connects contemporary concerns with political violence, memory, and interspecies politics to imagine a more spectral, posthumanist, and poetic cosmopolitanism. Interdisciplinary in scope, this book will engage scholars of international relations, political theory, US foreign policy, animal studies, poetry, and Derrida, as well as those interested in human-animal relations in perilous times.

What role should national militaries play in an increasingly globalised and interdependent world? This book examines the often difficult transition they have made toward missions aimed at protecting civilians and promoting human security, and asks whether we might expect the emergence of armed forces that exist to serve the wider human community.

South Korea in the 1950s was home to a burgeoning film culture, one of the many “Golden Age cinemas” that flourished in Asia during the postwar years. Cold War Cosmopolitanism offers a transnational cultural history of South Korean film style in this period, focusing on the works of Han Hyung-mo, director of the era’s most glamorous and popular women’s pictures, including the blockbuster Madame Freedom (1956). Christina Klein provides a unique approach to the study of film style, illuminating how Han’s films took shape within a “free world” network of aesthetic and material ties created by the legacies of Japanese colonialism, the construction of US military bases, the waging of the cultural Cold War by the CIA, the forging of regional political alliances, and the import of popular cultures from around the world. Klein combines nuanced readings of Han’s sophisticated style with careful attention to key issues of modernity—such as feminism, cosmopolitanism, and consumerism—in the first monograph devoted to this major Korean director. A free open access ebook is available upon publication. Learn more at www.luminosoa.org.

War is about individuals maiming and killing each other, and yet, it seems that it is also irreducibly collective, as it is fought by groups of people and more often than not for the sake of communal values such as territorial integrity and national self-determination. Cécile Fabre articulates and defends an ethical account of war in which the individual, as a moral and rational agent, is the fundamental focus for concern and respect—both as a combatant whose acts of killing need justifying and as a non-combatant whose suffering also needs justifying. She takes as her starting point a political morality to which the individual, rather than the nation-state, is central, namely cosmopolitanism. According to cosmopolitanism, individuals all matter equally, irrespective of their membership in this or that political community. Traditional war ethics already accepts this principle, since it holds that unarmed civilians are illegitimate targets even though they belong to the enemy community. However, although the traditional account of whom we may kill in wars is broadly faithful to that principle, the traditional account of why we may kill and of who may kill is not. Cosmopolitan theorists, for their part, do not address the ethical issues raised by war in any depth. Fabre's Cosmopolitan War seeks to fill this gap, and defends its account of just and unjust wars by addressing the ethics of different kinds of war: wars of national defence, wars over scarce resources, civil wars, humanitarian intervention, wars involving private military forces, and asymmetrical wars.