Exploring visual culture, design and politics in 1960s Beirut, this compelling interdisciplinary study examines a critical period in Lebanon's history.

Tom Paine’s America explores the vibrant, transatlantic traffic in people, ideas, and texts that profoundly shaped American political debate in the 1790s. In 1789, when the Federal Constitution was ratified, "democracy" was a controversial term that very few Americans used to describe their new political system. That changed when the French Revolution—and the wave of democratic radicalism that it touched off around the Atlantic World—inspired a growing number of Americans to imagine and advocate for a wide range of political and social reforms that they proudly called "democratic." One of the figureheads of this new international movement was Tom Paine, the author of Common Sense. Although Paine spent the 1790s in Europe, his increasingly radical political writings from that decade were wildly popular in America. A cohort of democratic printers, newspaper editors, and booksellers stoked the fires of American politics by importing a flood of information and ideas from revolutionary Europe. Inspired by what they were learning from their contemporaries around the world, the evolving democratic opposition in America pushed their fellow citizens to consider a wide range of radical ideas regarding racial equality, economic justice, cosmopolitan conceptions of citizenship, and the construction of more literally democratic polities. In Europe such ideas quickly fell victim to a counter-Revolutionary backlash that defined Painite democracy as dangerous Jacobinism, and the story was much the same in America’s late 1790s. The Democratic Party that won the national election of 1800 was, ironically, the beneficiary of this backlash; for they were able to position themselves as the advocates of a more moderate, safe vision of democracy that differentiated itself from the supposedly aristocratic Federalists to their right and the dangerously democratic Painite Jacobins to their left.

Brown (English, Boston U.) places Wilde in the continuum of continental philosophy from Kant and Schiller through Kierkegaard and Nietzsche to Benjamin and Adorno, discussing his conception of art, its meaning, and the contradictory relations between art and the sphere of the ethical everyday. Annotation copyrighted by Book News, Inc., Portland, OR

Cities and Cultures is a critical account of the relations between contemporary cities and the cultures they produce and which in turn shape them. The book questions received ideas of what constitutes a city's culture through case studies in which different kinds of culture - the arts, cultural institutions and heritage, distinctive ways of life - are seen to be differently used in or affected by the development of particular cities. The book does not mask the complexity of this, but explains it in ways accessible for undergraduates. The book begins with introductory chapters on the concepts of a city and a culture (the latter in the anthropological sense as well as denoting the arts), citing cases from modern literature. The book then moves from a critical account of cultural production in a metropolitan setting to the idea that a city, too, is produced through the characteristic ways of life of its inhabitants. The cultural industries are scrutinised for their relation to such cultures as well as to city marketing, and attention is given to the European Cities of Culture initiative, and to the hybridity of contemporary urban cultures in a period of globalisation and migration. In its penultimate chapter the book looks at incidental cultural forms and cultural means to identify formation; and in its final chapter, examines the permeability of urban cultures and cultural forms. Sources are introduced, positions clarified and contrasted, and notes given for selective further reading. Playing on the two meanings of culture, Miles takes an unique approach by relating arguments around these meanings to specific cases of urban development today. The book includes both critical comment on a range of literatures - being a truly inter-disciplinary study - and the outcome of the author's field research into urban cultures.

Reveals the development of the idea of 'the people' through print and publicity in 1790s London. This title is also available as Open Access.

Transnational solidarity excavates the forgotten histories of solidarity that were vital to radical political imaginaries during the ‘long’ 1960s. It decentres the conventional Western focus of this critical historical moment by foregrounding transnational solidarity with, and across, anticolonial and anti-imperialist liberation struggles. The book traces the ways in which solidarity was conceived, imagined and enacted in the border crossings — of nation, race and class — made by grassroots activists. This diverse collection draws links between exiled revolutionaries in Uruguay, post-colonial immigrants in Britain, and Greek communist refugees in East Germany who campaigned for their respective causes from afar while identifying and linking up with wider liberation struggles. Meanwhile, Arab immigrants in France, Pakistani volunteers and Iraqi artists found myriad ways to express solidarity with the Palestinian cause. Neglected archives also reveal Tricontinental Cuban-based genealogies of artistic militancy, as well as transnational activist networks against Portuguese colonial rule in Africa. Bringing together original research with contributions from veteran activists and artists, this interdisciplinary volume explores how transnational solidarity was expressed in and carried through the itineraries of migrants and revolutionaries, film and print cultures, art and sport, political campaigns and armed struggle. It presents a novel perspective on radical politics of the global sixties which remains crucial to understanding anti-racist solidarity today. With a foreword by Vijay Prashad.