In Corgiville, as in many small towns all over America, the biggest event of the year is the fair. And the most exciting thing at the Corgiville Fair is the goat race! Caleb Corgi has spent moths training his goat, Josephine, for the big event. But Edgar Tomcat's goat is fast, too, and Caleb knows that Edgar is not above indulging in some dirty tricks in order to win. The sights, smells, and all the fun and excitement of a typical small-town fair are captured with humor and affection in Tasha' Tudor's text and marvelously detailed watercolor paintings.

His instincts and his training as a part-time private investigator make Caleb Corgi suspicious of a band of raccoons, especially when Corgiville's prize rooster disappears.

The inhabitants of Corgiville, including recent arrivals, participate in a variety of activities in preparation for Christmas.

While visiting her grandparents' farm, Sylvie Ann finds a fine large pumpkin for Halloween but it leads her a merry chase as it rolls faster and faster down the hill and into the barnyard.

Together with the Olympics, world's fairs are one of the few regular international events of sufficient scale to showcase a spectrum of sights, wonders, learning opportunities, technological advances, and new (or renewed) urban districts, and to present them all to a mass audience. Meet Me at the Fair: A World's Fair Reader breaks new ground in scholarship on world's fairs by incorporating a number of short new texts that investigate world's fairs in their multiple aspects: political, urban/architectural, anthropological/ sociological, technological, commercial, popular, and representational. Contributors come from eight different countries and represent affiliations in academia, museums and libraries, professional and architectural firms, non-profit organizations, and government regulatory agencies. In taking the measure of both the material artifacts and the larger cultural production of world's fairs, the volume presents its own phantasmagoria of disciplinary perspectives, historical periods, geographical locales, media, and messages, mirroring the microcosmic form of the world's fair itself.

This sequel to "Tasha Tudor's Garden", available for the first time in paperback, coincides with the publication of "The Art of Tasha Tudor" and "Forever Christmas". Inside, Tasha is surrounded by her antiques and collectibles as she is pictured spinning wool on her looms, making candles, pressing cider, and doing other activities.

Shows the artist's Vermont garden, which includes a variety of antique plants, and shares samples of her gardening knowledge.