Literary Criticism -- Biography Conversations with F. Scott Fitzgerald assembles over thirty interviews with one of America's greatest novelists, the author of The Great Gatsby and Tender Is the Night. Although most of these are not standard interviews in the modern sense, the quotes from Fitzgerald and the contemporary journalistic reaction to him reveal much about his writing techniques, artistic wisdom, and life. Editors Matthew J. Bruccoli, the foremost Fitzgerald scholar, and Judith S. Baughman have collected the most usable and articulate pieces on Fitzgerald, including a three-part 1922 interview conducted for the St. Paul Daily News. Fitzgerald (1896-1940) died before the authorial interview became a literary subgenre after World War II. Although Fitzgerald enjoyed his celebrity, as is clear in these pieces, he had a poor sense of public relations and provided interviewers with opportunities to trivialize him. As a result, Fitzgerald was often treated condescendingly in the press. Seven of his interviews-five printed before 1924-have flapper in their headlines. In the Jazz Age-a term Fitzgerald coined-he was regarded as a spokesman for rebellious youth, as a playboy, as an authority on sex and marriage, as an expert on Prohibition, and as an immensely popular writer for his work published in the Saturday Evening Post. Yet his literary ambitions were sizable and his impact on American fiction immeasurable. Matthew J. Bruccoli is Jefferies Professor of English at the University of South Carolina. He has written or edited thirty volumes on Fitzgerald, including the standard biography, Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald. Judith S. Baughman, who works in the department of English at the University of South Carolina, has written the F. Scott Fitzgerald volume in the Gale Study Guides series and has edited American Decades: 1920-1929.

In this collection of 25 interviews "Mr. Styron proves to be a consistently thoughtful & cooperative subject, freely discussing his southern origins, literary influences, writing habits, political views & other topics related to his fiction"--New York Times Book Review.

This Side of Paradise is a novel about post-World War I youth and their morality. Amory Blaine is a young Princeton University student with an attractive face and an interest in literature. His greed and desire for social status warp the theme of love weaving through the story.

These firsthand interviews and newspaper accounts constitute a valuable edition to the sizable and ever-growing Hemingway shelf. They let Papa speak his mind, and the inimitable Hemingway voice comes through clearly: the boastfulness, the fierce ambition, the love of prizefighting and the bullring, the snappish impatience with questions (and questioners) he didn't like, and the high seriousness and dedication to his craft. The pieces from the early days are largely short snippets from newspapers; it is only later - from the 1940s on - that Hemingway begins to get the star treatment from publications such as the New Yorker or George Plimpton's Paris Review. Consequently the best comes last. A splendid, delicious book - for Hemingway fans, one well worth savoring.

From his first novel, This Side of Paradise, which brought him a blaze of youthful fame, to his last, unfinished novel, The Last Tycoon, F. Scott Fitzgerald's appeal as one of America's most quintessential artists has continued to maintain its hold on twenty-first century readers. In this reader-friendly study of Fitzgerald's major fiction, Michael K. Glenday: - Offers new readings of the author's canonical works, including The Great Gatsby and Tender Is the Night - Draws on the very latest research in his reassessment of the ideas and significance of Fitzgerald's major novels - Explores the core themes of the novels, as well as their considerable contribution to the spirit and complexity of modern-day American culture Assuming no prior knowledge, this book is ideal for those seeking a lively, informed introduction to Fitzgerald's fiction, as well as those looking for fresh and original insights into his extraordinary work.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Pigeonholed as a Jazz Age epicurean and an emblem of the Lost Generation, Fitzgerald was at heart a moralist struck by the nation’s shifting mood and manners after WWI. Placing him among Progressives such as Charles Beard, Randolph Bourne, and Thorstein Veblen, David Brown reveals Fitzgerald as a writer with an encompassing historical imagination.