This is the first volume entirely dedicated to contested languages. While generally listed in international language atlases, contested languages usually fall through the cracks of research: excluded from the literature on minority languages and treated as mere ensembles of geographically defined varieties by traditional dialectology. This volume investigates the nature of contested languages, the role language ideologies play in the perception of these languages, the contribution of academic discourse to the formation and perpetuation of language contestedness, and the damage contestedness causes to linguistic communities and ultimately to linguistic diversity. Various situations and degrees of language contestedness are presented and analysed, along with theoretical considerations, exploring potential roads to recognition and issues in language planning that arise from language contestedness. Addressing the “language vs dialect” question head on, the volume opens up new perspectives that are relevant to all students and researchers interested in the maintenance of linguistic diversity.

During the controversial 2004 elections that led to the "Orange Revolution" in Ukraine, cultural and linguistic differences threatened to break apart the country. Contested Tongues explains the complex linguistic and cultural politics in a bilingual country where the two main languages are closely related but their statuses are hotly contested. Laada Bilaniuk finds that the social divisions in Ukraine are historically rooted, ideologically constructed, and inseparable from linguistic practice. She does not take the labeled categories as givens but questions what "Ukrainian" and "Russian" mean to different people, and how the boundaries between these categories may be blurred in unstable times.Bilaniuk's analysis of the contemporary situation is based on ethnographic research in Ukraine and grounded in historical research essential to understanding developments since the fall of the Soviet Union. "Mixed language" practices (surzhyk) in Ukraine have generally been either ignored or reviled, but Bilaniuk traces their history, their social implications, and their accompanying ideologies. Through a focus on mixed language and purism, the author examines the power dynamics of linguistic and cultural correction, through which people seek either to confer or to deny others social legitimacy. The author's examination of the rapid transformation of symbolic values in Ukraine challenges theories of language and social power that have as a rule been based on the experience of relatively stable societies.

Winner of the 2006 Edward Fry Book Award presented by the National Reading Conference The voices of teachers, parents, and students create a compelling ethnographic study that examines the debate between traditional and progressive pedagogies in literacy education and the mismatch of cross-cultural discourses between mainstream schools and Asian families. This book focuses on a Vancouver suburb where the Chinese population has surpassed the white community numerically and socioeconomically, but not politically, and where the author uncovers disturbing cultural conflicts, educational dissensions, and "silent" power struggles between school and home. What Guofang Li reveals illustrates the challenges of teaching and learning in an increasingly complex educational landscape in which literacy, culture, race, and social class intertwine. Advocating for a greater cultural understanding of minority beliefs in literacy education and a more critical examination of mainstream instructional practices, Li offers a new theoretical framework and critical recommendations for teachers, schools, and parents.

Popular Hindi cinema has become a significant signpost of contemporaneity due to its construction of social language. Generally, Hindi cinema has been understood through internal (auteur or genre or cinéma verité) and external aspects (consumption spheres and moviegoers’ complex response in the form of catharsis or everydayness mimesis). However, cinema also needs a new way of discerning with respect to ‘Dalit Representation’. The study needs to look at the construction and meaning of the social language of Hindi cinema. Construction refers to exploring factors beyond the film industry responsible for shaping the social language. Meaning entails the exhibition of social language in the form of messages. Herein, relational exploration becomes crucial. The relationship between factors of social language of Hindi cinema and Dalits must be unraveled for understanding the meaning of social language for Dalits. Contested representation encompasses the nature of absence and presence of Dalits in Hindi cinema.

Discusses the history of bilingual education policies in the United States.

Contested Communities explores the concept of community in postcolonial and diaspora contexts from an interdisciplinary (linguistics, literature, cultural studies) perspective.

Examining Malory's political language, this study offers a revisionary view of Arthur's kingship in the Morte Darthur and the role of the Round Table fellowship. Considering a range of historical and political sources, Lexton suggests that Malory used a specific lexicon to engage with contemporary problems of kingship and rule.