These essays fill a gap in critical response to contemporary Scottish women writers.

This invaluable collection traces the work of nearly a hundred writers over one of the most eventful periods in Scottish literary history. An extensive introduction sets the scene for the growth of women writers from Scotland throughout the whole of the twentieth century. With over 200 poems—from Naomi Jackson, Carol Ann Duffy, Dilys Rose, Kathleen Jamie, Meg Bateman, Jackie Kay, Liz Lochhead and many others—this collection celebrates the exceptional power and range of Scottish women poets.

Introducing the neglected tradition of Scottish women's writing to readers who may already be familiar with English Victorian realism or the historical romances of Walter Scott and Robert Louis Stevenson, this book corrects male-dominated histories of the Scottish novel by demonstrating how women appropriated the masculine genre of romance.

By combining historical spread with a thematic structure, this volume explores the ways in which gender has shaped literary output and addresses the changing situations in which Scottish women lived and wrote.

This is the first comprehensive critical analysis of Scottish women's writing from its recoverable beginnings to the present day. Essays cover individual writers - such as Margaret Oliphant, Nan Shepherd, Muriel Spark and Liz Lochhead - as well as groups of writers or kinds of writing - such as women poets and dramatists, or Gaelic writing and the legacy of the Kailyard. In addition to poetry, drama and fiction, a varied body of non-fiction writing is also covered, including diaries, memoirs, biography and autobiography, didactic and polemic writing, and popular and periodical writing for and by women.

This collection is the first critical and theoretical study of women as the subjects of writing and as writers in Medieval and Early-Modern Scottish literature. The essays draw on a diverse range of literary, historical, cultural and religious sources in Scots, Gaelic and English to discover the complex ways in which 'Woman' was represented and by which women represented themselves as creative subjects. Woman and the Feminine in Medieval and Early Modern Scottish Writing brings to light previously unknown writing by women in the early modern period and offers as well new interpretations of early Scottish texts from feminist and theoretical perspectives.