To what extent does locality influence contemporary art? Can any particular artistic practices be defined as uniquely Cypriot? And does art from Cyprus transcend Western boundaries once it enters the global art scene? This volume uses Cyprus as a case study for the exploration of notions of identity, regionalism, and the global and local in contemporary art practice; it is not, therefore, a complete historiography of contemporary Cypriot art. Rather, this critical text provides a theoretical and historical framework that frames and contextualizes art practices from Cyprus, while always relating these back to the international art world. Numerous current and pressing issues-all relevant beyond Cyprus-are investigated in this book including, but not limited to, art as capital, the emergence of the “periphery”, the importance of thriving localities, issues of memory and memorialization, archaeology, artists' identities, conflict and politics, social engagement, gender politics, and such curatorial alternatives as artist-run spaces. In doing all of this, Contemporary Art from Cyprus not only bears on current and future art practices in this region but highlights the importance of Cypriot art in a global context too.

Formerly a British colony, the island of Cyprus is now a divided country, where histories of political and cultural conflicts, as well as competing identities, are still contested. Cyprus provides the ideal case study for this innovative exploration, extensively illustrated, of how the practice of photography in relation to its political, cultural and economic contexts both contributes and responds to the formation of identity. Contributors from Cyprus, Greece, the UK and the USA, representing diverse disciplines, draw from photography theory, art history, anthropology and sociology to explore how the island and its people have been represented photographically. They reveal how the different gazes- colonial, political, gendered, and within art photography- contribute to the creation of individual and national identities and, by extension, to the creation and re-creation of imagery of Cyprus as place. While Photography and Cyprus focuses on one geographical and cultural territory, the questions this book asks and the themes and arguments it follows apply also to other places characterized by their colonial heritage. The intriguing example of Cyprus thus serves as a fitting test-ground for current debates relating to photography, place and identity.

"The Complete Travel Guide Series" offers a comprehensive exploration of diverse destinations worldwide. Each book provides detailed insights into local culture, history, attractions, and practical travel tips, ensuring travellers are well-prepared to embark on memorable journeys. With vibrant illustrations, beautiful pictures and up to date information, this series is an essential companion for any type of traveller seeking enriching experiences.

Nicosia, the capital city of Cyprus, stands as a unique blend of ancient history and modern urban life. Nestled in the heart of the Mediterranean, Nicosia is not just the administrative and economic center of Cyprus but also a cultural hub that reflects the island's rich and diverse heritage. This city, which has been continuously inhabited for over 4,500 years, offers a fascinating glimpse into the past while simultaneously embracing the future. Nicosia’s significance is amplified by its position as the last divided capital in Europe. Since the Turkish invasion of Cyprus in 1974, Nicosia has been split into two parts: the northern section controlled by Turkish Cypriots and the southern part governed by Greek Cypriots. This division has created a city with two distinct identities, each with its own traditions, culture, and way of life. Despite this separation, efforts for reunification and cooperation continue, reflecting the resilience and hope of its residents. Walking through Nicosia is like traversing a timeline of history. The ancient walls that encircle the city, built by the Venetians in the 16th century, are a testament to its strategic importance over the centuries. These walls, along with other historical landmarks such as the Selimiye Mosque (formerly the Cathedral of Saint Sophia) and the Archbishop's Palace, offer a window into the city’s storied past. Modern Nicosia is a vibrant city where the old meets the new. Skyscrapers and modern architecture sit comfortably alongside traditional Cypriot houses and Byzantine churches. The city is a melting pot of cultures, with a population that includes not just Greek and Turkish Cypriots, but also expatriates and immigrants from around the world. This diversity is reflected in the city’s cuisine, festivals, and daily life, making Nicosia a dynamic and exciting place to live and visit. Economically, Nicosia is the powerhouse of Cyprus. It hosts the island's main financial institutions, major businesses, and educational centers, including the University of Cyprus. The city’s thriving economy is complemented by its role as a cultural and educational center, with numerous museums, galleries, and theaters. These institutions play a crucial role in preserving and promoting the rich cultural heritage of Nicosia and Cyprus as a whole. Environmental sustainability is also becoming a focus in Nicosia’s development. Green spaces, such as the Pedieos River Linear Park, provide residents and visitors with a respite from the urban hustle and bustle. Initiatives to promote cycling and public transportation aim to reduce the city’s carbon footprint, making it a more livable and environmentally friendly urban center. Nicosia is a city that encapsulates the spirit of Cyprus: a place where history and modernity coexist, where diverse cultures blend harmoniously, and where the challenges of the past are met with optimism for the future. It is a city that invites exploration and discovery, offering something for everyone, from history enthusiasts to modern urbanites. Nicosia is not just the heart of Cyprus but also a symbol of its enduring legacy and future potential.

Formerly a British colony, the island of Cyprus is now a divided country, where histories of political and cultural conflicts, as well as competing identities, are still contested. Cyprus provides the ideal case study for this innovative exploration, extensively illustrated, of how the practice of photography in relation to its political, cultural and economic contexts both contributes and responds to the formation of identity. Contributors from Cyprus, Greece, the UK and the USA, representing diverse disciplines, draw from photography theory, art history, anthropology and sociology to explore how the island and its people have been represented photographically. They reveal how the different gazes- colonial, political, gendered, and within art photography- contribute to the creation of individual and national identities and, by extension, to the creation and re-creation of imagery of Cyprus as place. While Photography and Cyprus focuses on one geographical and cultural territory, the questions this book asks and the themes and arguments it follows apply also to other places characterized by their colonial heritage. The intriguing example of Cyprus thus serves as a fitting test-ground for current debates relating to photography, place and identity.