Constance of France: Womanhood and Agency in Twelfth-Century Europe is a biography of Constance of France, sister of King Louis VII of France. Myra Bom recovers Constance's life story and puts it in its medieval context by examining the historical evidence of chronicles, charters, seal imprints and letters. The countess's long and interesting life makes for women's history with a large geographical scope, including France, England, Toulouse and the Latin East. It touches on many aspects of life during the Middle Ages such as birth, marriage and divorce, gender roles, experience of time, and expectation for the afterlife. Bom demonstrates how and to what extent medieval women could, and did, take control of their own lives. This book is an account of the interplay of historical context and agency. .

Medieval society was dominated by its knights and nobles. The literature created in medieval Europe was primarily a literature of knightly deeds, and the modern imagination has also been captured by these leaders and warriors. This book explores the nature of the nobility, focusing on France in the High Middle Ages (11th-13th centuries). Constance Brittain Bouchard examines their families; their relationships with peasants, townspeople, and clerics; and the images of them fashioned in medieval literary texts. She incorporates throughout a consideration of noble women and the nobility's attitude toward women. Research in the last two generations has modified and expanded modern understanding of who knights and nobles were; how they used authority, war, and law; and what position they held within the broader society. Even the concepts of feudalism, courtly love, and chivalry, once thought to be self-evident aspects of medieval society, have been seriously questioned. Bouchard presents bold new interpretations of medieval literature as both reflecting and criticizing the role of the nobility and their behavior. She offers the first synthesis of this scholarship in accessible form, inviting general readers as well as students and professional scholars to a new understanding of aristocratic role and function.

Constance Pascal's career in French psychiatry from 1908 to 1937 exemplifies the opportunities open to women in the French Third Republic as well as the prejudices they encountered. As the first woman psychiatrist in France, Pascal, of Romanian origin, attained professional success at the cost of suppressing her personal life. Best known for her work on dementia praecox, she founded one of the first schools in France for children with severe learning difficulties, and made remarkable contributions in the reform of asylum practices and, influenced by Freudian psychoanalysis, in psychotherapeutic intervention. Her feminism is demonstrated by her distinguished, often contentious, career in a hitherto all male profession and by her support for other women in their professional roles. Her unjustly neglected life story illuminates many of the conflicts experienced by women entering the professions during the belle epoque and the inter-war years. The study's scholarly authority and ambitious theoretical range do not detract from its lively sense of the person and life struggles of the subject making this a fine demonstration of life history research enthralling for the general reader and expert alike. Felicia Gordon is a Senior Member of Wolfson College, Cambridge, and the author of several works on French women's history, among them on Madeleine Pelletier.

In Negotiation and Resistance, Constance Brittain Bouchard challenges familiar depictions of the peasantry as an undifferentiated mass of impoverished and powerless workers. Peasants in eleventh- and twelfth-century France had far more scope for action, self-determination, and resistance to oppressive treatment—that is, for agency—than they are usually credited with having. Through innovative readings of documents collected in medieval cartularies, Bouchard finds that while peasants lived hard, impoverished lives, they were able to negotiate, individually or collectively, to better their position, present cases in court, and make their own decisions about such fundamental issues as inheritance or choice of marriage partner. Negotiation and Resistance upends the received view of this period in French history as one in which lords dealt harshly and without opposition toward subservient peasants, offering numerous examples of peasants standing up for themselves.

A novel of lesbian identity and motherhood, and the societal pressures that place them in opposition. The daughter of an illustrious French family whose members include a former Prime Minister, a model, and a journalist, Constance Debré abandoned her marriage and legal career in 2015 to write full-time and begin a relationship with a woman. Her transformation from affluent career woman to broke single lesbian was chronicled in her 2018 novel Play boy, praised by Virginie Despentes for its writing that is at once “flippant and consumed by anxiety.” In Love Me Tender, Debré goes on to further describe the consequences of that life-changing decision. Her husband, Laurent, seeks to permanently separate her from their eight-year old child. Vilified in divorce court by her ex, she loses custody of her son and is allowed to see him only once every two weeks for a supervised hour. Deprived of her child, Debré gives up her two-bedroom apartment and bounces between borrowed apartments, hotel rooms, and a studio the size of a cell. She involves herself in brief affairs with numerous women who vary in age, body type, language, and lifestyle. But the closer she gets to them, the more distant she feels. Apart from cigarettes and sex, her life is completely ascetic: a regime of intense reading and writing, interrupted only by sleep and athletic swimming. She shuns any place where she might observe children, avoiding playgrounds and parks “as if they were cluster bombs ready to explode, riddling her body with pieces of shrapnel.” Writing graphically about sex, rupture, longing, and despair in the first person, Debré’s work is often compared with the punk-era writings of Guillaume Dustan and Herve Guibert, whose work she has championed. As she says of Guibert: “I love him because he says I and he’s a pornographer. That seems to be essential when you write. Otherwise you don’t say anything.” But in Love Me Tender, Debré speaks courageously of love in its many forms, reframing what it means to be a mother beyond conventional expectations.