"Entonces se me ocurrió una idea fea. Una idea espantosa. La idea espantosa. Un plan horripilante, en el límite de lo posible. El único plan que podría funcionar, siempre y cuando yo fuese capaz de llevarlo a cabo. ¿Podría?"

In 'Music Criticism and Music Critics in Early Francoist Spain', Eva Moreda Rodríguez presents a kaleidoscopic portrait of the diverse and often divergent writings of music critics in the early years of the Franco regime. Carefully selecting contemporary writings by well-known music critics, Moreda Rodríguez contextualizes music criticism written during the Franco regime within the broader intellectual history of Spain from the nineteenth century onwards.--Publisher description.