Conjoined twins have long been a subject of fantasy, fascination, and freak shows. In this first collection of its kind, Millie-Christine McKoy, African American twins born in 1851, and Daisy and Violet Hilton, English twins born in 1908, speak for themselves through memoirs that help us understand what it is like to live physically joined to someone else. Conjoined Twins in Black and White provides contemporary readers with the twins’ autobiographies, the first two “show histories” to be republished since their original appearance, a previously unpublished novella, and a nineteenth-century medical examination, each of which attempts to define these women and reveal the issues of race, gender, and the body prompted by the twins themselves. The McKoys, born slaves, were kidnapped and taken to Britain, where they worked as entertainers until they were reunited with their mother in an emotional chance encounter. The Hiltons, cast away by their horrified mother at birth, worked the carnival circuit as vaudeville performers until the WWII economy forced them to the burlesque stage. The hardships, along with the triumphs, experienced by these very different sister sets lend insight into our fascination with conjoined twins.

The lives and loves of Daisy and Violet Hilton follows the poignant life story of twin sisters who were literally joined at the hip, set against the tumultuous backdrop of America during the first half of the 20th century. Daisy and Violet and an unforgettable cast of show-business characters come alive on the pages of this carefully researched and sensitively written biography. Reviews "Jensen's book is a testament to the fickleness of the entertainment world." -Tampa Bay Tribune "It is an affecting story, gently and honestly told without frills, without sensation. In Jensen's hands, the twins are always human, individuals, never freaks joined at the hips as the world saw them after their birth in 1908. . . Here, their story is pure." -Milwaukee Journal Sentinel

From the author of The Miracle & Tragedy of the Dionne Quintuplets and The Borden Murders comes the absorbing and compulsively readable story of Violet and Daisy Hilton, conjoined twins who were the sensation of the US sideshow circuits in the 1920s and 1930s. On February 5, 1908, Kate Skinner, a 21-year-old unmarried barmaid in Brighton, England, gave birth to twin girls. They each had ten fingers and ten toes, but were joined back to back at the base of the spine. Freaks, monsters--that's what they were called. Mary Hilton, Kate's employer and midwife, adopted Violet and Daisy and promptly began displaying the babies as "Brighton's United Twins." Exhibitions at street fairs, carnivals, and wax museums across England and Scotland followed. At 8 years old, the girls came to the United States, eventually becoming the stars of sideshow, vaudeville, and burlesque circuits in the 1920s and 1930s. In a story loaded with questions about identity and exploitation, Sarah Miller delivers a completely compelling, empathetic portrait of two sisters whose bonds were so sacred that nothing — not even death— would compel Violet and Daisy to break them.

A young woman is haunted by the ghost of her conjoined twin, in Lisa Brown's The Phantom Twin, a sweetly spooky graphic novel set in a turn-of-the-century sideshow. Isabel and Jane are the Extraordinary Peabody Sisters, conjoined twins in a traveling carnival freak show—until an ambitious surgeon tries to separate them and fails, causing Jane's death. Isabel has lost an arm and a leg but gained a ghostly companion: Her dead twin is now her phantom limb. Haunted, altered, and alone for the first time, can Isabel build a new life that's truly her own?

This stunning novel combines fiction with astonishing fact to tell the story of history’s most famous conjoined twins. Born in Siam in 1811—on a squalid houseboat on the Mekong River—Chang and Eng Bunker were international celebrities before the age of twenty. Touring the world’s stages as a circus act, they settled in the American South just prior to the Civil War. They eventually married two sisters from North Carolina, fathering twenty-one children between them, and lived for more than six decades never more than seven inches apart, attached at the chest by a small band of skin and cartilage. Woven from the fabric of fact, myth, and imagination, Strauss’s narrative gives poignant, articulate voice to these legendary brothers, and humanizes the freakish legend that grew up around them. Sweeping from the Far East and the court of the King of Siam to the shared intimacy of their lives in America, Chang and Eng rescues one of the nineteenth century’s most fabled human oddities from the sideshow of history, drawing from their extraordinary lives a novel of exceptional power and beauty.

Nearly a decade after his triumphant Charlie Chan biography, Yunte Huang returns with this long-awaited portrait of Chang and Eng Bunker (1811–1874), twins conjoined at the sternum by a band of cartilage and a fused liver, who were “discovered” in Siam by a British merchant in 1824. Bringing an Asian American perspective to this almost implausible story, Huang depicts the twins, arriving in Boston in 1829, first as museum exhibits but later as financially savvy showmen who gained their freedom and traveled the backroads of rural America to bring “entertainment” to the Jacksonian mobs. Their rise from subhuman, freak-show celebrities to rich southern gentry; their marriage to two white sisters, resulting in twenty-one children; and their owning of slaves, is here not just another sensational biography but a Hawthorne-like excavation of America’s historical penchant for finding feast in the abnormal, for tyrannizing the “other”—a tradition that, as Huang reveals, becomes inseparable from American history itself.