In contrast with historical examinations centring the evolving role of the war correspondent, Conflicting Images focuses on the contribution of photographers and photojournalists, providing an evaluative appraisal of war photography in the news and its development from the nineteenth century to the twenty-first century. Stuart Allan and Tom Allbeson critically explore diverse genres of war photography across a broad historical sweep, encompassing events from the Crimean War (1853–56) and the Civil War in the United States (1861–65) up to and including conflicts unfolding in Syria and Ukraine. This book reflects on the relevance of different types of warfare to visual reporting, from colonial conquest via trench warfare and aerial bombardment, to the ideological dimensions of the Cold War, and ‘embedding’ and ‘winning hearts and minds’ during the ‘War on Terror’ and its aftermath. In pinpointing illustrative examples, the authors examine changing dynamics of production, dissemination, and public engagement. Readers will come to understand how current efforts to rethink the future of war photography in a digital age can benefit from a close and careful consideration of war photography’s origins, early development, and gradual, uneven transformation over the years. Conflicting Images aims to invigorate ongoing enquires and inspire new, alternative trajectories for future research and practice. This book is recommended reading for researchers and advanced students of visual journalism and conflict reporting.

The negative body-image epidemic that affects millions of women is also a hidden problem for millions of men. In spite of a decade-long emphasis on health and fitness - or perhaps because of it - more men are suffering from a variety of eating disorders and self-abusive behaviors. Using vignettes from their patients, the authors present a new program to help men overcome these problems. They offer ways to enhance self-image, facts about why diets fail, information about the dangers of using steroids, and a section for women who want to help the men in their life.

A compelling expose of the truth behind society's racial and sexual stereotypes of black men, this book offers a wide historical perspective and insights into such recent racially charged events as the Clarence Thomas hearings, the O.J. Simpson trial, and the Million Man March. Hutchinson brilliantly counters the image of black men as a population entrenched in crime, drugs, and violence.

The deep and abiding sectarian divide splintering Northern Ireland has been the focus of considerable attention recently. In particular, the role parades and visual displays play in underscoring opposition has come into the spotlight with the emergence of heightened tensions, close on the heels of a tentative peace. Providing penetrating insights into the historical roots of Northern Ireland's ethnic hostilities, this timely book explores the role of images and material culture in shaping present attitudes. Ritual, identity, class and memory are shown to be potent forces informing trenchant animosities -- animosities which are visually reflected in banners and murals for unionists and nationalists alike. The pivotal role of the Twelfth of July parade in Belfast, when an estimated 100,000 either parade or watch the Orangemen, is highlighted. Anyone interested in the future of Northern Ireland and concerned about escalating conflict across the globe will warmly welcome this impressive study.

Rhetoric of Masculinity: Male Body Image, Media, and Gender Role Stress/Conflict lends depth and global nuance to discourse associated with the masculinity concept as it brings to bear on males' self-image, role in society, media representations of them, and the gender role stress/conflict experienced when they fail to measure up to social standards associated with what it means to be manly. Even though the concept of masculine gender role stress/conflict has received substantial scholarly attention in psychology, social learning effects of masculinity as it plays out in media warrant further study given that representations offer audiences restrictive male gender roles that may contribute to toxic masculinity. Men and boys are taught to be self-sufficient, to act tough, to be muscular, heterosexual, and to use aggression to resolve conflicts. Such contexts provide restrictive images that can result in self harm and an inflexible social milieu. Scholars and students of communication, rhetoric, and gender studies will find this book particularly interesting.