A smorgasbord of entertainment and lessons awaits readers as author Joe Farrell releases through Xlibris a unique memoir. Confessions of a Catholic Schoolboy: Jesus Runs Away and Other Stories chronicles his journey as a student who enjoys a carefree life amid schools of rigid discipline and stern religious training. In the early sixties, being in a Catholic school means being compelled to always abide by the rules: pray earnestly when told to do so, study the lessons to answer questions correctly, a “yes” or “no” answer should always be followed by “Sister”, and never ever do anything that would upset or make the teachers mad. Through vivid narration, Confessions of a Catholic Schoolboy unveils the funny side that lurks behind the austere façade of Catholic Schools. It follows the author as he finds himself caught up in different mischief during grade school and to even more grave misbehaviors—including a police arrest—during high school and college. A baby boomer, Farrell’s life is one that is carved by the tumult of the fifties and sixties and the social and personal dramas that come along with it. His is an interesting wave of colors brightened by adventure, discipline, lessons learned, friendship, and love. Providing a good glimpse into the life of pure Catholic training, Confessions of a Catholic Schoolboy: Jesus Runs Away and Other Stories is a witty revelation of a schoolboy’s shenanigans and the ultimate inspiration one can get from them. This memoir of growing up in the 60’s is full of Farrell’s wit, humor, and irreverence yet it’s a touching and poignant story. A fun and enjoyable read.

"What They Did to the Kid" is a memoir spinning as a comic novel for general-fiction readers intrigued by boys' school tales, and baby boomers who "survived Catholic school." Ryan O'Hara, coming of age from 14 to 24, is the wise adolescent narrating readers' entry into the secret culture of 1950's altar boys who go to the seminary, meet priests, and must decide their own identities. The novel's interior ticking covers the clock and calendar of boys' emerging consciences and edgy consciousness. "The San Francisco Chronicle" says, "Jack Fritscher reads gloriously." Strong characters and snappy dialog propel the character-driven plot of male-dominant pecking order. At Misericordia Seminary (aptly nicknamed "Misery"), Ryan O'Hara exposes his own story. He's trapped for oxygen-with 500 other boys-by the imperial Rector Karg, the disciplinarian Father Gunn "of the USMC," the tart Father Polistina, and the rebel-priest Chris Dryden "who knows Fellini and JFK." The storytelling Irish-American author gives each ensemble character-hero or villain, student or priest, man or woman-a rich back story. Black civil rights of the 60's as well as three interesting women characters open this tale out of the suffocating seminary and on to the hot streets of Chicago's South Side and Old Town. The compelling psychological drama hinges on the very source and aspirations of priestly vocation versus self-esteem. "Is God calling me-and what about chastity? Or is it just the 'Bali Hai' of blind ambition and social climbing-and what about sex?" Fritscher makes deeper than usual sense of soulful coming-of-age material. The hearty supply of boarding school episodes cumulatively reveals the dueling dynamic between the boyish protagonist, Ryan O'Hara, and the callous ambition of the handsome bully, Tank Rimsky, as they fight toward the finish line of "manly men's" ordination to the priesthood. "The hardest thing to be in America today is a man." The novel is based on an under-reported story: the Catholic Church recruited 200,000 boys into seminaries in the 1950's. Only 20,000 were ordained. "Kid" details, in a nostalgic and not unkind take what happened to the missing 180,000 boys and the women and men in their families. Daring to step inside Catholic culture, without being parochial, this American story reveals the 1950's roots of 21st-century "recovering Catholic" panic and angst. The millions of post-Catholic baby boomers who have exited the Church will compare notes and laugh knowingly at the dead-on characterizations. Fashionably anti-Catholic campers will say, "but, of course " Readers might catalog "Kid" in the genre of "Young Torless, Portrait of the Artist as a Young Man," and "Lord of the Flies." Before now, no one of the surviving 180,000 ex-seminarians has dared reveal this insider confession on the secret milieu of the Catholic education of priests. From interviews with more than a hundred former seminarians, Jack Fritscher uniquely stages their true story arcs with wit, verve, and comedy. "What They Did to the Kid" is the fourth novel from Jack Fritscher whose twelve books have sold more than 100,000 copies. Jack Fritscher is a graduate of the prestigious Pontifical College Josephinum, a Roman Catholic seminary, located in Columbus, Ohio, and directly subject to the Vatican in Rome. He received his doctorate in American Literature from Loyola University, Chicago.

In Revenge of a Catholic Schoolboy Victor Villsenor brings a message of hope, meaning and personal transformation. The book is a wild, pertinent story that bridges cultural and religious differences. Revenge of a Catholic Schoolboy explores life-altering modern-day miracles and has been deemed a must read for Catholics, ex-Catholics, and for anyone interested in seeing the religions of the world come together. The book presents these ideas not as a proposal of tolerance, but as a way to achieve love, understanding and respect for each other. As Revenge exclaims, "judgment day is here, and it's the day when we all stop passing judgment!"

Roger Williams stumbles through adolescence with the aid of a few friends and his love for the automobile. At the end of college he hits the road to the West Coast in a rolled and tucked, convertible Pontiac, along route 66, over the Sierras to Berkeley for graduate school in 1963. At Berkeley he meets Ginny Wyant a Phi Beta Kappa from Boston University. In the explosive environment of Berkeley in the 60s Roger and Ginny fall in love and move in together. In revolutionary times Roger and Ginny decide to drop out and join the gypsy life. Roger becomes a shade-tree mechanic for artists, musicians, and drug dealers. The parties, the concerts, the riots, the drugs, and the attempts to create a sustainable life outside the mad house of the Vietnam War culture that Roger and Ginny participate in are legendary. After a few years Ginny decides to return to school and complete her PhD in psychology. In 1970 Roger and Ginny have a daughter. The family sustains them through the brutal 70s. By the end of the seventies the war is over, the movement for social change is dead, and the move the to the political right begins. Roger and Ginny move into the next revolution in Silicon Valley. Ginny, who has gotten her degree, gets a job at a psychiatric ward. Roger and Ginny change gender roles. Roger becomes the President of the Mother's Club, rebuilds the house they have been able to buy, and has time to sum up the utopian 60s.

In Gregory Wolfe's collection, The New Religious Humanists, we find the work of a new group of religious intellectuals who have a compelling vision for cultural renewal. In his Introduction Wolfe argues that the only viable alternative to the tired debates between Left and Right comes from one of the oldest - and most relevant - strains of the Judeo-Christian tradition. The writers and topics gathered here offer a rich feast for the mind and heart, including moving personal narratives, meditations on the role of faith in public life, and reflections on environmentalism, abortion, biotechnology, and the arts.

Hunger of Memory is the story of Mexican-American Richard Rodriguez, who begins his schooling in Sacramento, California, knowing just 50 words of English, and concludes his university studies in the stately quiet of the reading room of the British Museum. Here is the poignant journey of a “minority student” who pays the cost of his social assimilation and academic success with a painful alienation — from his past, his parents, his culture — and so describes the high price of “making it” in middle-class America. Provocative in its positions on affirmative action and bilingual education, Hunger of Memory is a powerful political statement, a profound study of the importance of language ... and the moving, intimate portrait of a boy struggling to become a man.