Fletch, investigative reporter extraordinaire, can't be bothered with deadlines or expense-account budgets when it comes to getting his story. Working undercover at the beach to dig up a drug-trafficking scheme for his next blockbuster piece, Fletch is invited into a much deeper narrative. Alan Stanwyk, CEO of Collins Aviation and all-around family man, mistakes the reporter for a strung-out vagabond and asks him for a favor: kill him and escape to Brazil with $50,000. Intrigued, Fletch can't help but dig into this suspicious deal he's being offered. Dodging the shady beach police as his case begins to break open, and with his temperamental editor Clara pushing for his article, he soon discovers that Stanwyk has a lot to hide and this plan is anything but what it seems.

Offering up brisk, tightly written plots and a stellar cast of characters both new and old, Confess, Fletch finds our incorrigible protagonist back in deep waters once again. Fletch, now newly engaged and happily living out his days in Italy, finds himself embroiled in yet another scandal. His soon-to-be father-in-law has been kidnapped and is now presumed dead, and the priceless collection of rare art that belongs to his fiancee's family has been stolen. Ever the investigative reporter, he receives a tip about the missing art that lands him in Boston, where he walks right into a murder scene in his apartment. What clearly looks like a setup to the unfazed Fletch looks quite different to the detective assigned to the case, Mr. Francis Xavier Flynn. But even if the case is seemingly cut-and-dry, Flynn is reluctant to arrest the only suspect that stands before him. Now under the detective's watchful eye, Fletch must try to clear his name and search for the missing paintings, all while his gorgeous future mother-in-law works to persuade him for help the best way she knows how-seduction.

Young Irwin Maurice Fletcher, a.k.a. Fletch, the eager and inventive new reporter for the News-Tribune, is having a hard time finding his place at the newspaper. After a few "mishaps" writing questionable headlines and creatively worded obituaries, Managing Editor Frank Jaffe appoints Fletch to the society pages, where he's assigned to cover a generous yet surprising donation to an art museum from a high-powered defense attorney. But before he can secure an interview, the attorney is shot dead in the newspaper's parking lot, no witnesses in sight. To Fletch's chagrin, the story is reassigned to the boorish lead investigative reporter Biff Wilson, and he's placed on a seemingly unrelated story, some society pages fluff piece about an all-women-trainers health club that's rumored to offer a lot of "extras." Undeterred by Biff's threatening nature and determined to dig up the dirt on both stories, Fletch collects a cast of engaging characters and strings together the scandalous clues that lead to an eventful and unexpected conclusion.

Fletch, as unbridled as ever and still living the good life in Italy on his ill-gotten fortune, gets a surprising visit from two surly FBI agents. The pair offers him a deal: either he attend the American Journalism Alliance convention and work as an undercover spy for them, or be shipped back to headquarters and face jail time for tax evasion. Reluctantly agreeing to the scheme, he catches a red-eye flight back to the States. But just as rubber hits tarmac in Virginia, news breaks on a murder at the convention. The victim-a newspaper tycoon and former employer of I. M. Fletch-was no stranger to enemies. And at a hotel full of reporters who'd all had their dealings with the tyrannical leader, everyone's a suspect.

After spending his younger years wandering and womanizing, Fletch has settled down in rural Tennessee with his new Southern belle, Carrie. But unfortunately, chaos always comes knocking for the semiretired reporter. One stormy evening on his sizable but modest farm, a wet and dirty escaped convict named Jack arrives on his front doorstep, claiming to be his long-lost son. Baffled by the statement but intrigued by the young, intelligent man, Fletch decides to play along with the kid's game and help him and his cohorts abscond to Alabama. As questions begin to arise about Jack's peculiar motives, Fletch and Carrie are reluctantly drawn further into a racially charged plot that's quickly turning violent.

In Fletch’s Moxie, the prolific Gregory Mcdonald tests his incomparable investigative journalist once again with a caper that is as perfectly plotted as Fletch is brilliant. It seems just about everyone in Hollywood had a reason to want Steve Peterman dead. But how someone managed to put a knife in his back on a live broadcast without being seen is anyone’s guess. Unfortunately for Fletch, his girlfriend, Moxie Mooney, a huge star at the box office, is also the number one suspect. With the police asking way too many questions, Fletch whisks Moxie and her drunken father, O.L., off to Key West for a little privacy. But before he can even check out the beach, the rest of the suspects decide to check in. Now, in a house full of Hollywood’s elite, Fletch is increasingly amazed at how ruthless the movie business can be. From the Trade Paperback edition.

Fletch and the Widow Bradley When Fletch finds a wallet with $10,000 in cash inside, he doesn’t realize it’s the last piece of good luck he’s going to see for a while. Because when he calls in to the News-Tribune, he discovers a story he’s written is causing quite a sensation, and not the good kind. He might just be out of a job permanently. Fletch and the Widow Bradley If Tom Bradley, the chairman of Wagnall-Phipps and one of Fletch’s principal sources, and not incidentally, the source of his paper’s embarrassment, is dead, who’s been signing his name to company documents, and why doesn’t the company treasurer seem to know? If he’s alive, how come his widow, Enid, has Tom’s ashes on the mantel? Fletch and the Widow Bradley Fletch may have more questions than answers on his hands, but he knows he’s a pretty good reporter, and if he’s going to get his reputation back, not to mention his job, he’s going to have to get to the bottom of more than one mystery. From the Trade Paperback edition.