Conall II: The Raven’s Flight continues to chronicle the story of Conall and Mórrígan and the epic journey of the warriors from Ériu (Ireland). Conall and his brooding queen, Mórrígan, lead over two thousand warriors with their followers across the narrow sea separating Ériu from Albu. Their quest: the capture of Cassius Fabius Scaeva, the dissolute Roman held responsible for the slaughter of their families. The Ériu encounter human, natural, and supernatural foes and friends. At the mercy of the Aes Sídhe, a race of demi-goddesses who demand that he fulfil his geis, Conall is named the “Hand of the Goddess” and given the instrument that will crush the Na Daoine Tùrsach—a tribe of fanatical, blood-lusting priests. They battle fierce northern tribes: the Forest People's one-eyed king, Drostan Ruadh, opposes their presence, as do the Na Mèadaidh, led by the sly Finnean Mac Sèitheach. Yet, not all are enemies. The Raven People offer their support, although it too comes at a price. Heroes and villains from myth, legend, and history converge in this saga set in the vast ancient forests, frozen bogs, snow-capped mountains, and mysterious lochs of Scotland some four hundred years before the birth of Christ. The Conall Series contains scenes of sex and violence and language appropriate to the period (400 B.C.) it is set in. It is not recommended for those under 14 without parental consent.

Over four hundred years before the birth of Christ, the island of Ériu is a patchwork of feuding kingdoms, vast plains, and frozen bogs. Battle, intrigue, betrayals, and courage are part of life for the Celts who call Ériu home. At the same time, from their underground halls, the mysterious demi-goddesses of the Aes Sídhe seduce brave warriors, turning men into kings and binding them with fearsome geis. Conall Mac Gabhann is content with his apprenticeship with the local blacksmith. Content, that is, until he finds his family slaughtered in their home. Two men share responsibility for the massacre: a mad Irish king and a dissolute Roman. Conall will have his vengeance or die in the attempt. Accompanied by his childhood love—the beautiful but dark-spirited—Mórrígan, and the veteran warrior Fearghal, Conall's quest takes him northward through unfriendly kingdoms to a confrontation beyond the ancient earthworks of the Black Pig's Dyke. Along the way, Conall and Mórrígan will gather an army and come under the influence of the Aes Sídhe. If Conall desires, an apprentice blacksmith will become a king. Who knows what Mórrígan will become? The Conall Series contains scenes of sex and violence and language appropriate to the period (400 B.C.) it is set in. It is not recommended for those under 14 without parental consent.

It is 406 B.C. The Gaels tramp battle through the vast forests of Northern Albu and cross the brooding moors and marshes to reach the grain fields of Southern Albu. The majestic stone brochs, crannags and dùin of the north give way to the great hillforts of the South. Conall III: The Sisters is the third book of the series. In this tale, the fearsome women surrounding Conall take centre stage. A malevolent queen bent on conquering Northern Albu launches an invasion and kidnaps the twin daughters of Conall and Mórrígan. The king's and queen's blood oath promises no mercy until the young twins are returned. Which partners are loyal to their hand-fasting oaths, and who will betray them? Will honour be redeemed on the battlefield? A merciless assassin stalks the community, and Tadhg is given the unenviable task of tracking the killer down. His mission worsens when the signs point to one of the women close to Conall, and he becomes a target. Amid the battles, betrayals and intrigue, Mòrag, a tall beauty and fearsome warrior, desires Conall at any cost. A clash with Conall’s queen, also known as The Dark Huntress, is inevitable. The Conall Series contains scenes of sex, violence, and language appropriate to the period (400 B.C.) in which it is set. It is not recommended for those under 14 without parental consent.

“Butter-gold and cruelly hooked, the beak ripped a ragged gash across the newborn’s throat.” Blacksmith’s son, Conall Mac Gabhann’s only desire was to follow in his father’s footsteps and enjoy a long life with his childhood love, Mórrígan. The slaughter of their parents dashed those dreams. Fuelled by vengeance, both embark on the dark path of retribution. From the ancient forest, two great eagles take wing. With amber-gold eyes, Fate and the Goddess watch, ready to guide and meddle in human lives. Now ‘king over kings’, Conall must complete his geis—at any cost. He takes another stride closer to Rome and a reckoning with Marcus Fabius Ambustus. Flat-bottomed biremes carry Conall’s army across the Muir nIocht to crash on the shingle beaches of Northwestern Gaul. New enemies and uneasy alliances flourish. Assassins, treason, and betrayal thrive. Above all, Conall values loyalty. Thus, treason within the tribe sours his belly. Mercy will have no part in his response. ​​​​​​​The fourth novel in the Conall series, Conall IV: A Brace of Eagles, is a rousing epic of Celtic heroes and villains, bloody battles, political intrigue, honour, betrayal, tragedy and forbidden love. The Conall Series contains scenes of sex, violence, and language appropriate to the period (400 B.C.) in which it is set. It is not recommended for those under 14 without parental consent.

"It is a king's decision," said Brion. "It will not be you who deceives and delivers the lamb to the butcher's block," retorted Eimhir. True evil is a persistent and tenacious beast. Its desire for existence is eternal and insatiable. It needs to infect only one mind for its insidious philosophy to take root and spread. It is 394 B.C. At a remote loch in the highlands of Northern Albu, a priest sacrifices nine innocents. Below the water's surface, a shape feeds on their blood and begins to take form. Soon, it becomes sentient and begins to hunt. Sidheag has risen. Humans cannot defeat the abomination. Neither can Mongfhionn, the powerful demi-goddess of the Aes Sídhe. The only remedy is the Blood Queen, and Gràinne is the reluctant heir to that throne. Will the Blood Queen stand alongside Mongfhionn to confront Sidheag? The cost for Gràinne may be too much—unless her daughter, Brianag, is in jeopardy. Passions, always near the surface of the Gaels, burst into flames in The Blood Queen, where father is pitted against son, mother against daughter, sister against sister, brother against sister, and father against daughter. The Blood Queen contains scenes of sex and violence and uses language appropriate to the period in which it is set, i.e., 400 B.C. It is not recommended for those under 14 without parental consent.

"You have no weapons, striapach." "I am the weapon, tuilí." It is 400 B.C. The mist clears, and three triremes glide into the calm waters of the bay in Southern Ériu. On a grass-topped dune, a young girl dances gleefully at the Goddess's gift. The warrior princesses, Brighid and Danu, leap over the vessels' sides into the cold waters and look north towards their ancestral home—the fort of Ráth Na Conall. The clash of weapons is not a good omen. From his throne in Caher Conri, the depraved Uallachán rages at the sight of the red shield embellished with a swooping black raven and the memories it provokes. He swears vengeance on the daughters of his old adversary. Draighean, a demi-goddess of the mystical Aes Sídhe, stands alone on the mountain peak. She bites full maroon lips, unhappy at her mission. Yet, does she have a choice? Evil must be confronted and defeated. Uallachán's idea of peace is to crush all dissent, but is he no more than a puppet of the powerful kings of the Connachta? The twins know they must defeat the invasion and stop the enslavement of their people. Still, even with the help of Draighean, the odds are daunting. The Dog Roses contains scenes of sex and violence and uses language appropriate to the period in which it is set, i.e., 400 B.C. It is not recommended for those under 14 without parental consent.

Sisters squabble. Queens go to war. Ten summers ago, victory brought peace and prosperity to Southern Ériu. Danu and Brighid were celebrated as heroes and saviours. The queens scaled the heights, and there was only one way to go. One twin became overbearing, the other resentful. Pride dug a pit filled with blackthorns between them. They became tyrants, and the kingdom was sundered. The people were left bitter, divided and afraid, and the lush farmlands fell barren. Stripped of their powers, the Dog Roses were no more. Each blamed the other, and neither took responsibility. Angry parents gave the twins’ brothers an army and tasked them to bring law to the kingdom. An embittered veteran and a beautiful assassin accompany them. Whose gold is in the assassin’s pouch, and what are her orders? In the Halls of the Aes Sídhe, Draighean is chastised and commanded to return to her wards. “Guide them, support them, or kill them. Just finish what you started.” An evil philosophy grows, and another army gathers. Can the sisters be reconciled? The people need the Dog Roses, but can they forgive them? Yet, do Danu and Brighid want the responsibility? Do they want their powers returned? Being normal is very tempting. The Dog Roses: Resolution is the sequel to The Dog Roses. Content warning: The Dog Roses: Resolution contains scenes of sex, violence, and language appropriate to the historical period (400 B.C.) and locations in which the story is set. It is not recommended for those under 14 without parental consent.