The rapid development of Japan at the turn of the last century, including the defeat of Russia in 1904-5, intrigued the western Imperial powers, but also aroused reactions of contempt and suspicion. Britain was the most important of the powers upon which Japan earnestly wished to impress herself to mitigate the rising tide of anti-Japanese sentiment. An exhibition in London, therefore, was seen as a timely event by the Meiji Government to advance Japanese agendas in political, economic and educational terms. This is the first major study of this remarkable venture, fully reviewed and documented, and concerned principally with the Japanese side of the story.

This volume, intended to complement Hotta-Lister’s original 1999 study, marks the centenary of London’s 1910 great Japan-British Exhibition, which was held at White City, Shepherd’s Bush, and attracted over eight million visitors during its six-month stay. While the initiative came from Britain, the Japanese Government was the major source of funding for the Japanese side of the Exhibition. Using the Anglo-Japanese Alliance as its springboard, Japan – at the time a new colonial power – hoped to bring about a greater understanding of its cultures and traditions and thereby stimulate trade and commerce between the two countries. In the event, the Japanese press, unlike the British press, took umbrage at what they considered the trivialization of Japanese culture, thus in part frustrating the positive cultural, commercial and political outcomes that were hoped for. Eighteen months later, Emperor Meiji died and the Great War of 1914-18 followed soon after, thereby relegating the exhibition – its origins, composition, relevance and impact – to oblivion until recent times. The papers in this volume, therefore, drawn from four ‘centenary conferences’ held in London and Tokyo, offer an important spotlight on the exhibition’s legacy – specifically in the contexts of commerce and culture. The contents include the following themes: The Exhibition and domestic conditions in Britain and Japan; the Exhibition and Japan’s economic background; selling the ‘backward’ Japanese economy; imperialism and the Exhibition; the Japanese media and the Exhibition; the arts of Britain and Japan; Ainu in London; Japanese fine art; the human legacy; Japanese gardens. This book has wide inter-disciplinary relevance for students in modern East Asian Studies, but especially in the context of colonial and economic history, inter-cultural exchange and Anglo-Japanese relations.

The Japan-British exhibition in London, 1910 was the most concerted and systematic attempt by Meiji Japan to explain its traditional society and arts, modern industry and empire, to its most important international ally, Great Britain. This is a facsimile edition of the original book compiled and edited for the exhibition by Count Hirokichi Mutsu (1869-1942) and published in London and Tokyo in four parts in 1910 and 1911 by the Imperial Japanese Commission. This compendium of newspaper and journal articles, starting in March 1909 and ending in December of 1910, covers the preparation, activities and immediate aftermath of the Exhibition. Making widely available a veritable treasure trove of information and insight, it will be of interest to students and scholars of Japan and Britain alike, providing authoritative insights into contemporary attitudes in each country towards the other.

＊This Edition Synapse collection is now available outside Japan from Routledge. It brings together primary-source materials on the Japan-British Exhibition of 1910 held at London's Shepherd's Bush from 14 May to 29 October 1910. It was the largest international exposition that the Empire of Japan had participated in to date, and was driven by a desire in Japan to develop a more favourable public image in Great Britain following the renewal of the Anglo-Japanese Alliance. It was also hoped that the display of manufactured products would lead to increased trade with Britain. ＊The lavishly illustrated collection brings together eleven publications, including various guidebooks, illustrated catalogues of exhibited Japanese fine arts, the official report, a collected volume of articles from The Times, and miscellaneous publications and souvenir books published on the occasion of the Exhibition. All the carefully collated works are reprinted as facsimiles of the originals.