A richly diverse anthology of Native American literatures draws on the work of more than two hundred tribes across the United States and Canada and provides information on the historical and cultural contexts of the stories, songs, prayers, and orations.

This book has been happening to me for the past twenty years. That may sound a little strange but, I have never sat down at any time with the intention of writing a poem. It all began when I attended a funeral one afternoon. As I listened to the funeral service I could not help feeling how little comfort the words brought to me. All that day I could not stop thinking about the words of the service; surely, I thought, there must be better words to say to those who are grieving. That evening I went for a walk, and as I stood by a farm gate looking over the fields, I had the most extraordinary urge to wrote something. I had no idea what I should write; I only know that I must write. So I hurried back home and sat down with a pen and paper. I still had no idea what I should write about. I sat there for about three minutes, still feeling the urge, and then my hand began to write. It is a very strange thing to see your hand writing words on paper which are not n your head. I'm quite used to it now, but on that first occasion I was a bit shocked. The writing that day was the poem 'Think of Me' and as you cans see, they are words which have brought comfort to friends from time to time. All the poems come through in their finished state, I rarely if ever have to change a word. I'm happy to say that years later I still get the urge and the poems are still bringing me messages. It is my sincere wish that others will find messages also. Cover painting- "Comes the Dawn" by Des Floody

Advent is a season of memory and hope in which we prepare ourselves to celebrate Jesus' birth and eventual return. During this season we take stock of the darkness in our lives and our world so that we may more fully welcome the light of God at Christmas. Embrace the Coming Light follows four figures from the Gospel of Matthew's account of Jesus' birth: Herod, Joseph, the wise men, and John the Baptist. Readers take a journey that begins in darkness and isolation and ends in light and community. Each week includes a variety of ways to engage Scripture (inductive Bible study, imaginative reading, and lectio divina), a psalm, and writings from other Christians. Embrace the Coming Light also guides readers through a weekly spiritual discipline (a social media fast, solitude, generosity, and adoration) to help deepen the experience of Advent. The devotional has 28 days of readings and prayers and can be used with minor adjustments for Advent in any year.

Bold, sometimes abrasive, forever passionate, Edward Curtis was the quintessential romantic visionary. Curtis struggled through an impoverished boyhood in Minnesota to become a successful society photographer in Seattle. But he soon moved far beyond weddings and studio portraits to his lifes worka multi-volume photographic and ethnogrpahic work on the vanishing world of the North American Indian. Initially, Teddy Roosevelt and J.P. Morgan backed the ambitious project. But as the work stretched over years, Curtis found himself alone with his vision, struggling to finance himself and his crews. The 20-volume North American Indians, finally completed in 1930, cost Curtis his marriage, his friendships, his home, and his health. By the time he died in 1952, he and his monumental work had lapsed into obscurity. In this richly designed book, Anne Makepeace, creator of an award-winning documentary on Curtiss life, reexamines the lasting impact of his work. Curtiss photographs, once ignored, now serve as a link between the romantic past and contemporary Native American communities, who have used his images to reclaim and resurrect their traditions.

As we mature as believers there is a call upon our lives that we must continue to grow in our faith by walking in more light, that is revelation and understanding of who and what God is and who we are in respect of our faith. This call to walk in light is potholed with incorrect and deceiving doctrine that is designed to blind us from the light or keep us from the light entirely. Dr. Gene Herndon utilizes the Word of God to share with us how we can come up to the light and walk in the light so that we can and will experience greater degrees of revelation, understanding and victories.

In these intertwined essays on art, music, and identity, Aisha Sabatini Sloan, the daughter of African American and Italian American parents, examines the experience of her mixed-race identity. Embracing the far-ranging stimuli of her media-obsessed upbringing, she grasps at news clippings, visual fragments, and lyrics from past and present in order to weave together a world of sense. Art in all forms guides the author toward understanding concepts like blackness, jazz, mortality, riots, space, time, self, and other without falling prey to the myth that all things must exist within a system of binaries. Recalling her awkward attempts at coolness during her childhood, Sabatini Sloan evokes Thelonious Monk’s stage persona as a metaphor for blackness. Through the conceptual art of Adrian Piper, the author is able to understand what is so quietly menacing about the sharp, clean lines of an art gallery where she works as an assistant. The result is a compelling meditation on identity and representation.

This collection of 16 essays discusses the broad relationship of women poets to the American literary tradition