Combining the African sources and British colonial traditions, this poetry shares its roots with rap and reggae and has the same hold on the popular imagination. It discusses the work of more than thirty poets and performers and gives detailed analyses of the major ones.

In this heart-wrenching tale of love and loss, a young Marine and his best friend’s sister plunge into a forbidden love affair while he’s home on leave. When a Marine Chaplain knocks on her door, Jessa’s heart breaks—someone she loves is dead. Killed in action, but is it Riley or Kit? Her brother or her boyfriend… Three months earlier, Marine Kit Ryan finds himself back home on leave and dangerously drawn to his best friend Riley’s sister, Jessa—the one girl he can’t have. Exhausted from fighting his feelings, Kit finally gives in, and Jessa isn’t strong enough to resist diving headfirst into a passionate relationship. But what was just supposed to be a summer romance develops into something far greater than either of them expected. Jessa’s finally found the man of her dreams and Kit’s finally discovered there’s someone he’d sacrifice everything for. When it’s time for Kit to redeploy, neither one is ready to say goodbye. Jessa vows to wait for him and Kit promises to come home to her. No matter what. But as Jessa stands waiting for the Marine Chaplain to break her heart, she can’t help but feel that Kit has broken his promise… Riley or Kit? Kit or Riley? Her brother or her boyfriend? Who’s coming home to her?

When Derek Walcott was awarded the Nobel Prize, he was cited for "a poetic oeuvre of great luminosity, sustained by a historical vision, the outcome of a multicultural commitment." The lively interviews in this collection reveal Walcott's generous and brilliant intelligence as well as his strong, forthright opinions. He discusses the craft of poetry, the status of contemporary poetry and drama, his founding of the Trinidad Theatre Workshop, and his views on a number of influential writers, including Eliot, Auden, Brodsky, Heaney, and Naipaul. Boldly speaking his mind, Walcott takes many controversial positions on a wide range of subjects, such as Caribbean and U.S. politics, literary instruction in American universities, the proper role of sound in modern poetry, and the "ego" apparent in contemporary American poetry, and problems of race. Whatever the subject, Walcott responds fully and candidly.

THE NEW YORK TIMES BESTSELLER! "I had the choice to come back ... or not. I chose to return when I realized that 'heaven' is a state, not a place" In this truly inspirational memoir, Anita Moorjani relates how, after fighting cancer for almost four years, her body began shutting down—overwhelmed by the malignant cells spreading throughout her system. As her organs failed, she entered into an extraordinary near-death experience where she realized her inherent worth . . . and the actual cause of her disease. Upon regaining consciousness, Anita found that her condition had improved so rapidly that she was released from the hospital within weeks—without a trace of cancer in her body! Within this enhanced e-book, Anita recounts—in words and on video—stories of her childhood in Hong Kong, her challenge to establish her career and find true love, as well as how she eventually ended up in that hospital bed where she defied all medical knowledge. In "Dying to Be Me," Anita Freely shares all she has learned about illness, healing, fear, "being love," and the true magnificence of each and every human being!

Hellenism and the Postcolonial Imagination: Yeats, Cavafy, Walcott follows the careers of three major poets of the European and North American periphery as they engage one of the master tropes of Western civilization. As colonial subjects, they inherited an Anglicized version of Hellenism whose borders might easily have excluded them as civilizational "others." The book describes the diverse strategies they used--from Bloomian kenosis to Afro-Caribbean "signifyin(g)"--to make Hellenism their own. Their use of Greek material, the book argues, is closely tied to their need as members of colonial minorities--Irish Protestant, Greek-Egyptian, and "part-white and Methodist"--to define themselves against mainstream metropolitan culture on the one hand, and nationalist constructions of the post-colonial homeland on the other. Their Hellenisms participate in the dialectic of local and global, as the poets at once indigenize the Universal Greek, and re-deploy him to hybridize national culture. The result is a triangulated dynamic that challenges established notions of the postcolonial. Among works discussed are Tennyson's "Ulysses," Yeats's "No Second Troy," C.P. Cavafy's "Waiting for the Barbarians," and Walcott's Omeros. Martin McKinsey is an Assistant Professor of English at the University of New Hampshire.

Fans of second chance romances will love this story about two people who have a one-night stand only to go their separate ways, but years later find themselves having to face one another and the secrets they buried.

At Santa Cruz Central High School, they called them the misfits, the outcasts, the weirdos. But most of us knew them as the Lost Boys...Holden Parish survived his parents' horrific attempts to make him "the perfect son." After a year's stint in a Swiss sanitarium to recover, he has vowed to never let anything--or anyone--trap him again. Brilliant but broken, he seeks refuge behind alcohol, meaningless sex, and uses his wicked sense of humor to keep people away. He only has to ride out one year in the coastal town of Santa Cruz with his aunt and uncle before he inherits his billions and can make his escape. Disappear.Falling in love is not in the plans.River Whitmore. Star quarterback of the Central High football team, Prom King, Mr. Popular, ladies' man. He leads the perfect life...except it's all a lie. His father has River's future in the NFL all planned out, while River's dream is to run the family business in the town that he loves. But his mother's illness is tearing the family apart and River is becoming the glue that holds them together. How can he break his father's heart when it's already shattering?River's carefully-crafted façade explodes when he meets Holden Parish. A guy who dresses in coats and scarves year-round, drinks expensive vodka, and spends his free time breaking into houses for the fun of it. They're complete opposites. River seeks a quiet life, away from the spotlight. Holden would rather have dental surgery than settle down.Holden's demons and River's responsibilities threaten to keep them apart, while their undeniable attraction crashes them together again and again, growing into something deep and real no matter how they resist.Until one terrible night changes everything.#MMromancePlease note, this book contains spoilers for The Girl in the Love Song