Traditional color theory can be confusing to artists, especially when they try to use inaccurate color wheels as guides to mixing their colors. Now, Color Theory Made Easy presents an alternative approach that cuts through the tangle of established but contradictory concepts that gives artists a universal theory that really applies to their work. Most artists have been taught that red, blue, and yellow are the primary colors hues that cannot be created from any combination of other colors. However, as a result of years of study, author and artist Jim Ames has concluded that the true primary colors are cyan (a greenish blue), magenta (a violet red), and a yellow that does not learn toward either cyan or magenta. In Color Theory Made Easy, Ames explains the importance of these three colors as the basis for all our thinking about color. Using friendly, clear language and colorful diagrams, the author lays the foundation in Chapter 1 for applying his color theory in art. He shows that all colors in nature are composed of varying percentages of cyan, magenta, and yellow. Chapter 2 builds on this with a survey of the pigment colors artists actually use. Here the author offers an essential education concerning paint selection, and he lists currently available tube colors that are the most accurate in terms of the true primaries. The final chapter explores color mixing principles based on cyan, magenta, and yellow, and applies these principles through a series of watercolor demonstrations. In this illuminating book, Jim Ames has broken new ground and given us a workable color theory that is both simple and indispensable."

Explains how prism test states that color theory is based on the theory all color comes from the primary colors CMY. It then details the CMY color wheel. The next chapter explains 15 paints for watercolor, acrylic and oil paints. The remaining chapters shows practical applications using the CMY color theory with the 15 paints.

Traditional color theory can be confusing to artists, especially when you try to use inaccurate color wheels as guides to mixing their colors. Now, Color theory Made Easy presents an alternative approach that cuts through the tangle of established but contradictory concepts and gives the artist a universal theory that really applies to their work. Most artists have been taught that red, blue, and yellow are the primary colors-hues that cannot be created from any combination of other colors. However, as a result of years of study, author, art teacher, and artist Jim Ames has concluded that the true primary colors are cyan, magenta, and yellow (CMY). In Color theory Made Easy, Ames explains the importance of these three colors as the basis for all our thinking about color.

This innovative book explores color basics and how-to techniques for every room in the house. 16-page color insert.

How-to art instruction book teaching painters how to mix color.

An experimental approach to the study and teaching of color is comprised of exercises in seeing color action and feeling color relatedness before arriving at color theory.

Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects analyzes and explains traditional color theory for fine artists and applies it to the make-up artist. This book is suitable for both professionals and beginners who wish to train their eye further to understand and recognize distinctions in color. It explains why we see color, how to categorize and identify color, relationships between colors, and it relates these concepts to beauty and special effects make-up. The book teaches the reader how to mix flesh tones by using only primary colors, and explains how these colors in paints and make-up are sourced and created. It also discusses the reason for variations in skin colors and undertones, and how to identify and match these using make-up, while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick. Ideas and techniques are also described for painting prosthetics, in addition to using color as inspiration in make-up designs. The book also discusses how lighting affects color on film, television, theater, and photography sets, and how to properly light a workspace for successful applications.