It is the early Cold War. The Soviet Union appears to be in irresistible ascendance and moves to exploit the Olympic Games as a vehicle for promoting international communism. In response, the United States conceives a subtle, far-reaching psychological warfare campaign to blunt the Soviet advance. Drawing on newly declassified materials and archives, Toby C. Rider chronicles how the U.S. government used the Olympics to promote democracy and its own policy aims during the tense early phase of the Cold War. Rider shows how the government, though constrained by traditions against interference in the Games, eluded detection by cooperating with private groups, including secretly funded émigré organizations bent on liberating their home countries from Soviet control. At the same time, the United States utilized Olympic host cities as launching pads for hyping the American economic and political system. Behind the scenes, meanwhile, the government attempted clandestine manipulation of the International Olympic Committee. Rider also details the campaigns that sent propaganda materials around the globe as the United States mobilized culture in general, and sports in particular, to fight the communist threat. Deeply researched and boldly argued, Cold War Games recovers an essential chapter in Olympic and postwar history.

The 1956 Melbourne Olympic Games have become known as the 'friendly games', but East-West rivalry ensured that they were anything but friendly. From the bloody semi-final water polo match between the USSR and Hungary, to the athletes who defected to the West, sport and politics collided during the Cold War.

"My fellow Americans, I'm pleased to tell you today that I've signed legislation that will outlaw Russia forever. We begin bombing in five minutes.†? – Ronald Reagan, 1984. With these words, spoken as a sound check to a radio broadcast, President Reagan came dangerously close to igniting the long-simmering Cold War. Although Soviet forces were placed on alert following reports of this comment, the full-scale conflict between the West and the Soviet Bloc did not break out. Cold War Gone Hot, the latest companion volume for Force on Force, looks at the 44-year history of the Cold War and asks: "what if?†? With the orders of battle, vehicle stats and missions included in this volume, Force on Force players can simulate the advance of Soviet tanks across Western Europe, a thrust into Alaska, or any number of other plausible scenarios where history took a slightly different path.

The Cold War was only cold in that the major powers, the U.S. and the Soviet Union, did not engage in a nuclear war. But during that period (1945-1991) there were wars, spying, shoot downs of numerous reconnaissance aircraft, captures of U.S. military personnel, murders, defections, a space race with men put in orbit and an eventual moon landing. Dangerous Games: Faces, Incidents and Casualties of the Cold War is a return to that era. This book contains many unknown and long-since forgotten stories of that period. With the resurgence of Russia, and its aggressive handling of the Georgian situation, Eastern European countries have become increasingly alarmed that Russia is attempting to recreate a sphere of influence over satellite states of the former Soviet Union. To add to the mounting tension with the West, Russia in its attempt to become a world power once again, has already begun to show its flag in the Western Hemisphere. Considering that we may be facing a second Cold War, this book is a timely reminder of some notable incidents from the intense political period following the end of the Second World War.

How amateur programmers in 1980s Czechoslovakia discovered games as a medium, using them not only for entertainment but also as a means of self-expression. Aside from the exceptional history of Tetris, very little is known about gaming culture behind the Iron Curtain. But despite the scarcity of home computers and the absence of hardware and software markets, Czechoslovakia hosted a remarkably active DIY microcomputer scene in the 1980s, producing more than two hundred games that were by turns creative, inventive, and politically subversive. In Gaming the Iron Curtain, Jaroslav Švelch offers the first social history of gaming and game design in 1980s Czechoslovakia, and the first book-length treatment of computer gaming in any country of the Soviet bloc. Švelch describes how amateur programmers in 1980s Czechoslovakia discovered games as a medium, using them not only for entertainment but also as a means of self-expression. Sheltered in state-supported computer clubs, local programmers fashioned games into a medium of expression that, unlike television or the press, was neither regulated nor censored. In the final years of Communist rule, Czechoslovak programmers were among the first in the world to make activist games about current political events, anticipating trends observed decades later in independent or experimental titles. Drawing from extensive interviews as well as political, economic, and social history, Gaming the Iron Curtain tells a compelling tale of gaming the system, introducing us to individuals who used their ingenuity to be active, be creative, and be heard.

It is the early Cold War. The Soviet Union appears to be in irresistible ascendance, and moves to exploit the Olympic Games as a vehicle for promoting international communism. In response, the United States conceives a subtle, far-reaching psychological warfare campaign to blunt the Soviet advance. Drawing on newly declassified materials and archives, Toby C. Rider chronicles how the US government used the Olympics to promote democracy and its own policy aims during the tense early phase of the Cold War. Rider shows how the government, though constrained by traditions against interference in the Games, eluded detection by cooperating with private groups, including secretly funded émigré organizations bent on liberating their home countries from Soviet control. At the same time, the United States appropriated Olympic host cities to hype the American economic and political system while, behind the scenes, the government attempted clandestine manipulation of the International Olympic Committee. Rider also details the campaigns that sent propaganda materials around the globe as the United States mobilized culture in general, and sports in particular, to fight the communist threat.