In this innovative and engaging study, Mire Koikari recasts the US occupation of Okinawa as a startling example of Cold War cultural interaction in which women's grassroots activities involving homes and homemaking played a pivotal role in reshaping the contours of US and Japanese imperialisms. Drawing on insights from studies of gender, Asia, America and postcolonialism, Koikari analyzes how the occupation sparked domestic education movements in Okinawa, mobilizing an assortment of women - home economists, military wives, club women, university students and homemakers - from the US, Okinawa and mainland Japan. These women went on to pursue a series of activities to promote 'modern domesticity' and build 'multicultural friendship' amidst intense militarization on the islands. As these women took their commitment to domesticity and multiculturalism onto the larger terrain of the Pacific, they came to articulate the complex intertwinement of gender, race, domesticity, empire and transnationality that existed during the Cold War.

This book examines roles of gender, race and nation in the geopolitics of Cold War East Asia on the Island of Okinawa.

"In reaching his conclusions about U.S. foreign policy. Sarantakes uses recently declassified documents to craft a careful consideration of America's larger strategic purposes. His examination of the American administration of Okinawa and the problems it posed for relations between the two nations focuses on their interaction "on the ground" in the Ryuku Islands. Several factors caused the Americans to falter, while Okinawan and Japanese resistance helped speed along the return of the islands."--BOOK JACKET.

Throughout twenty-seven years of military occupation, US public affairs activities aimed to persuade the local Okinawan public that the US administration of Okinawa should be maintained. The US maintains military bases around the globe while advocating democratic ideals, including freedom of the press. Yet, while declaring the occupation of Okinawa necessary for the defence of democracy, the US military administration vigorously repressed freedoms of speech, assembly, the media, and self-determination. This landmark study explores and uncovers the labyrinthine manipulations and mechanisms established to continue to defend the hard deployment of military forces through the soft power techniques of public relations.

Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. By taking a closer look at the cultural realities of this tumultuous period, Lee comprehensively reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War. Lee elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. Cinema and the Cultural Cold War demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony. Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. Cinema and the Cultural Cold War reanimates this almost-forgotten history of cinema and the film industry in Asia.