World's Fairs and International Exhibitions have always had a political as well as a commercial and cultural context. This was particularly true during the Cold War when America and the Soviet Union used architecture and design to represent their opposing political ideologies. Jack Masey served with the United States Information Agency from 1951 to 1979, for many years as Director of Design. This important new book draws on his recollections and extensive new illustrative material to detail the significant role played by architects and designers in shaping America's image during the cultural Cold War.

"Here Winkler argues that in contrast to conventional diplomatic channels, Soviet and American naval offices, sharing bonds inherent in seamen, were able to put ideology aside and speak frankly. Working together, they limited incidents that might have had unfortunate consequences."--BOOK JACKET.

A wide range of transatlantic contributors addresses Berlin as a global focal point of the Cold War, and also assess the geopolitical peculiarity of the city and how citizens dealt with it in everyday life. They explore not just the implications of division, but also the continuing entanglements and mutual perceptions which resulted from Berlin's unique status. An essential contribution to the study of Berlin in the 20th century, and the effects - global and local - of the Cold War on a city.

Vividly written and based on up-to-date scholarship, this title provides an interpretive overview of the international history of the Cold War.