"Just when you think that you can't be surprised anymore, a writer like Wallace Stroby ups the ante." ---Laura Lippman, author of I'd Know You Anywhere Crissa Stone is a career criminal. A complete pro, she never works too close to her New York City home, rarely signs on with the same crew, and never rushes a job. These are the rules that have kept her from getting caught, from doing time. They're the rules her mentor and lover taught her, rules he didn't follow as closely as he should've. Now he's up for parole, and Crissa needs to come up with some real money real fast to help grease the wheels. Word is that there's an illegal card game set for less than a week from now. The take? As much as seven figures. Desperate, Crissa slaps a plan and a crew together. It's robbery, not murder. But when one of her crew loses his cool and they have to abandon the plan, she catches the attention of Eddie the Saint. A hit man recently released from prison, Eddie is no less of a pro than Crissa, and he could use the work, not to mention all that money. One of the most talented writers working in crime fiction today, Wallace Stroby has written a tight, propulsive story in Cold Shot to the Heart that will hold readers captive until well after all the crooks have fled the scene.

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER WINNER OF THE LOS ANGELES TIMES BOOK PRIZE Haunting, harrowing, and profoundly affecting, Shot in the Heart exposes and explores a dark vein of American life that most of us would rather ignore. It is a book that will leave no reader unchanged. Gary Gilmore, the infamous murderer immortalized by Norman Mailer in The Executioner's Song, campaigned for his own death and was executed by firing squad in 1977. Writer Mikal Gilmore is his younger brother. In Shot in the Heart, he tells the stunning story of their wildly dysfunctional family: their mother, a black sheep daughter of unforgiving Mormon farmers; their father, a drunk, thief, and con man. It was a family destroyed by a multigenerational history of child abuse, alcoholism, crime, adultery, and murder. Mikal, burdened with the guilt of being his father's favorite and the shame of being Gary's brother, gracefully and painfully relates a murder tale "from inside the house where murder is born... a house that, in some ways, [he has] never been able to leave." Shot in the Heart is the history of an American family inextricably tied up with violence, and the story of how the children of this family committed murder and murdered themselves in payment for a long lineage of ruin.

Dani Pettrey Launches a New Romantic Suspense Series In college, Griffin McCray and his three best friends had their lives planned out. Griffin and Luke Gallagher would join the Baltimore PD. Declan Gray would head to the FBI and Parker Mitchell would go on to graduate school as a crime scene analyst. But then Luke vanished before graduation and their world--and friendships--crumbled. Now Griffin is a park ranger at Gettysburg, having left life as a SWAT-team sniper when a case went bad. The job is mostly quiet--until the day he captures two relic hunters uncovering skeletal remains near Little Round Top. Griffin just wants the case to go away, but charming forensic anthropologist Finley Scott determines that the body is modern--a young social justice lawyer missing since spring--and all evidence points to the work of an expert sniper. When FBI agent Declan Gray takes over the case, past and present collide. Griffin soon realizes he'll need to confront some of the darkest days of his life if he--and those he cares about--are going to escape a downward spiral of murder that crosses continents.

Includes an excerpt from The fall of Moscow station.

"With the Earth in the path of the rapacious Posleen, the peaceful and friendly races of the Galacti Federation offer their resources to help the backward Terrans--for a price."--Front jacket.

Finally back in print, a frighteningly lucid feminist horror story about marriage The Dry Heart begins and ends with the matter-of-fact pronouncement: “I shot him between the eyes.” As the tale—a plunge into the chilly waters of loneliness, desperation, and bitterness—proceeds, the narrator's murder of her flighty husband takes on a certain logical inevitability. Stripped of any preciousness or sentimentality, Natalia Ginzburg's writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don't more wives kill their husbands?