Cloyce Box was an American original. He was handsome, athletic, intelligent, and ambitious, and his life was the stuff of which dreams and miniseries are made. Starting out as a dirt-poor farm boy from the Texas backcountry, he used his great talents to become a star in the National Football League, a corporate CEO, and a very wealthy man. He was fearless, flamboyant, and controversial. His story is an epic Texas tale of football, cattle, horses, oil, money, power, incredible success, and spectacular failure. The ranch he owned near Frisco, Texas, became famous as the fictional Southfork Ranch on the hit television show Dallas. Financial over-reaching eventually cost him his fortune, just before his death in 1993. With access to Cloyce Box’s personal files and photographs as well as the assistance of his subject’s family and friends, Michael Barr has crafted a biography that is at once clear-eyed and sensitive, allowing the complex character of Cloyce Box to engage and challenge the reader.

For centuries Comanches have captivated imaginations. Yet their story in popular accounts abruptly stops with the so-called fall of the Comanche empire in 1875, when Quanah Parker led Comanches onto the reservation in southwestern Oklahoma. In Cinematic Comanches, the first tribal-specific history of Comanches in film and media, Parker descendant Dustin Tahmahkera examines how Comanches represent themselves and are represented by others in recent media. Telling a story of Comanche family and extended kin and their relations to film, Tahmahkera reframes a distorted and defeated history of Comanches into a vibrant story of cinematic traditions, agency, and cultural continuity. Co-starring a long list of Comanche actors, filmmakers, consultants, critics, and subjects, Cinematic Comanches moves through the politics of tribal representation and history to highlight the production of Comanchería cinema. From early silent films and 1950s Westerns to Disney's The Lone Ranger and the story of how Comanches captured its controversial Comanche lead Johnny Depp, Tahmahkera argues that Comanche nationhood can be strengthened through cinema. Tahmahkera's extensive research includes interviews with elder LaDonna Harris, who adopted Depp during filming in one of the most contested films in recent Indigenous cinematic history. In the fragmented popular narrative of the rise and fall of Comanches, Cinematic Comanches calls for considering mediated contributions to the cultural resurgence of Comanches today.

Jewish Americans have fought in every war and conflict to protect the liberties and freedoms of their country, despite anti-Semitism and prejudices they encountered. Across differences of time, place, and individual background, the heroic service members profiled in this work share a common factor beyond their Jewish heritage: their deeds moved a grateful nation to bestow upon them its greatest military honor. In Jewish Medal of Honor Recipients: American Heroes, veteran author Michael Lee Lanning presents the stories and official citations of Jewish service members who joined the US Armed Forces' most exclusive group through their bravery and self-sacrifice in combat. From the total to date of 3,526 service members who have received the Medal of Honor, Lanning has identified 17 recipients who are confirmed to be Jewish, 11 more who are thought to be Jewish but whose ethnicity has not been fully verified, and another five who were initially recognized as Jewish at the time of award but who have since been determined not to be. Each of these 33 men receives individual attention as Lanning delves into their backgrounds with brief biographies to show the different paths that brought them to their place on the list of honor. He includes the full award citation for each as well. Jewish Medal of Honor Recipients: American Heroes is the result of thorough review of archival sources, interviews with surviving family members, newspaper accounts, and military service records, providing testimony to extraordinary deeds, service, and sacrifice.

From his humble beginnings on a small dairy farm in Wisconsin to America's most recognizable voice of agriculture, Orion Samuelson tells the stories of his sixty-plus years behind the microphone and in front of the camera.

Offering a fresh perspective on the influence of the American southwest--and particularly West Texas--on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a "decentered" modernism--demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women's New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists' aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century.

Bo Derek vaulted into the national spotlight in 1979 as the perfect fantasy woman in 10, Blake Edwards's sophisticated film comedy. Her otherworldly beauty and voluptuous figure captivated men everywhere, while her cornrow hairstyle launched a fashion trend among women. Bo has always remained intensely private about her personal life, especially with regards to her May-December marriage to director John Derek, creating an intriguing sense of mystery that has led to much speculation. Here, for the first time, she reveals the truth about the woman behind the glossy image. Born Mary Cathleen Collins and known as Cathy, she grew up in southern California, the horse-crazy oldest daughter of four. Her father, a public relations executive for the boat manufacturer Hobie Cat, and her mother, a hairstylist and makeup artist for a number of Hollywood figures, separated permanently while Bo was in her teens. During this time her mother was working for Ann-Margret, and it was backstage at one of the entertainer's Las Vegas shows that a theatrical agent approached Bo about pursuing a movie career. At one of her very first auditions the sixteen-year-old Bo met John Derek, a man thirty years her senior, with whom she would spend the next twenty-five years of her life. Theirs was a love affair of epic proportions, but it was one that was widely misunderstood by the press and public alike. John was dubbed a Svengali, and his influence over the young Bo was thought to be limitless. With great candor and an endearing humor, Bo comes clean on a relationship that has long intrigued provided fodder for American gossip mills, and the result is an account that is far from what we may haveimagined. Bo lays bare the intimate moments and madcap adventures that she and John shared, revealing in the process that she has never, even for a moment, relinquished control of her own destiny. Given her unusual story, her only-in-Hollywood childhood, her friendships with Ursula Andress and Linda Evans (both of John's ex-wives), her time spent living in a trailer home, her rumored relationship with Ted Turner, and her exhaustive work for the Republican Party, it often seems as if Bo has lived nine lives rather than just one. Whether spurning Life magazine or passing on the opportunity to work with legendary filmmaker Dino De Laurentiis, Bo has gone with her gut regardless of the consequences. And that's only fitting for the woman who has chosen to live life with no safety nets--and no regrets. But as Bo makes clear in Riding Lessons, it is her passion for John and her love of all things equine that have been the constants in her life. Sharing her hard-won lessons on life and love, she draws on her intuitive understanding of horses to offer surprising insights into the dynamics of intimate relationships. In this compelling memoir, Bo Derek writes openly of her growing self-awareness and of the coping strategies she has learned, whether faced with sudden stardom, the crazy and competitive world of moviemaking, or the death of her beloved husband. With Riding Lessons, she transcends her legendary physical beauty to reveal an inner wisdom certain to enlighten and enthrall readers of all ages.

Race car driver, Swede Savage, blew into the American racing scene in the late 1960s like his native Santa Ana winds. As a second year driver in the 1973 Indianapolis 500, he was a serious threat to win the world's biggest race. His mysterious loss of control exiting the fourth turn on lap 59 produced one of the most violent crashes in the race's history. His injuries would ultimately prove to be fatal.A pregnant Sheryl Savage witnessed her husband's crash from the grandstand. The daughter born to her three months later, Angela Savage, suffered trans-generational trauma in her mother's womb and would struggle for decades to get her life back on track. Only by going to the Indianapolis 500 to confront her biggest fears, would she find the healing that changed her life forever.