An original and thought provoking collection of short stories and photographs with an astounding range from Cleopatra bathing in the fountain of youth, to time travel, to the Egyptian Goddess of the Nile Anuket inviting a young man to an exchange... The Photographs taken by the author range from Egyptian scenes to the antarctic, to the Himalayas, to the Andes and other interesting places.

Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel's origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the essential role of women writers in history who were typically underestimated as active participants of neoclassical culture, often excluded from the same schools that taught their brothers Greek and Latin. However, as author Nicole Horejsi reveals, a number of exceptional middle-class women were actually serious students of the classics. In order to dismiss the idea that women were completely marginalized as neoclassical writers, Horejsi takes up the character of Dido from ancient Greek mythology and her real-life counterpart Cleopatra, the queen of Egypt. Together, the legendary Dido and historical Cleopatra serve as figures for the conflation of myth and history. Horejsi contends that turning to the doomed queens who haunted the Roman imagination enabled eighteenth-century novelists to seize the productive overlap among the categories of history, romance, the novel, and even the epic.

The definitive story of the seven Cleopatras, the powerful goddess-queens of ancient Egypt One of history’s most iconic figures, Cleopatra is rightly remembered as a clever and charismatic ruler. But few today realize that she was the last in a long line of Egyptian queens who bore that name. In The Cleopatras, historian Lloyd Llewellyn-Jones tells the dramatic story of these seven incomparable women, vividly recapturing the lost world of Hellenistic Egypt and tracing the kingdom’s final centuries before its fall to Rome. The Cleopatras were Greek-speaking descendants of Ptolemy, the general who conquered Egypt alongside Alexander the Great. They were closely related as mothers, daughters, sisters, half-sisters, and nieces. Each wielded absolute power, easily overshadowing their husbands or sons, and all proved to be shrewd and capable leaders. Styling themselves as goddess-queens, the Cleopatras ruled through the canny deployment of arcane rituals, opulent spectacles, and unparalleled wealth. They navigated political turmoil and court intrigues, led armies into battle and commanded fleets of ships, and ruthlessly dispatched their dynastic rivals. The Cleopatras is a fascinating and richly textured biography of seven extraordinary women, restoring these queens to their deserved place among history’s greatest rulers.

Make our own liquid soaps and body products right in your kitchen. Catherine Failor shows you how to use her simple double-boiler technique to create luxurious shower gels, revitalizing shampoos, energizing body scrubs, and much more. Step-by-step instructions teach you how to turn basic ingredients like cocoa butter, lanolin, and jojoba into sweet-smelling liquid soaps. You’ll soon be experimenting with your favorite oils and additives as you craft custom-made products that are kind to your nose and gentle on your skin.

Most probably the readers of this magazine have never heard of the original TRACKS. I was in the very same situation until by the end of 2020, when NZ LRDG-historian Brendan OCarroll has provided me with a hardly readable copy of the June 1941 issue of TRACKS. I was immediately fascinated by these windows into the past and just thought: "We should revive TRACKS! " The editor of the original Tracks was, that time 20 years old, TA Sgt. N.A Moore, a clerk attached to LRDG Group HQ. The June 1941 issue was created by him when the LRDG HQ was located at Kufra. There he got the idea to create a "house paper" for the unit. He recalled in a letter which was published in the 1991 Newsletter of the LRDG Association, that there were only a very limited number of people who were willing to contribute and that this first edition was mainly launched thanks to the contribution of Lieut. Col. Bagnold and Captain Kennedy Shaw. And indeed, the June 1941 remained the single and only issue of Tracks - it was never published again.... until today! After TRACKS 2021, TRACKS 2022 is now the second isue of the "re-vived" magazine.

This study examines the reception of Cleopatra from the beginning of the 20th century to the present day as it has been reflected in popular culture in the United States of America. Daugherty provides a broad overview of the influence of the Egyptian queen by looking at her presence in film, novels, comics, cartoons, TV shows, music, advertising and toys. The aim of the book is to show the different ways in which the figure of Cleopatra was able to reach a large and non-elite audience. Furthermore, Daugherty makes a study of the reception of Cleopatra during her own lifetime. He begins by looking at her portrayal in the vicious propaganda campaign waged by Octavian against his rival Marc Antony. The consequence was that Cleopatra was left with a tarnished reputation after the civil war. Daugherty's examination of both the historical and contemporary reception of Cleopatra shows the enduring legacy of one of history's most remarkable queens.

A definitive account of Blaxploitation cinema—the freewheeling, often shameless, and wildly influential genre—from a distinctive voice in film history and criticism In 1971, two films grabbed the movie business, shook it up, and launched a genre that would help define the decade. Melvin Van Peebles’s Sweet Sweetback’s Baadasssss Song, an independently produced film about a male sex worker who beats up cops and gets away, and Gordon Parks’s Shaft, a studio-financed film with a killer soundtrack, were huge hits, making millions of dollars. Sweetback upended cultural expectations by having its Black rebel win in the end, and Shaft saved MGM from bankruptcy. Not for the last time did Hollywood discover that Black people went to movies too. The Blaxploitation era was born. Written by film critic Odie Henderson, Black Caesars and Foxy Cleopatras is a spirited history of a genre and the movies that he grew up watching, which he loves without irony (but with plenty of self-awareness and humor). Blaxploitation was a major trend, but it was never simple. The films mixed self-empowerment with exploitation, base stereotypes with essential representation that spoke to the lives and fantasies of Black viewers. The time is right for a reappraisal, understanding these films in the context of the time, and exploring their lasting influence.