Prokofiev's first symphony, which he mischievously dubbed "Classical," is a sprightly piece based on the symphonic models of Haydn. This is his most frequently performed symphonic work.

Prokofiev started work on his first numbered symphony in the later half of 1916, composing the bulk of it while on a country holiday to escape the street fighting in Petrograd during the February revolution, finally completing the work on September 10, 1917. Inspired by his encounter in conducting class with the works of Haydn and Mozart, the symphony features clear and light orchestration Mozart in particular would have appreciated. The premiere took place in Petrograd on April 18, 1918 with the composer conducting the newly formed State Orchestra, formerly the Court Orchestra of the Tsar. Editor Clinton F. Nieweg used all available sources in preparation of this outstanding edition of this landmark 20th century work. With a new clear engraving, the young Prokofiev's mastery of orchestral writing is readily apparent. First issued by the now-defunct publisher Kalmus in 2010, Serenissima is most pleased to offer this outstanding edition in study score format, along with the full score and orchestral parts. Serenissima is proud to serve as the only authorized publisher for Mr. Nieweg's outstanding editions.

Prokofiev's first symphony, which he mischievously dubbed "Classical," is a sprightly piece based on the symphonic models of Haydn. "I thought that if Haydn were alive today he would compose just as he did before, but at the same time would include something new in his manner of composition," Prokofiev remarked. "I wanted to compose such a symphony: a symphony in the classical style." The composer's synthesis of twentieth harmonies and timbres with eighteenth-century structure and form has captivated audiences since its premiere in 1918. This is Prokofiev's most frequently performed symphonic work, and this edition is meticulously reproduced from an authoritative early source.

The ‘IB Music Revision Guide’ includes analyses of all the prescribed works of the International Baccalaureate Diploma Programme music course through 2016. It also includes a comprehensive overview of all the musical styles and cultures that are examined during the course, practice questions and answers that allow students to check their knowledge, as well as a glossary to help ensure key terms are understood. There are also revision tips and advice on exam technique that will help students prepare for the IB listening exam with confidence. Suitable for Standard and Higher Level.