“You lose your loved ones, and still you want to live.” On 21 July 1942, the Nazis reached the small Polish town of Zolkiew. Life for fifteen-year-old Clara Kramer would never be the same. While those around her were either slaughtered or transported, three families found perilous refuge in a hand-dug cellar. Hers was one of them. Living above and protecting them were the Becks. Mrs. Beck had been the families’ maid. Mr. Beck was alcoholic and a self-professed anti-Semite, yet he risked his life to keep his charges safe. But survival under his protection proved to be anything but predictable. Whether it was his nightly drinking sessions with officers of the SS in the room just above or his torrid affair with one of the hiding women, it seemed that Clara and the others often had as much to fear from Beck as they did from the war. Clara’s mother told her to keep a diary while they lived in the bunker in order to fill her time and “so the world would know what happened to us.” Over sixty years later, Clara Kramer has finally turned those diaries into a compelling and heartbreaking memoir — a story of love and memory and survival.

This book explores the creative women of the "Lost Generation" including painters, sculptors, film makers, writers, singers, composers, dancers, and impresarios who all pursued artistic careers in the years leading up to, during, and following World War I. These women’s stories, and the art they created, commissioned, mobilized as propaganda, and performed shed light on the shifting nature of gender norms during this period. With the combined knowledge and expertise from different contributors, chapters in this book consider how modernist practices continued their development in women’s hands during the war through networks forged by and for women artists in the absence of their male colleagues. These chapters also reflect on how, in many cases, the dissolution of these structures after the November 1918 armistice had detrimental consequences for their professional trajectories. This book challenges the place creative women currently hold in the historical record while also clarifying how these artists and impresarios contributed to wartime and post-war culture. This collection of essays will be of great value to scholars interested in social and gender history of the twentieth century, as well as historians of the arts through offering nuanced understanding of the essential work of female creative professionals, highlighting artistic women’s experiences of resistance, mourning, and reinvention in the shadow of the Great War.

The Life of Clara Barton is a biography of Clarissa Barton, American nurse who founded the American Red Cross. She was a hospital nurse in the American Civil War, a teacher, and a patent clerk. Since nursing education was not then very formalized and she did not attend nursing school, she provided self-taught nursing care. Barton is noteworthy for doing humanitarian work and civil rights advocacy at a time before women had the right to vote. She was inducted into the National Women's Hall of Fame in 1973. The book includes chapters on her childhood, ancestry, career as a teacher and involvement in the American Civil War.

This absorbing account of the life and work of Clara Collet, a leading economist, statistician and champion of women's employment, is the first biography of this remarkable woman and reveals through Collet's diaries her fascinating personal life. An early female university graduate (1880), then teacher, she campaigned for the secondary education provision of girls at a time when it was negligible. Her other major contribution was in raising the status of working-class women, becoming a Commissioner for the Royal Commission on Labour (1892). She was close to the family of Karl Marx, particularly with Eleanor Marx, and with Beatrice Webb. Her enduring friendship with the cult Victorian author George Gissing deeply influenced his writing. Her working relationships with Charles Booth, Lloyd George, Ramsay MacDonald and Winston Churchill are also celebrated

In the English-speaking world the Great War maintains a tenacious grip on the public imagination, and also continues to draw historians to an event which has been interpreted variously as a symbol of modernity, the midwife to the twentieth century and an agent of social change. Although much 'common knowledge' about the war and its aftermath has included myth, simplification and generalisation, this has often been accepted uncritically by popular and academic writers alike. While Britain may have suffered a surfeit of war books, many telling much the same story, there is far less written about the impact of the Great War in other combatant nations. Its history was long suppressed in both fascist Italy and the communist Soviet Union: only recently have historians of Russia begun to examine a conflict which killed, maimed and displaced so many millions. Even in France and Germany the experience of 1914-18 has often been overshadowed by the Second World War. The war's social history is now ripe for reassessment and revision. The essays in this volume incorporate a European perspective, engage with the historiography of the war, and consider how the primary textural, oral and pictorial evidence has been used - or abused. Subjects include the politics of shellshock, the impact of war on women, the plight of refugees, food distribution in Berlin and portrait photography, all of which illuminate key debates in war history.

A brief history of how the people of Laindon and district coped with the problems of the First World War Throughout the book are individual family memories, over 100 photographs and appropriate oems mostly written at the time. Indication of why Britain went to war Insight into the role of the local Explosive factories. Individual stories of those who applied for exemption and the hysteria of suspected spies. The role played by our Women Folk Culminating in individual stories of our men folk who went to war on our behalf.