In this expansive history of South Carolina's commemoration of the Civil War era, Thomas J. Brown uses the lens of place to examine the ways that landmarks of Confederate memory have helped white southerners negotiate their shifting political, social, and economic positions. By looking at prominent sites such as Fort Sumter, Charleston's Magnolia Cemetery, and the South Carolina statehouse, Brown reveals a dynamic pattern of contestation and change. He highlights transformations of gender norms and establishes a fresh perspective on race in Civil War remembrance by emphasizing the fluidity of racial identity within the politics of white supremacy. Despite the conservative ideology that connects these sites, Brown argues that the Confederate canon of memory has adapted to address varied challenges of modernity from the war's end to the present, when enthusiasts turn to fantasy to renew a faded myth while children of the civil rights era look for a usable Confederate past. In surveying a rich, controversial, and sometimes even comical cultural landscape, Brown illuminates the workings of collective memory sustained by engagement with the particularity of place.

Immediately after the Civil War, white women across the South organized to retrieve the remains of Confederate soldiers. In Virginia alone, these Ladies' Memorial Associations (LMAs) relocated and reinterred the remains of more than 72,000 soldiers. Challenging the notion that southern white women were peripheral to the Lost Cause movement until the 1890s, Caroline Janney restores these women as the earliest creators and purveyors of Confederate tradition. Long before national groups such as the Woman's Christian Temperance Union and the United Daughters of the Confederacy were established, Janney shows, local LMAs were earning sympathy for defeated Confederates. Her exploration introduces new ways in which gender played a vital role in shaping the politics, culture, and society of the late nineteenth-century South.

Learn about the evolution of weapons by studying the design of the Civil War weapons cataloged in this attractive, full-color reference book. More than three million Americans fought in the Civil War and over six hundred thousand men, or two percent of the population, died in this dreadful conflict. Its impact is still felt today, for the war shaped our nation, and our national character. Studying the weapons used by both the Union army and Confederate forces tells an intriguing story of its own. The well-equipped Union army had access to the best of the industrial North's manufacturing output. By contrast, the South had to get by with imported arms and locally made copies of patented weapons. But the pressure of war quickly led to improvements in both sides' firearms. A War that began with single-shot horse pistols ended with multi-shot revolvers. Poignant archive photography is used throughout the book, showing the weapons in contemporary action, and placing them in their Civil War context. Evocative paintings by renowned Civil War artist Don Troiani bring the battlefield action to life.

This is a detailed survey, replete with photographs and diagrams, of the field artillery used by both sides in the Civil War. In paperback for the first time, the book provides technical descriptions of the artillery (bore, weight, range, etc.), ordnance purchases, and inspection reports. Appendixes provide information on surviving artillery pieces and their current locations in museums and national parks.

From iron-clads, submarine torpedoes, and military balloons to pontoon bridges, grenades, and siege artillery, this excellent work describes what material was available to the armies and navies of both sides. Over 500 black-and-white illustrations.

Remembering the Civil War: Reunion and the Limits of Reconciliation