Urban historian Kenneth Jackson (The Encyclopedia of New York) and photographer Camilo Vergara collaborate to present a fascinating and beautiful examination of the American cemetery.

New Yorkers have always been pressed for space in life and in death. Central Park is synonymous with New York City. But without Green-Wood Cemetery, located in South Brooklyn, Central Park would have never existed. Founded in 1838, Green-Wood became the city’s most popular tourist attraction. The cemetery was so popular that urban planners challenged architects to come up with plans for a separate green-space for Manhattan. Hence, both Central Park, founded in 1857, and Brooklyn’s Prospect Park, in 1867, were born. Green-Wood presented not only a place to bury the dead but a meditative haven away from the hustle and bustle of the city. Other cemeteries followed in the park style, including Sleepy Hollow and Woodlawn. New York’s changing cultural landscape made Ferncliff Cemetery one of the most coveted places to spend eternity, with the rising popularity of Westchester County and suburban living. New Yorkers even secured a place for the four-legged members of the family with Hartsdale Pet Cemetery, now the largest and oldest pet cemetery in the United States. From the movers and shakers of New York society, to corrupt political bosses and mafiosi, Jazz legends, and a Brooklyn native son who returned to Green-Wood as one of the most famous artists of the 20th century, the stories of the permanent residents of these cemeteries are just as diverse and vibrant as the city itself. To travel through the cemeteries of New York is to travel through the hidden history of what some consider to be the greatest city in the world.

"Pete Fernandez is a mess. He's on the brink of being fired from his middle-management newspaper job. His fiancée has up and left him. Now, after the sudden death of his father, he's back in his hometown of Miami, slowly drinking himself into oblivion. But when a co-worker he barely knows asks Pete to locate a missing daughter, Pete finds himself dragged into a tale of murder, drugs, double-crosses and memories bursting from the black heart of the Miami underworld - and, shockingly, his father's past. Making it up as he goes and stumbling as often as he succeeds, Pete's surreptitious quest becomes the wake-up call he's never wanted but has always needed - but one with deadly consequences. Welcome to Silent City, a story of redemption, broken friendships, lost loves and one man's efforts to make peace with a long-buried past to save the lives of the few friends he has left"--Provided by publisher.

The group of prominent Bostonians who founded Mount Auburn in 1831 had many motives. Although their criticism of urban burials in the name of public health had been to no avail in obtaining public support, the removal of new burials from the center of the expanding city eliminated a particularly bothersome nuisance to real estate developers and urban boosters. By creating a picturesque "rural" cemetery within easy distance from the city center, Mount Auburn's founders solved an urban land use problem while establishing a multifunctional cultural institution where they could attempt to improve experimental horticulture, cultivate taste for fine art and architecture, and, most importantly, shape a usable past in the aesthetic terms then in international vogue. Silent City on a Hill traces Mount Auburn's inception, development, and influence on the urban cemetery and landscape movements, and its many illustrations show what the original visitors to the cemetery saw. Blanche Linden-Ward is Assistant Professor and Coordinator of the American Culture and Communication Program at Emerson College.

A moving, recognizable look at life on lockdown and the effect the coronavirus pandemic had across the world—because every city had a story to tell, and at the end of it all, we were all in it together. In the past year, hospitals filled, highways and subways emptied, landmarks and parks were deserted, our healthcare workers became increasingly fatigued and frustrated, and nearly all human activity paused. In photographs, The Great Wall and The Colosseum look photoshopped, with no tourists in sight. This book is unique in that it creates a visual narrative to document that emptiness as a way to reflect and to find solace amid the shock. A year later, it's something we've all seen and can relate to. This is a stunning collection of the abandoned and austere sights of fifteen major cities throughout the world during the peak outbreak of COVID-19. With their fine art backgrounds and through their network of professional photographers, Julie and Jeffrey Loria worked together to capture the unprecedented lockdown conditions worldwide. The photos show a range of emotions from the physical and psychological weight of caskets being carried to a Rio cemetery, to the completely empty and eerie Times Square and Rodeo Drive, to the patriotic pride in Rome's t-shirt display honoring their Italian flag colors as a symbol of hope. The photographs are not only a reminder of the harrowing pandemic that hushed some of the world’s greatest urban streets, but also proof that across the globe, we were all in this together. Beneath the somberness in these images, there is a hint of beauty amid the stillness, but most of all, there is the presence of hope and promise that we will thrive again. Cities featured include: New York Jerusalem Boston Tokyo Paris Los Angeles Rome Rio de Janeiro San Francisco Washington, DC London Miami Tel Aviv Madrid Chicago

In 1914, desperate for land after the Gold Rush brought a population explosion to San Francisco, the city exiled its cemeteries, barring burials within city limits and relocating its existing graveyards to the tiny town of Colma, just south of Daly City, spawning America's only necropolis, where the dead outnumber the living 1000 to 1. But there's more to the story of the Bay Area's cemeteries than this expulsion. Silent Cities San Francisco reveals the complex cultural makeup of the Bay Area, where diversity and history collide, pitting the dead against the living in a race for space and memorialization.

Silent Cities presents Mat Hennek's portraits of some of the world's great cities-from New York, Los Angeles and London, to Tokyo, Munich and Abu Dhabi-yet all curiously lacking people. Conceived and constructed by man as vessels for human activity, these metropolises are transformed by Hennek into monuments of silence: empty, some-times eerie sites for rituals of work and recreation that are yet to take place. Whether the shimmering windows of a Dallas office building, a lush Hong Kong garden of palms, blooms and fountains, the famed pastel terraced facades of Monaco, or rows of trolleys outside the concrete bulk of Paris' Charles de Gaulle airport, Hennek's pictures demonstrate a consistent formal rigor and recast familiar environments as new sources for focus and reflection.His photographs [...] collect so many elements that they have the power of mandalas, representing the universe in a fragment, and provoking a state of pure contemplation: in the simple experience of gazing, everything becomes pure. Laureline Amanieux