At an excavation of the Great Aztec Temple in Mexico City, amid carvings of skulls and a dismembered warrior goddess, David Carrasco stood before a container filled with the decorated bones of infants and children. It was the site of a massive human sacrifice, and for Carrasco the center of fiercely provocative questions: If ritual violence against humans was a profound necessity for the Aztecs in their capital city, is it central to the construction of social order and the authority of city states? Is civilization built on violence? In City of Sacrifice,Carrasco chronicles the fascinating story of Tenochtitlan, the Aztec capital, investigating Aztec religious practices and demonstrating that religious violence was integral to urbanization; the city itself was a temple to the gods. That Mexico City, the largest city on earth, was built on the ruins of Tenochtitlan, is a point Carrasco poignantly considers in his comparison of urban life from antiquity to modernity. Majestic in scope, City of Sacrifice illuminates not only the rich history of a major Meso american city but also the inseparability of two passionate human impulses: urbanization and religious engagement. It has much to tell us about many familiar events in our own time, from suicide bombings in Tel Aviv to rape and murder in the Balkans.

After a cataclysmic war of the gods, the last of humanity huddles in Bastion, a colossal ringed city. Beyond the outermost wall lies endless desert haunted by the souls of all the world's dead. Trapped in a rigid caste system, Nuru, a young street sorcerer, lives in the outer ring. She dreams of escape and freedom. When something contacts her from beyond the wall, she risks everything and leaps at the opportunity. Mother Death, a banished god seeking to reclaim her place in Bastion's patchwork pantheon, has found her way back into the city. Akachi, born to the wealth and splendour of Bastion's inner rings, is a priest of Cloud Serpent, Lord of the Hunt. A temple-trained sorcerer, he is tasked with bringing peace to the troublesome outer ring. Drawn into a dark and violent world of assassins, gangs, and street sorcerers, he battles the spreading influence of Mother Death in a desperate attempt to save Bastion. The gods are once again at war.

Illuminates the complexities of Aztec life. Readers meet a people highly skilled in sculpture, astronomy, city planning, poetry, and philosophy, who were also profoundly committed to cosmic regeneration through the thrust of the ceremonial knife and through warfare.

Smoking Mirror spoke in smoke and stone. Having returned Mother Death to Bastion, Nuru flees to the inner rings. The Loa heretics seek to turn her to their own ends and topple the nahual from power. As Bastion crumbles, Nuru contemplates the ultimate blasphemy: A world without gods. Broken by his battle with Mother Death, Akachi awakens with renewed purpose. He must hunt the blasphemers who would destroy his beloved city. Armed with the Staff of the Fifth Sun he stalks Nuru through Bastion's rings. The survival of all humanity rests on his shoulders. Nothing is as it seems. Smoking Mirror, god of discord and strife, plots behind the scenes. He manipulates gods and men alike in a game as old as time. From the lowest Grower to the gods at her heart, Bastion is once again at war.

Chichén Itzá ("mouth of the well of the Itza") was one of the great centers of civilization in prehistoric America, serving between the eighth and twelfth centuries A.D. as a religious, economic, social, and political capital on the Yucatán Peninsula. Within the ancient city there were many natural wells or cenotes. One, within the ceremonial heart of the city, is an impressive natural feature with vertical limestone walls enclosing a deep pool of jade green water some eighty feet below ground level. This cenote, which gave the city its name, became a sacred shrine of Maya pilgrimage, described by one post-Conquest observer as similar to Jerusalem and Rome. Here, during the city's ascendancy and for centuries after its decline, the peoples of Yucatán consulted their gods and made ritual offerings of precious objects and living victims who were thought to receive prophecies. Although the well was described by Bishop Diego de Landa in the late sixteenth century, its contents were not known until the early 1900s when revealed by the work of Edward H. Thompson. Conducting excavations for the Peabody Museum of Harvard University, Thompson recovered almost thirty thousand artifacts, most ceremonially broken and many beautifully preserved by burial in the deep silt at the bottom of the well. The materials were sent to the Peabody Museum, where they remained, unexhibited, for over seventy years. In 1984, for the first time, nearly three hundred objects of gold, jade, copper, pottery, wood, copal, textile, and other materials from the collection were gathered into a traveling interpretive exhibition. No other archaeological exhibition had previously given this glimpse into Maya ritual life because no other collection had objects such as those found in the Sacred Cenote. Moreover, the objects from the Cenote come from throughout Mesoamerica and lower Central America, representing many artistic traditions. The exhibit and this, its accompanying catalog, marked the first time all of the different kinds of offerings have ever been displayed together, and the first time many have been published. Essays by Gordon R. Willey and Linnea H. Wren place the Cenote of Sacrifice and the great Maya city of Chichén Itzá within the larger context of Maya archaeology and history. The catalog entries, written by Clemency Chase Coggins, describe the objects displayed in the traveling exhibition. Some entries are brief descriptive statements; others develop short scholarly themes bearing on the function and interpretation of specific objects. Coggins' introductory essay describes how the objects were collected by Thompson and how the exhibition collection has been studied to reveal the periods of Cenote ritual and the changing practices of offering to the Sacred Cenote.

You are a young man from a noble family in Mexico. Little do you suspect that you are about to fall victim to one of the most powerful South American civilisations and become an Aztec sacrifice! This title in the best-selling children’s history series, You Wouldn't Want To…, features full-colour illustrations which combine humour and accurate technical detail and a narrative approach placing readers at the centre of the history, encouraging them to become emotionally-involved with the characters and aiding their understanding of what life would have been like living in the Aztec civilisation. Informative captions, a complete glossary and an index make this title an ideal introduction to the conventions of information books for young readers. It is an ideal text for Key Stage 2 shared and guided reading and helps achieve the goals of the Scottish Standard Curriculum 5-14.

Raymond Donne wasn't always a schoolteacher. Not only did he patrol the streets of Williamsburg, Brooklyn, as one of New York's Finest, but being the nephew of the chief of detectives, he was expected to go on to bigger things. At least he was until the accident that destroyed his knees. Unable to do the job the way he wanted, he became a teacher in the same neighborhood, and did everything he could to put the force behind him and come to terms with the change. Then Frankie Rivas, a student in Ray's class and a baseball phenom, stops showing up to school. With Frankie in danger of failing and missing out on a scholarship, Ray goes looking for him, only to find Frankie's father bludgeoned to death in their apartment. Frankie and his younger sister are gone, possibly on the run. But did Frankie really kill his father? Ray can't believe it. But then who did, and where are Frankie and his sister? Ray doesn't know, but if he's going to have any chance of bringing them home safely, he's going to have to return to the life, the people, and the demons he walked out on all those years ago. Intense, authentic, and completely gripping, Tim O'Mara's Sacrifice Fly is an outstanding debut from a stellar new voice in crime fiction.