From the Newbery Award-winning author of Across Five Aprils and Up a Road Slowly comes a tale of a brave young man’s struggle to find his own strength during the Great Depression. “A powerfully moving story.”—Chicago Daily News In 1932, American's dreams were simple: a job, food to eat, a place to sleep, and shoes without holes. But for millions of people these simple needs were nothing more than dreams. At fifteen years of age, Josh has to make his own way through a country of angry and frightened people. This is the story of a young man’s struggle to find a life for himself in the most turbulent of times.

Witness astounding feats of physics Hurry! Hurry! Come one, come all. Meet a man who can pull two railroad passenger cars with his teeth and a real-life human cannon ball. Come face to face with a dead rattlesnake that still bites. And unlock the secrets to the magician's bodiless head. Welcome to Jearl Walker's Flying Circus of Physics, 2nd Edition, where death-defying stunts, high-flying acrobatics, strange curiosities, and mind-bending illusions are all part of everyday life. You don't need a ticket; you only need to look to the world around you to uncover these fascinating feats of physics. Completely updated and expanded, this Second Edition of Jearl Walker's best-selling book features more than 700 thoroughly intriguing questions about relevant, fun, and completely real physical phenomena. Detailed explanations and references to outside sources guide your way through the problems. You'll discover answers to such questions as: * Can you start a fire with ice? * Why does the sky turn green just before a tornado? * Why do wintergreen LifeSavers glow in the dark when you bite them? * If you are falling in an elevator, should you try to jump up at the last second or lay flat against the floor? * How do electric eels produce their electric field? * Why is wet sand darker than dry sand? * What causes an oasis mirage? * Why do stars twinkle? * Could you drive a car on a ceiling?

#1 NATIONAL BESTSELLER • Two starcrossed magicians engage in a deadly game of cunning in the spellbinding novel that captured the world's imagination. • "Part love story, part fable ... defies both genres and expectations." —The Boston Globe The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.

This book examines how circus and circus imaginary have shaped the historical avant-gardes at the beginning of the 20th century and the cultures they help constitute, to what extent this is a mutual shaping, and why this is still relevant today. This book aims to produce a better sense of the artistic work and cultural achievements that have emerged from the interplay of circus and avant-garde artists and projects, and to clarify both their transhistorical and trans-medial presence, and their scope for interdisciplinary expansion. Across 14 chapters written by leading scholars – from fields as varied as circus, theatre and performance studies, art, media studies, film and cultural history – some of which are written together with performers and circus practitioners, the book examines to what extent circus and avant-garde connections contribute to a better understanding of early 20th century artistic movements and their enduring legacy, of the history of popular entertainment, and the cultural relevance of circus arts. Circus and the Avant-Gardes elucidates how the realm of the circus as a model, or rather a blueprint for modernist experiment, innovation and (re)negotiation of bodies, has become fully integrated in our ways of perceiving avant-gardes today. The book does not only map the significance of circus/avant-garde phenomena for the past, but, through an exploration of their contemporary actualisations (in different media), also carves out their achievements, relevance, and impact, both cultural and aesthetic, on the present time.

Fifteen tales that explain why Danny Meadow Mouse has a short tail, the reason Reddy Fox has no friends, and other mysteries about the residents of the Green Meadow.

A century ago, daily life ground to a halt when the circus rolled into town. Across America, banks closed, schools canceled classes, farmers left their fields, and factories shut down so that everyone could go to the show. In this entertaining and provocative book, Janet Davis links the flowering of the early-twentieth-century American railroad circus to such broader historical developments as the rise of big business, the breakdown of separate spheres for men and women, and the genesis of the United States' overseas empire. In the process, she casts the circus as a powerful force in consolidating the nation's identity as a modern industrial society and world power. Davis explores the multiple "shows" that took place under the big top, from scripted performances to exhibitions of laborers assembling and tearing down tents to impromptu spectacles of audiences brawling, acrobats falling, and animals rampaging. Turning Victorian notions of gender, race, and nationhood topsy-turvy, the circus brought its vision of a rapidly changing world to spectators--rural as well as urban--across the nation. Even today, Davis contends, the influence of the circus continues to resonate in popular representations of gender, race, and the wider world.