Twelve-year-old Circa Monroe has a knack for restoring old photographs. It's a skill she learned from her dad, who loves old pictures and putting fun digital twists on them. His altered "Shopt" photos look so real that they could fool nearly anybody, and Circa treasures the fun stories he makes up to explain each creation. One day, her father receives a strange phone call requesting an urgent delivery, and he heads out into a storm. The unimaginable happens: a tornado, then a terrible accident, and Circa never sees her dad again. Just as Circa and her mom begin to pick up the pieces, a mysterious boy shows up on their doorstep, a boy called Miles who remembers nothing about his past. The only thing he has with him is the photograph that Circa's dad intended to deliver on the day he died. As Circa tries to help Miles recover his identity, she begins to notice something strange about the photos she and her father retouched—the digital flourishes added to the old photos seem to exist in real life. The mysteries of the Shopt photos and Miles's past are intertwined, and in order to solve both, Circa will have to figure out what's real and what's an illusion. With stunning prose, captivating photographs, and a hint of magic, Circa Now is a gripping story full of hope and heart.

This account of modern rock music “skillfully articulates the brutal social truths that compel young people to create meaning and subculture out of chaos” (Donna Gaines, author of Teenage Wasteland). In Sells Like Teen Spirit, Ryan Moore tells the story of how music and youth culture have changed along with the economic, political, and cultural transformations of American society over four decades. By attending concerts, hanging out in dance clubs and after-hour bars, and examining the do-it-yourself music scene, Moore gives a riveting, first-hand account of the sights, sounds, and smells of “teen spirit.” Moore traces the histories of punk, hardcore, heavy metal, glam, thrash, alternative rock, grunge, and riot grrrl music, and relates them to wider social changes that have taken place. Alongside the thirty images of concert photos, zines, flyers, and album covers in the book, Moore offers original interpretations of the music of a wide range of bands including Black Sabbath, Black Flag, Metallica, Nirvana, and Sleater-Kinney. Written in a lively, witty style, Sells Like Teen Spiritsuggests a more hopeful attitude about the ways that music can be used as a counter to an overly commercialized culture, showcasing recent musical innovations by youth that emphasize democratic participation and creative self-expression—even at the cost of potential copyright infringement. “Brilliantly situates the histories of several musical styles within the political, economic, and social changes that led to the development of an assortment of rock subgenres . . . engaging.” —Journal of Youth and Adolescence

Like the rhapsodists, the storytellers of ancient Greece, A Pretty Sight shapes voices of the past and present into a stitched song lifted and sounded toward the next century. Haunted by "time's frame / that dark shape near the edge of the canvass," O’Meara's new book explores aspects of culture, art, war, rebellion and technology, offering defiance amid decay.

"Meet Julian and Josephine, an immigrant couple n New York's Lower East Side, circa 1890. Meet Gideon and Margie, an unlikely pair of historical reenactors, circa now. A museum tour goes off the rails in this jaunty tale of old places, new beginnings and timeless questions"--P. [4] of cover.

Civilising Grass is a socio-cultural analysis of the lawn on the South African highveld, exploring the complex relationship between landscape and power in the country’s colonial, modernist and post-apartheid eras. Drawing from eco-criticism, queer theory, art history and postcolonial studies, this book offers a lively and provocative reading of texts and illustrations to reveal the racial and gendered aspects of ‘natural’ environments. It argues that the lawn, an ordinary and often overlooked feature of South African everyday life, is neither natural nor innocent. Rather, like other colonial landscapes, the lawn functions as a site of commonplace violence, of oppression, dispossession and segregation. This book explores an eclectic archive of artistic, literary and architectural lawns between 1886 and 2017, analysing poems, maps, gardening blogs, adverts, ethnographies and ephemera, as well as literature by Koos Prinsloo, Marlene van Niekerk and Ivan Vladislavic. In addition, Civilising Grass includes colour reproductions of lawn artworks by David Goldblatt, Lungiswa Gqunta, Pieter Hugo, Anton Kannemeyer, Sabelo Mlangeni, Moses Tladi and Kemang Wa Lehulere. Examination of these and other works reveals the organic relationship between lawn and wildness, and between lawn and human/non-human actors – thereby providing rich and unexpected insights into South African society past and present.