Cinderella Story is an experimental autoethnography that explores critical racial issues in America through the media of language and images.

Retells the classic French version of Cinderella, along with three similar tales: Rhodopis from Egypt, Yeh-Shen from China, and Little Burnt Face from the Micmac Indians of the Canadian Maritimes.

This practical resource and widely used text presents a wealth of research-based approaches to comprehension instruction. The authors offer specific classroom practices that help K-9 students compare and evaluate print and online sources, develop vocabulary, build study and test-taking skills, and become motivated readers.

"Samuel D. Fohr holds that the Grimms' tales are not just childish 'fairy tales', but are filled with spiritual symbolism, and as such have value for adults as well as children. Snow White, for example, is a story of creation and spiritual growth, and its message parallels Hindu and Judaic creation myths. Hansel and Gretel and Cinderella both portray the journey back to God. Fohr also looks at recurring themes in the stories, and answers such questions as: Why are giants always evil and dwarves always good? What is the symbolic significance of the hungry wolf who appears in many stories? Exactly what are genies, and why are they always trapped in bottles? A delightful but serious examination of cherished stories, this book reveals new meaning in familiar tales. Also included is an extensive bibliography and an Appendix on the authenticity of the Grimms' tales."--Publisher's description.

Left to live with her stepmother and stepsisters, Samantha finds comfort in the friendship of a faceless IM buddy named Nomad, but when the two finally meet at a costume ball, things go awry, and the only clue Nomad has to finding her is the cell phone sh

Glass slippers, a fairy godmother, a ball, a prince, an evil stepfamily, and a poor girl known for sitting amongst the ashes: incarnations of the "Cinderella" fairy tale have resonated throughout the ages. Hidden between the lines of this fairy tale exists a history of fantasy about agency, power, and empowerment. This book examines twenty-first-century “Cinderella” adaptations that envision the classic tale in the twenty-first century through the lens of wokenesss by shifting rhetorical implications and self-reflexively granting different possibilities for protagonists. The contributors argue that the "Cinderella" archetype expands past traditional takes on the passive princess. From Sex and the City to Game of Thrones, from cyborg "Cinderellas" to Inglorious Basterds, contributors explore gender-bending and feminist adaptations, explorations of race and the body, and post-human and post-truth rewritings. The collection posits that contemporary “Cinderella” adaptations create a substantive cultural product that both inform and reflect a contemporary social zeitgeist.