'Church Music and Protestantism in Post-Reformation England' breaks new ground in the religious history of Elizabethan England, through a closely focused study of the relationship between the practice of religious music and the complex process of Protestant identity formation. Hearing was of vital importance in the early modern period, and music was one of the most prominent, powerful and emotive elements of religious worship. But in large part, traditional historical narratives of the English Reformation have been distinctly tone deaf. Recent scholarship has begun to take increasing notice of some elements of Reformed musical practice, such as the congregational singing of psalms in meter. This book marks a significant advance in that area, combining an understanding of theory as expressed in contemporary religious and musical discourse, with a detailed study of the practice of church music in key sites of religious worship. Divided into three sections - 'Discourses', 'Sites', and 'Identities' - the book begins with an exploration of the classical and religious discourses which underpinned sixteenth-century understandings of music, and its use in religious worship. It then moves on to an investigation of the actual practice of church music in parish and cathedral churches, before shifting its attention to the people of Elizabethan England, and the ways in which music both served and shaped the difficult process of Protestantisation. Through an exploration of these issues, and by reintegrating music back into the Elizabethan church, we gain an expanded and enriched understanding of the complex evolution of religious identities, and of what it actually meant to be Protestant in post-Reformation England.

A comprehensive and definitive study of Protestant church music has been awaited for almost three decades, since Friedrich Blume wrote a short, initial exploration of the subject. This greatly expanded version, newly translated from the German, serves to trace the historical developments of the music in the various Protestant services from both the musical and theological points of view. In addition, the author examines that large body of religious music which does not properly appertain to any specific liturgy, but does belong in a study of this dimension. The author has enlisted the aid of specialists in several fields to provide the expertise necessary to encompass so vast a subject. Dr. Ludwig Finscher revised the chapter on the Reformation and brought it up to date, while the author himself extended the chapter on Confessionalism which follows. Dr. Georg Feder, head of the Haydn Institute in Cologne, has written on the developments in the eighteenth and nineteenth centuries; and the late professor Adam Adrio of Berlin concerned himself with the twentieth. Dr. Walter Blankenburg has provided fascinating information on the Bohemian Brethren as well as other interesting denominations in the Reformed areas of Europe. For this English-language edition, new chapters were specially written by Torben Schousboe on Scandinavian music, by Robert Stevenson on Protestant music in America, and by Watkins Shaw on church music in England from the Reformation to the present day. With these additions, the present volume becomes the definitive reference work on Protestant church music.

Notions of which behaviours comprised sin, and what actions might lead to salvation, sat at the heart of Christian belief and practice in early modern England, but both of these vitally important concepts were fundamentally reconfigured by the reformation. Remarkably little work has been undertaken exploring the ways in which these essential ideas were transformed by the religious changes of the sixteenth-century. In the field of reformation studies, revisionist scholarship has underlined the vitality of late-medieval English Christianity and the degree to which people remained committed to the practices of the Catholic Church up to the eve of the reformation, including those dealing with the mortification of sin and the promise of salvation. Such popular commitment to late-medieval lay piety has in turn raised questions about how the reformation itself was able to take root. Whilst post-revisionist scholars have explored a wide range of religious beliefs and practices - such as death, providence, angels, and music - there has been a surprising lack of engagement with the two central religious preoccupations of the vast majority of people. To address this omission, this collection focusses upon the history and theology of sin and salvation in reformation and post-reformation England. Exploring their complex social and cultural constructions, it underlines how sin and salvation were not only great religious constants, but also constantly evolving in order to survive in the rapidly transforming religious landscape of the reformation. Drawing upon a range of disciplinary perspectives - historical, theological, literary, and material/art-historical - to both reveal and explain the complexity of the concepts of sin and salvation, the volume further illuminates a subject central to the nature and success of the Reformation itself. Divided into four sections, Part I explores reformers’ attempts to define and re-define the theological concepts of sin and salvation, while Part II looks at some of the ways in which sin and salvation were contested: through confessional conflict, polemic, poetry and martyrology. Part III focuses on the practical attempts of English divines to reform sin with respect to key religious practices, while Part IV explores the significance of sin and salvation in the lived experience of both clergy and laity. Evenly balancing contributions by established academics in the field with cutting-edge contributions from junior researchers, this collection breaks new ground, in what one historian of the period has referred to as the ‘social history of theology’.

The Reformation of the Decalogue tells two important but previously untold stories: of how the English Reformation transformed the meaning of the Ten Commandments, and of the ways in which the Ten Commandments helped to shape the English Reformation itself. Adopting a thematic structure, it contributes new insights to the history of the English Reformation, covering topics such as monarchy and law, sin and salvation, and Puritanism and popular religion. It includes, for the first time, a comprehensive analysis of surviving Elizabethan and Early Stuart 'commandment boards' in parish churches, and presents a series of ten case studies on the Commandments themselves, exploring their shifting meanings and significance in the hands of Protestant reformers. Willis combines history, theology, art history and musicology, alongside literary and cultural studies, to explore this surprisingly neglected but significant topic in a work that refines our understanding of British history from the 1480s to 1625.

Presents issues that affected the course of music within the church of England during the reformation.