Diary of a Mad Fat Girl’s plus-sized spitfire Graciela “Ace” Jones returns in a hilarious new adventure from New York Times bestselling author Stephanie McAfee. Ace has left the tiny Mississippi town of Bugtussle for the palm fronds and mojitos of Pelican Cove, Florida. She’s finally opening her long-dreamed-of art gallery, is kick-starting a life with her fiancé, Mason, and has vowed to leave her straight-talking, sassy ways behind her. From now on, she’s going to be as sweet as sugar. Unfortunately, something comes along to sour her plans. That something is Mrs. Lenore Kennashaw and her coterie of crones. They’re a bunch of snippy, snarky, and just plain mean ’ol ladies who aren’t quite as smart or rich as they’d like to think they are. But that doesn’t stop them from treating everyone else like second-class citizens. And when Ace inadvertently takes some of the steam from Mrs. Kennashaw’s stride, she becomes their #1 enemy. But with the support of a new group of fabulous friends, as well as her friends from Bugtussle—and her always-faithful chiweenie Buster Loo—Ace will find a way to make it, even if she has to throw some weight around…

Fiction. LGBTQIA Studies. YOUTH RAGE! YOUTH VIOLENCE! YOUTH ORGASMS! FEAR OF A GAY UNDERCLASS--ARMED--DANGEROUS--SICK FUCKS. Andy 'Chubz' Wilson is just another NEET on the street, spending his summer days sucking dick and chilling in the park, one hand on his touchscreen, the other down his pants. That is, until he meets charming left-wing journalist and cute crypto-twink Owen whilst trawling grindr for sex. But what starts as a quick, breathless hookup ends up changing Chubz--and London--forever. Whilst Owen battles poppers-mad PM Nigel 'Nige' Farage, our cock-hungry comrade wages his own 'ass' war, and is left wondering: just what exactly is it he's fighting for? Socialism? Barbarism? Or just cheap kicks?

Stefanie Wilder-Taylor has never been one to take the easy, conventional route. In her latest work It’s Not Me, It’s You, she unabashedly showcases a life well lived, ignoring all wisdom, but yet somehow, coming out on top. Combining her trademark biting wit and straightforward common sense, the anticipated comedic memoir delivers outrageous tales from all periods of her life and family history. From Taylor’s outlook on working hard (audition for a game show instead) to getting her husband to propose (forget The Rules: try nagging and physical violence) these stories venture beyond daycare, sure to entertain both parents and non-parents alike. Covering a wide range of topics that explore the anxiety, frustration, and exhaustion that accompany the rewarding, comical, awe-inspiring, and life-altering roles of parent, teenager, wife, and daughter, It’s Not Me, It’s You offers readers an escape, empathy, and plenty of laughs.

An unconventional history of homosexuality We all remember Oscar Wilde, but who speaks for Bosie? What about those ‘bad gays’ whose unexemplary lives reveal more than we might expect? Many popular histories seek to establish homosexual heroes, pioneers, and martyrs but, as Huw Lemmey and Ben Miller argue, the past is filled with queer people whose sexualities and dastardly deeds have been overlooked despite their being informative and instructive. Based on the hugely popular podcast series of the same name, Bad Gays asks what we can learn about LGBTQ+ history, sexuality and identity through its villains, failures, and baddies. With characters such as the Emperor Hadrian, anthropologist Margaret Mead and notorious gangster Ronnie Kray, the authors tell the story of how the figure of the white gay man was born, and how he failed. They examine a cast of kings, fascist thugs, artists and debauched bon viveurs. Imperial-era figures Lawrence of Arabia and Roger Casement get a look-in, as do FBI boss J. Edgar Hoover, lawyer Roy Cohn, and architect Philip Johnson. Together these amazing life stories expand and challenge mainstream assumptions about sexual identity: showing that homosexuality itself was an idea that emerged in the nineteenth century, one central to major historical events. Bad Gays is a passionate argument for rethinking gay politics beyond questions of identity, compelling readers to search for solidarity across boundaries.

Long, long before the Information Age ended, young Hildegard of Bingen finds beauty in the moral and spiritual ruins of her medieval world. In her forty-third year, she inscribes her cosmic visions into Scivias, an indescribably beautiful codex of writing and illuminations thought to be destroyed during the evacuation of Earth. In a sea cave with cracked amethyst walls on Avaaz, Pinky Agarwalia discovers fragments of this visionary text containing hitherto unknown pathways to a lost vision of human co-existence with plants and non-humans - and the seeds of its rebirth on Avaaz. Bursting with mythic quantum energy, Hildegard's vital linguistic potion viriditas, threaded throughout her communiques, is a lush, verdant, renewable life-force. Her ecological message may be just the magic needed for rebirth on Avaaz. Hildegard's mystic toolkit for the future includes a cosmology, medicine, a morphology of crystals, recipes - and the symbols of a new language. As Pinky Agarwalia traces the diagrams with her fingertip, she suddenly understands - a vision that appears without warning in her own mind - that she must first immerse these materials in water, a guarded substance. In the water, the molecules of the hidden language dissolve, freeze then reconfigure into new shapes, the crystalline language communicated not through sound but by feeling and light. Lingua Ignota, Hildegard's mysterious invented 'unknown language', arrives just in time for a world in flux, one whose coordinates are being recast.

Within this collection, lays a story. The story of a nomad. A boy. On a daunting journey of self discovery. With each paged flipped, a new puzzle piece to his story is put into place. Similar to so many others on their own quest. Lost and confused kids. Looking for themselves, hoping that one day they finally stumble upon who they are. This is a story of innocence rekindled and trauma unpackaged. One of love and heartbreak. Life and death. Joy and misery. This is a culmination of unbelievable events, told through the eyes of the young voyeur.