Detective Jack Yu is assigned to the Chinatown precinct as the only officer of Chinese descent. He investigates a series of attacks on children and a missing mistress, shifting between the world of street thugs and gangs and the Chinatown of the rich and powerful. When Detective Jack Yu is transferred to New York’s Chinatown, he isn’t ready to face the changes in his old neighborhood. His childhood friends are now hardened gangsters, his father is dying, and he is constantly reminded of this teenage blood brother, murdered in front of him years before. Then community leader and tong boss Uncle Four is gunned down and his mistress goes missing. But unlike the rest of the culturally clueless police department, Jack knows his district’s gritty secrets. He will have to draw on his knowledge in order to catch this killer in a crime-ridden precinct where brotherhoods are just as likely to distribute charity as mete out vigilante justice.

NYPD Detective Jack Yu was raised in Chinatown. Some of his old friends are criminals now; some are dead. He uses both modern police methods and an an ancient fortuneteller to bring a murderer and a serial rapist to justice.

NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • From the infinitely inventive author of How to Live Safely in a Science Fictional Universe comes "one of the funniest books of the year.... A delicious, ambitious Hollywood satire" (The Washington Post). A deeply personal novel about race, pop culture, immigration, assimilation, and escaping the roles we are forced to play. Willis Wu doesn’t perceive himself as the protagonist in his own life: he’s merely Generic Asian Man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but always he is relegated to a prop. Yet every day, he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy—the most respected role that anyone who looks like him can attain. Or is it? After stumbling into the spotlight, Willis finds himself launched into a wider world than he’s ever known, discovering not only the secret history of Chinatown, but the buried legacy of his own family. Infinitely inventive and deeply personal, exploring the themes of pop culture, assimilation, and immigration—Interior Chinatown is Charles Yu’s most moving, daring, and masterful novel yet.

Chinatown -- a place of dragons and dreams; fireflies and memories Chinatown -- full of wonder and magic; fireworks on New Year's Day and a delicious smell on every corner Chinatown -- where every day brings something familiar and something wondrously new to a small boy Chinatown -- home? Kam Mak grew up in a place of two cultures, one existing within the other. Using extraordinarily beautiful paintings and moving poems, he shares a year of growing up in this small city within a city, which is called Chinatown.

For decades, crime novelists have set their stories in New York City, a place long famed for decay, danger, and intrigue. What happens when the mean streets of the city are no longer quite so mean? In the wake of an unprecedented drop in crime in the 1990s and the real-estate development boom in the early 2000s, a new suspect is on the scene: gentrification. Thomas Heise identifies and investigates the emerging “gentrification plot” in contemporary crime fiction. He considers recent novels that depict the sweeping transformations of five iconic neighborhoods—the Lower East Side, Chinatown, Red Hook, Harlem, and Bedford-Stuyvesant—that have been central to African American, Latinx, immigrant, and blue-collar life in the city. Heise reads works by Richard Price, Henry Chang, Gabriel Cohen, Reggie Nadelson, Ivy Pochoda, Grace Edwards, Ernesto Quiñonez, Wil Medearis, and Brian Platzer, tracking their representations of “broken-windows” policing, cultural erasure, racial conflict, class grievance, and displacement. Placing their novels in conversation with oral histories, urban planning, and policing theory, he explores crime fiction’s contradictory and ambivalent portrayals of the postindustrial city’s dizzying metamorphoses while underscoring the material conditions of the genre. A timely and powerful book, The Gentrification Plot reveals how today’s crime writers narrate the death—or murder—of a place and a way of life.

"There are Chinatowns in New York, Philadelphia, Los Angeles, San Francisco, Toronto, Vancouver, London ... in many different countries all around the globe. But wherever they are located geographically, Chinatown is one community, Fire a gun in New York's Chinatown and the echo reverberates seconds later in Hong Kong. Political pressures emanating from Mainland China are felt by the new wave of immigrants on Mott, Hester, and Delancey Streets in hours." "American-born Jack Yu became one of the few ethnically Chinese officers in the NYPD. Now he has been promoted out of the Chinatown Precinct. But he cannot get away from Chinatown's criminals - his old friends - who are hooked up with Hong Kong based triads in a crooked scam of international proportions." "Henry Chang shows us the people he understands so well: a Chinese yuppie whose loss of face ends in tragedy; an ailing bookie with romance in his soul; a would-be gang leader and the tough new immigrants from Fukien who confront him; and the triad official, Grass Sandal, sent from Hong Kong to liase with local benevolent societies. Year of the Dog shows us what exists beneath the surface of the tourists' Chinatown."--BOOK JACKET.