"A strikingly original and provocative critical interpretation of the ideology of early Florentine humanism; or the reception and continued transmission of humanist ideology in the U.S. today ; and of a significant but neglected text on Lucretia by Coluccio Salutati .... - Margaret W. Ferguson (back cover).

"A strikingly original and provocative critical interpretation of the ideology of early Florentine humanism; or the reception and continued transmission of humanist ideology in the U.S. today ; and of a significant but neglected text on Lucretia by Coluccio Salutati .... - Margaret W. Ferguson (back cover).

Victor J. Vitanza (author of Sexual Violence in Western Thought and Writing) continues to rethink the problem of sexual violence in cinema and how rape is often represented in "chaste" ways, in the form of a Chaste Cinematics. Vitanza continues to discuss Chaste Cinematics as participating in transdisciplinary-rhetorical traditions that establish the very foundations (groundings, points of stasis) for nation states and cultures. In this offering, however, the initial grounding for the discussions is "base materialism" (George Bataille): divine filth, the sacred and profane. It is this post-philosophical base materialism that destabilizes binaries, fixedness, and brings forth excluded thirds. Vitanza asks: why is it that a repressed third, or a third figure, returns, most strangely as a "product" of rape and torture? He works with Jean-Paul Sartre and Page duBois's suggestion that the "product" is a new "species." Always attempting unorthodox ways of approaching social problems, Vitanza organizes his table of contents as a DVD menu of "Extras" (supplements). This menu includes Alternate Endings and Easter Eggs as well as an Excursus, which invokes readers to take up the political exigency of the DVD-Book. Vitanza's first "Extra" studies a trio of films that need to be reconsidered, given what they offer as insights into Chaste Cinematics: Amadeus (a mad god), Henry Fool (a foolish god), and Multiple Maniacs (a divine god who is raped and eats excrement). The second examines Helke Sander's documentary Liberators Take Liberties, which re-thinks the rapes of German women by the Russians and Allies during the Battle of Berlin. The third rethinks Margie Strosser's video-film Rape Stories that calls for revenge. In the Alternate Endings, Vitanza rethinks the problem of reversibility in G. Noé's Irréversible. In the Easter Eggs, he considers Dominique Laporte's "the Irreparable," as the object of loss and Giorgio Agamben's "the Irreparable," as hope in what is without remedy. The result is not another film-studies book, but a new genre, a new set of rhetorics, for new ways of thinking about cinematics, perhaps postcinematics. Victor J. Vitanza is Professor of English and Rhetorics and is the founding Director of the Ph.D. program in Rhetorics, Communication, and Information Design in the College of Architecture, Art, and Humanities, at Clemson University. He is also Professor of Rhetoric and Philosophy, as well as the holder of the Jean-François Lyotard Chair in the Media and Communication Division at the European Graduate School in Switzerland. He is the Editor of PRE/TEXT: A Journal of Rhetorical Theory. His books include Sexual Violence in Western Thought and Writing: Chaste Rape (Palgrave, 2011), Negation, Subjectivity, and The History of Rhetoric (SUNY, 1997), Writing Histories of Rhetoric (Southern Illinois, 1993); and PRE/TEXT: A Retrospective (Pittsburgh, 1993).

Chaste Value reassesses chastity's significance in early modern drama, arguing that presentations of chastity inform the stage's production of early capitalist subjectivity and social difference. Plays invoke chastity-itself a quasi-commodity-to interrogate the relationship between personal and economic value. Through chastity discourse, the stage disrupts pre-capitalist ideas of intrinsic value while also reallocating such value according to emerging hierarchies of gender, race, class, and nationality. Chastity, therefore, emerges as a central category within early articulations of humanity, determining who possesses intrinsic value and, conversely, whose bodies and labor can be incorporated into market exchange.

The 35th anniversary of this classic of art theory.

In this book, Bonnie Lander Johnson explores early modern ideas of chastity, demonstrating how crucial early Stuart thinking on chastity was to political, medical, theological and moral debates, and that it was also a virtue that governed the construction of different literary genres. Drawing on a range of materials, from prose to theatre, theological controversy to legal trials, and court ceremonies - including royal birthing rituals - Lander Johnson unearths previously unrecognised opinions about chastity. She reveals that early Stuart theatrical and court ceremonies were part of the same political debate as prose pamphlets and religious sermons. The volume also offers new readings of Milton's Comus, Shakespeare's The Winter's Tale, Henrietta Maria's queenship and John Ford's plays. It will appeal to scholars of early modern literature, theatre, political, medical and cultural history, and gender studies.