Charlie Chaplin's A Woman of Paris (1923) was a groundbreaking film which was neither a simple recycling of Peggy Hopkins Joyce's story, nor quickly forgotten. Through heavily-documented "period research," this book lands several bombshells, including Paris is deeply rooted in Chaplin's previous films and his relationship with Edna Purviance, Paris was not rejected by heartland America, Chaplin did "romantic research" (especially with Pola Negri), and Paris' many ongoing influences have never been fully appreciated. These are just a few of the mistakes about Paris.

Charlie Chaplin's A Woman of Paris (1923) was a groundbreaking film which was neither a simple recycling of Peggy Hopkins Joyce's story, nor quickly forgotten. Through heavily-documented "period research," this book lands several bombshells, including Paris is deeply rooted in Chaplin's previous films and his relationship with Edna Purviance, Paris was not rejected by heartland America, Chaplin did "romantic research" (especially with Pola Negri), and Paris' many ongoing influences have never been fully appreciated. These are just a few of the mistakes about Paris.

This book is a novelistic description of Chaplin's tortured relations with women, starting with his insane mother. Rebuffed by his first love, a fifteen year old girl, he spends his whole life seeking someone who resembles his teenage sweetheart. Like Nabokov's antihero Humbert in "Lolita," (Nabakov had Chaplin in mind when he wrote his novel) he lusts after young girls. He pursues Mildred Harris, an actress, when she was but sixteen, and marries her only when she tells him that she is pregnant. He divorces her after she gives birth to a malformed baby who doesn't survive. His next willing inamorata is Lita Grey, age sixteen, whom he reluctantly marries when her family threatens him with a charge of statutory rape. During his marriages to Mildred Harris and others, and also between marriages, he provides the country's newspaper reporters with ample oportunities to write about his escapades with stars such as Marion Davies, the mistress of the famous publisher William Randolph Hearst, Pola Negri, Louise Brooks and Paulette Goddard, all known stars of the 1920's and 1930's. They are but a few of the women linked to his name in the daily headlines of the nation's newspapers. In the 1940's he becomes involved in an internationally publicized paternity suit brought on by an ostensibly disturbed and alcoholic girl named Jane Barry. He finally takes up with Oona O'Neil then age seventeen (he was fifty four), and marries her against the advice of saner heads.

Charlie Chaplin the actor is universally synonymous with his beloved Tramp character. Chaplin the director is considered one of the great auteurs and innovators of cinema history. Less well known is Chaplin the composer, whose instrumental theme for Modern Times (1936) later became the popular standard "Smile," a Billboard hit for Nat "King" Cole in 1954. Chaplin was prolific yet could not read or write music. It took a rotating cast of talented musicians to translate his unorthodox humming, off-key singing, and amateur piano and violin playing into the singular orchestral vision he heard in his head. Drawing on numerous transcriptions from 60 years of original scores, this comprehensive study reveals the untold story of Chaplin the composer and the string of famous (and not-so-famous) musicians he employed, giving fresh insight into his films and shedding new light on the man behind the icon.

Examining the legendary actor's life, art, and controversial politics within the context of their times, Lynn presents a fresh and definitive portrait of Chaplin.

Wife of the Life of the Party is the memoir of the late Lita Grey Chaplin (1908-1995), the only one of Chaplin's wives to have written an account of life with Chaplin. Her memoir is an extraordinary Hollywood story of someone who was there from the very beginning. Born Lillita Louise MacMurray in Hollywood, she began her career at twelve with the Charlie Chaplin Film Company, when Chaplin selected her to appear with him as the flirting angel in The Kid. When she was fifteen, Chaplin signed her as the leading lady in The Gold Rush and changed her name to Lita Grey. She was forced to leave the production when, at the age of sixteen, she became pregnant with Chaplin's child. She married Chaplin in Empalme, Mexico in November 1924. The Chaplins stayed together for two years. Lita bore Chaplin two sons: Charles Chaplin, Jr. and Sydney Chaplin. In November 1926, after Lita discovered that Chaplin was having an affair with Merna Kennedy (Lita's best friend, whom she had persuaded Chaplin to hire as the leading lady in The Circus), Lita left Chaplin and filed for divorce. It was one of the first divorce cases to receive a public airing. The divorce complaint ran a staggering 42 pages and fed scandal with its revelations about the private life of Charles Chaplin. Lita's divorce settlement of $825,000 was the largest in American history at the time. Lita authorized the publication of another biography, My Life with Chaplin, in 1966. The book was mainly the creation of her co-author, Morton Cooper, who re-wrote her manuscript. Lita was never happy with the many inaccuracies and distortions of that book. Wife of the Life of the Party is not to be seen as a supplement to her early book, but rather Lita's own version of her life, told for the first time.