The unlikely story of Le Corbusier and Chandigarh has proven itself to be one of modernisms boldest experiments. Born of a vision of a modern India, Chandigarhdesigned by Le Corbusierwas created as a statement for an emerging modern nationstate. Its Capitol Complex, considered by many as Le Corbusiers masterpiece, was designated a UNESCO World Heritage Site in 2016. Like all visionaries, Le Corbusier was adept at taking the iconic and symbolic and using them to fashion his own unique vocabulary. This volume explores the way in which his ideas created fertile grounds for architecture and urban planning in Chandigarh, and in India, that encapsulated the visions of the post-war and post-colonial era. With insightful analyses of buildings across Chandigarh, the author illuminates the compositional poetry evident in Le Corbusiers structures and the ways in which the patina of time has changed the city. A visceral journey through a remarkable modernist landscape using the photographic medium, Chandigarh Revealed pays homage to the works of a master with reflective observations of a living city.

In 1950, Indian prime minister Jawaharlal Nehru invited legendary French-Swiss architect Le Corbusier to embark on one of the greatest experiments in urban planning history: to build a new capital—Chandigarh, a city whose monumental modernism promised to free India from the fetters of colonial tradition. Six decades after its founding and on the eve of its becoming a UNESCO World Heritage Site in 2016, photographer and Chandigarh resident Shaun Fynn was granted unprecedented access to turn his lens on Le Corbusier's city and capture what is rarely seen: the living metropolis behind the master plan. Fynn's captivating images of the city and its inhabitants reveal how the poetry of the architect's compositions has been shaped by the tumult of everyday life. Alongside descriptions of the city's architectural highlights, Chandigarh Revealed features a foreword by Le Corbusier authority Maristella Casciato, an essay by architectural historian Vikramaditya Prakash, an interview with M. N. Sharma—one of two surviving members of Le Corbusier's team—and custom-designed maps to orient readers.

A unique document of architectural photography and the concepts of visual communication of architecture and urban planning.

The incredible story of the world’s largest visionary environment: the Rock Garden of Chandigarh, kept secret by outsider artist Nek Chand for fifteen years. After the partition of India in 1947, Nek Chand Saini settled in the city of Chandigarh, with nothing but stories brought from his homeland. Dismayed at his stark new surroundings, Nek began collecting river rocks, broken glass, and cracked water pots found on the roadside. He cleared a section of jungle and for seven years he stockpiled odds and ends. They were castoffs and rubbish to everyone else, but to Nek, they were treasures. He began to build a labyrinth of curving paths, mosaics, and repeating patterns: his very own tribute to the winding village of his youth, a hidden land of stories. Nek kept his kingdom secret for fifteen years, until a government crew stumbled upon it and sought to destroy it. But local fans agreed in awe: the Rock Garden had to be protected. Author Barb Rosenstock introduces readers to the outsider artist’s stunning creation, while Claire A. Nivola’s illustrations bring to life the land’s natural beauty and the surreal world Nek coaxed from his wild landscape.

This books traces the rise to prominence in the twentieth-century of a sub-genre of gothic fiction that is, emphatically, a horror of enlightenment rationality rather than gothic darkness, examining post-modern revisions of Modernist “Promethean” tropes in an eclectic range of gothic, fantasy and SF writing. Whether the subject be terror of London’s churches in the psychogeographical fiction of Iain Sinclair and Alan Moore, the Orcs in the linguistic fantasies of J.R.R. Tolkien, King Kong, killer-computers, or demon-children in post-war British science-fiction, A Book of Monsters offers illuminating perspectives on the darker recesses of the post-modern imagination, setting out a compelling, and comprehensive, overview on our contemporary unconscious.

Changing Heritage presents the most comprehensive analysis of heritage issues available today. Critically analysing the complexity of the current and forthcoming issues faced by heritage, it presents insightful directions for the future. Drawing on the author’s many years of experience working in senior positions at UNESCO, the book presents discussions of heritage sites all around the world. Today, our cultural and natural legacies face significant threats due to social and economic developments, political pressures, and unresolved historical issues. This book delves into these threats from two distinct perspectives: internal tensions and external pressures. The internal tensions include the disregard for human rights and gender equality; the increasing exploitation of heritage for political purposes; the development of post-colonial perspectives; and the necessity to reassess the established notion of "universal value." External pressures stem from global processes, unsustainable tourism, political conflicts, ethnic clashes, and religious strife that are causing destruction in numerous parts of the world. Examining the dynamics between heritage and these internal tensions and external pressures, Bandarin offers insights into the challenges faced and emphasises the imperative role of civil society in safeguarding the value of heritage for present and future generations. Changing Heritage explores a wide range of issues surrounding the crisis in heritage management on an international level. It will be essential reading for heritage scholars, students, and professionals

This analysis of the principles underlying Le Corbusier’s œuvre shows his work in an entirely new light, enhanced by previously unpublished drawings and photographs.