"Includes Chain letter and The ancient evil."

Livvie isn’t superstitious like her best friend, Joyce, who thinks everything is bad luck. So Livvie isn’t worried about tearing up the chain letter and throwing it away–until she’s humiliated in gym class, falls down her back stairs, and gets invited to Thanksgiving dinner at Peter Finch’s house. Peter’s dad has crooked teeth, a plastic wonderland in his front yard, and some kind of secret up in his study. There is no way Livvie wants Phil Finch to date her mom. But it’s hard work keeping their families apart–especially when Livvie is assigned to work on the sixth-grade snow maze project with Peter. Clearly, Joyce was right: breaking the chain was a huge mistake. And the only way to set things straight is to find out who sent the letter in the first place. . . . Rich in humor and suspense, Julie Schumacher’s absorbing novel is about friendship, choices, and the kind of luck that really matters.

The Crystal Chain - "Die glaserne Kette" - was a utopian correspondence initiated by Bruno Taut in 1919-1920, in which a small group of like-minded architects and artists exchanged ideas on what form the architecture of the future should take. Unfettered by the demands of practicability, the members of the group described their visions of an ideal society and of a beneficent architecture in a series of dazzling, fantastic letters and drawings. Although the letters are referred to in almost every survey of twentieth century architecture, this is the first book to offer in English the complete texts of all the known Crystal Chain letters, including some which have never been published in German. The letters are accompanied by illustrations, an introductory essay, and explanatory notes. The Crystal Chain letters document the crisis of modernism that afflicted German architectural theory in the years immediately following the First World War. The trauma of the war and the subsequent social unrest led the radical architects to reject the materialism and positivism that had characterized the "Kaiserreich." The result was an ideological and aesthetic vacuum, and the search for suitable alternatives provided the basis for the correspondence. After a year of intense theoretical speculation, several of the links in the chain, including Bruno and Max Taut, Walter Gropius, Hans and Wassili Luckhardt, and Hans Scharoun, emerged as leading advocates and practitioners of the new architecture in Germany. Iain Boyd Whyte is an English architectural historian. He is the author of several books including Bruno Taut and the Architecture of Activism, and the translator of Industriekultur: Peter Behrens and the AEG (MIT Press, 1984).

"Readers of Montesquieu will through this study discover a new Persian Letters, as the exquisite subtlety of its construction is laid bare for the first time. It should find a new appreciation as a work of art, and not merely as a precursor to the author's Of the Spirit of the Laws. The Letters will henceforth be read in the light of similarly composite texts, from Montaigne's Essays to Baudelaire's Fleurs du mal."--Jacket.

Seven friends, one secret deadly chain letter. One by one they will regret they were ever involved...