Centering Animals in Latin American History writes animals back into the history of colonial and postcolonial Latin America. This collection reveals how interactions between humans and other animals have significantly shaped narratives of Latin American histories and cultures. The contributors work through the methodological implications of centering animals within historical narratives, seeking to include nonhuman animals as social actors in the histories of Mexico, Guatemala, the Dominican Republic, Puerto Rico, Cuba, Chile, Brazil, Peru, and Argentina. The essays discuss topics ranging from canine baptisms, weddings, and funerals in Bourbon Mexico to imported monkeys used in medical experimentation in Puerto Rico. Some contributors examine the role of animals in colonization efforts. Others explore the relationship between animals, medicine, and health. Finally, essays on the postcolonial period focus on the politics of hunting, the commodification of animals and animal parts, the protection of animals and the environment, and political symbolism. Contributors. Neel Ahuja, Lauren Derby, Regina Horta Duarte, Martha Few, Erica Fudge, León García Garagarza, Reinaldo Funes Monzote, Heather L. McCrea, John Soluri, Zeb Tortorici, Adam Warren, Neil L. Whitehead

The Handbook of Latin American Environmental Aesthetics offers a comprehensive overview of Latin American aesthetic and conceptual production addressing the more-than-human environment at the intersection between art, activism, and critique. Fields include literature, performance, film, and other audiovisual media as well as their interactions with community activisms. Scholars who have helped establish environmental approaches in the field as well as emergent critical voices revisit key concepts such as ecocriticism, (post-)extractivism, and multinaturalism, while opening new avenues of dialogue with areas including critical race theory and ethnicity, energy humanities, queer-*trans studies, and infrastructure studies, among others. This volume both traces these genealogies and maps out key positions in this increasingly central field of Latin Americanism, at the same time as they relate it to the environmental humanities at large. By showing how artistic and literary productions illuminate critical zones of environmental thought, articulating urgent social and material issues with cultural archives, historical approaches and conceptual interventions, this volume offers cutting-edge critical tools for approaching literature and the arts from new angles that call into question the nature/culture boundary.

What is Latin American History? surveys the development of this vibrant and dynamic field of study in North America, Latin America, and Europe. After briefly sketching the growth of the topic up to the 1960s, Marshall Eakin focuses on the past half-century, from the dominance of social history to the cultural turn. He surveys innovative work on topics including slavery, indigenous peoples, race, the environment, science, medicine, and gender, and ends with a discussion of the emergence of the concepts of borderlands, the Atlantic world, and transnational history – that both enrich and challenge the very idea of Latin America. This concise volume offers the first broad overview of Latin American history and historiography for students, scholars, and the general reader, outlining the key social, cultural, and political forces that have shaped both Latin America and its study.

Between 1947 and 1954, the Mexican and US governments waged a massive campaign against a devastating livestock plague, aftosa or foot-and-mouth disease. Absorbing over half of US economic aid to Latin America and involving thousands of veterinarians and ranchers from both countries, battalions of Mexican troops, and scientists from Europe and the Americas, the campaign against aftosa was unprecedented in size. Despite daunting obstacles and entrenched opposition, it successfully eradicated the virus in Mexico, and reshaped policies, institutions, and knowledge around the world. Using untapped sources from local, national, and international archives, Thomas Rath provides a comprehensive history of this campaign, the forces that shaped it – from presidents to peasants, scientists to journalists, pistoleros to priests, mountains to mules – and the complicated legacy it left. More broadly, it uses the campaign to explore the formation of the Mexican state, changing ideas of development and security, and the history of human–animal relations.

This book is a study of selected texts of British writings on Indian wildlife published between 1860 and 1960. Set in the context of British colonial rule in India, this book also reflects on similar situations across the British Empire and other colonial empires. The destruction of wildlife in the making of empires is a subject not yet fully explored in scholarship. This book aims to speak to global concerns regarding the extinction of several species and shows that the crisis has international roots. The Inhuman Empire breaks new grounds as it juxtaposes colonial narratives to folk narratives. These two types of narratives treat nonhuman animals very differently – folk narrative considers them sentient beings, while colonial narratives see them as ‘game’ and do not care for their sentience. Both types of narratives are further evaluated with reference to the contemporary position of natural sciences regarding animal sentience and of anthropologists and philosophers regarding the relationship between nature and culture. Analyzing colonial accounts of hunting, the author looks at the pain and suffering of nonhuman animals and combines statistics alongside narratives of British writers, Indian populace and nonhuman animals in order to show narratives' reflect and impact reality. This book will be of great value to those interested in Animal Studies, Folkloristics, the history of Colonialism and India.

Today, the mention of Patagonia and Tierra del Fuego conjures images of idyllic landscapes untouched by globalization. Creatures of Fashion upends this, revealing how the exploitation of animals—terrestrial and marine, domesticated and wild, living and dead—was central to the region's transformation from Indigenous lands into the national territories of Argentina and Chile. Drawing on evidence from archives and digital repositories, John Soluri traces the circulation of furs and fibers to explore how the power of fashion stretched far beyond Europe's houses of haute couture to entangle the fates of Indigenous hunters, migrant workers, and textile manufacturers with those of fur seals, guanacos, and sheep at the "end of the world." From the nineteenth-century rise of commercial hunting to twentieth-century sheep ranching to contemporary conservation-based tourism, Soluri's narrative explains how struggles for control over the production of commodities and the reproduction of animals drove the social and environmental changes that tied Patagonia to global markets, empires, and wildlife conservation movements. By exposing seams in national territories and global markets knit together by force, this book provides perspectives and analyses vital for understanding contemporary conflicts over mass consumption, the conservation of biodiversity, and struggles for environmental justice in Patagonia and beyond.

Pushing Past the Human in Latin American Cinema brings together fourteen scholars to analyze Latin American cinema in dialogue with recent theories of posthumanism and ecocriticism. Together they grapple with how Latin American filmmakers have attempted to "push past the human," and destabilize the myth of anthropocentric exceptionalism that has historically been privileged by cinema and has led to the current climate crisis. While some chapters question the very nature of this enterprise—whether cinema should or even could actualize such a maneuver beyond the human—others signal the ways in which the category of the "human" itself is interrogated by Latin American cinema, revealed to be a fiction that excludes more than it unifies. This volume explores how the moving image reinforces or contests the division between human and nonhuman, and troubles the settler epistemic partition of culture and nature that is at the core of the climate crisis. As the first volume to specifically address how such questions are staged by Latin American cinema, this book brings together analysis of films that respond to environmental degradation, as well as those that articulate a posthumanist ethos that blurs the line between species.