(Guitar). This unique publication features 45 harp tunes beautifully arranged for solo guitar. It also includes an introduction to the book's origins, info on the Celtic harp and biographical information on the author and Turlough O'Carolan. Most songs are arranged at an intermediate-level of difficulty and use standard tunings so that classical guitarists can enjoy them as well as steel-string fingerstylists.

Forty beautiful Celtic melodies arranged for solo fingerstyle guitar. All the songs are arranged to be easily playable. Most of the songs are in standard tuning plus there is an additional section in DADGAD tuning. A CD is included featuring all the songs.

Evoke the traditional sounds of the Celtic lands with these instrumental arrangements of songs for solo Celtic harp. These 25 tunes are Manx, Welsh, Irish, Scottish, Cornish, Hebridean, and Bretton, including pieces by Turlough O'Carolan and Robert Burns. Notes at the end of the book give insights into the meanings of the texts of the songs, aiding interpretation and inviting you to experience the ambience of the Celtic lands through their music. Lyrics for selected songs are given in the notes in English.

24 compositions by the legendary Irish harpist, Turlough O'Carolan scored for classic guitar solo. the solos are intermediate in difficulty and convey the beautiful, lyrical quality of the original harp compositions. As a bonus, two of the solos are also scored for baroque guitar. A companion recording is available as an internet download.

The definitive edition of 24 tunes by renowned Baroque era Irish harper Turlough O'Carolan, carefully and exactingly transcribed, edited and fingered. Ornamentation is fully written out to facilitate playing Chord symbols have been added for improvising left-hand parts, or inventing an entire two-handed accompaniment as a friend plays the melody!.This material is great for pedal and lever harps or keyboards at concerts, weddings, jam sessions, St. Patrick's Day, Renaissance Faires and Hospice care. All the melodies easily fit portable or travel harps with small adaptations of the left-hand notes. Suitable for students seeking international performance certification at several levels as well as being high quality arrangements for both classical and Celtic professionals. This music is a lot of fun and is also highly suitable for inclusion in college performance certification syllabus, or international certification such as ABRSM, Trinity, ASTA, etc. Harp teachers will want to start teaching this music soon to their students to assist their careers.• the definitive edition of 24 tunes by renowned Irish harper Turlough O'Carolan• Carefully transcribed, edited and fingered.• Ornamentation fully written out to facilitate playing.• Chord symbols for improvisation

This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study of the tradition by some of the finest musicians playing in this genre. Compiled by Stefan Grossman, this book includes arrangements by Pierre Bensusan, El McMeen, Martin Simpson, Pat Kirtley, Duck Baker, Tom Long & Steve Baughman. Looking back less than a century you would find this music performed on fiddle, pipes, button accordion, flutes and whistles, in solo and ensemble settings, but never guitar, even in its basic role of providing rhythm. The challenge for those who attempt to translate Celtic traditional music for fingerstyle guitar is to preserve the unique qualities which are the essence of the style. The popularity of alternate tunings in this music tends to come from two different directions. One is in the desire for production of tonalities of droning instruments, ß la the bagpipes, and tunings such as DADGAD and EADEAE make this effect relatively easy. On the other hand, there are guitar tunings which lend themselves easily to the melodic steps and fullness found in the diatonic Celtic harp, such as DGDGBD (open G tuning) and the CGDGAD. DVD is region 0, playable worldwide.

This book is intended to be an introduction to a style of music which has a long and noble history that is inextricable intertwined with that of the ancient harp. the tunes contained in this book were chosen for their playability on the folk harp as well as for ease of separating into categories of skill.