In Catching Hell, longtime seafood mogul Allen Ricca and author Joe Muto take readers behind the scenes of the high-end restaurant world and the international market for seafood, and how that industry has been impacted perhaps like no other due to the COVID-19 pandemic. This book exposes the fact that the American diner is being lied to on a regular basis. The culprit varies – sometimes it’s a chef or restaurant owner trying to cut corners to save money; other times it’s an unscrupulous supplier looking to pass off poor product to an unwitting receiver. And the cost of that scam eventually gets passed on to the consumer, whether it be in the form of higher prices at restaurants and markets, lower quality (or even counterfeit) product getting delivered onto your plate, or – God forbid – food poisoning. Furthermore, Ricca argues, the pandemic has only increased corruption in this industry. This book serves as both an exposé and a call to arms, empowering consumers with the knowledge to make more informed choices when dining out. Some of the things this explosive book reveals: The one fish you should never order, one that’s always a rip-off. (And the one fish that’s always a delicious, virtually-unknown bargain.) Why restaurants that advertise “fresh” fish are almost always lying. How to get your favorite restaurant to treat you like royalty – without dropping thousands of dollars. How the covid-19 pandemic has impacted our food supply chain and what it has meant for the everyday worker.

Since the 1980s, Los Angeles has become the most racially and economically divided city in the United States. In the poorest parts of South Central Los Angeles, buildings in disrepair--the legacy of racial unrest. Moving beyond stereotypes of South Central's predominantly African American residents, João H. Costa Vargas recounts his almost two years living in the district. Personal, critical, and disquieting, Catching Hell in the City of Angels examines the ways in which economic and social changes in the twentieth century have affected the black community, and powerfully conveys the experiences that bind and divide its people. Through compelling stories of South Central, including his own experience as an immigrant of color, Vargas presents portraits of four groups. He talks daily with women living in a low-income Watts apartment building; works with activists in a community organization against police brutality; interacts with former gang members trying to maintain a 1992 truce between the Bloods and the Crips; and listens to amateur jazz musicians who perform in a gentrified section of the neighborhood. In each case he describes the worldviews and the definitions of "blackness" these people use to cope with oppression. Vargas finds, in turn, that blackness is a form of racial solidarity, a vehicle for the renewal of African American culture, and a political expression of revolutionary black nationalism. Vargas reveals that the social fault lines in South Central reflect both contemporary disparities and long-term struggles. In doing so, he shows both the racialized power that makes "blackness" a prized term of identity and the terrible price that African Americans have paid for this emphasis. Ultimately, Catching Hell in the City of Angels tells the story of urban America through the lives of individuals from diverse, overlapping, and vibrant communities. João H. Costa Vargas is assistant professor in the Center for African and African American Studies and the department of anthropology at the University of Texas, Austin. Robin D. G. Kelley is the William B. Ransford Professor of Cultural and Historical Studies at Columbia University. He is the author of numerous books, including Yo Mama's Disfunktional: Fighting the Culture Wars in Urban America.

What if they threw an Apocalypse and nobody came? The end times are upon us, but to be honest, Heaven and Hell have lost all enthusiasm for anything resembling a Final Judgment. Earth's guardian angel, in an act of cosmic negligence, selects Golly Munhollen, part-time race car driver, part-time carny, and full-time dumbass to become humanity's defender against the remaining elements of Hell still bent on starting some trouble come Judgment Day. By day Golly repairs rides on the midway, by night he stumbles ass-backwards into the weird menaces that seem to pop up in every town on the carnival's tour. Golly is aided in his quest by his carny pals: Vaughn, the 6'6" tattooed man; Pig, former freak show fat lady turned strong woman; Miguel, the genius, dog-faced boy-acrobat; and Satan, former monarch of Hell now down on his luck and working the midway for cigarette money. Catching Hell collects the first five issues of the critically acclaimed, groundbreaking Image series, and includes the tale of Golly's origin and his subsequent hapless encounters with a preacher-turned-werehog and a trailer park stalking vampire. It's southern-fried horror fat-packed with high-octane adventure and low-brow humor!

hell and eternal damnation. The fear of fire and brimstone and the worm that never dies exerted a profound and lasting influence on Americans' ideas about themselves, their neighbors, and the rest of the world. Kathryn Gin Lum poses a number of vital questions: Why did the fear of hell survive Enlightenment critiques in America, after largely subsiding in Europe and elsewhere? What were the consequences for early and antebellum Americans of living with the fear of seeing themselves and many people they knew eternally damned? How did they live under the weighty obligation to save as many souls as possible? What about those who rejected this sense of obligation and fear? Gin Lum shows that beneath early Americans' vaunted millennial optimism lurked a pervasive anxiety: that rather than being favored by God, they and their nation might be the object of divine wrath.

Angel Bobby Dollar sets out to rescue his girlfriend Casimira being held hostage in the netherworld by the demon Eligor while also trying to elude an undead psychopath named Smyler.

Join Chris Martin for a poetic walking tour of hell—or is it heaven? In this wickedly clever collection, Martin asks how we go about living in the tension between protesting lunatic politicians and picking up the kids from school, mourning a dying Earth and making soup, combating white supremacy and loving our dear ones. Martin’s poems pick at the tender scabs protecting our national and individual identities, and call for more honest healing. Things to Do in Hell channels 2016 anger into 2020 action with sophisticated, rhythmic verse that compels us to beat our swords into ploughshares and join the fight.

Photographs, poems and press cuttings enhance this account of the achievements of the women of the Abasindi Cooperative, who carved a space in their Manchester community to determine and redefine their conditions - along the way making a significant contribution to community activism in the UK today against race, class and gender oppression