Though she made her name as one of the first female authors to achieve widespread popularity as a writer of Westerns, B. M. Bower's later work broached the fascinating subject of the way that new technologies changed life on the range forever. In Casey Ryan, the speed-loving stagecoach driver of the title meets his match in a brand-new motorcar.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - From Denver to Spokane, from El Paso to Fort Benton, men talk of Casey Ryan and smile when they speak his name. Old men with the flat tone of coming senility in their voices will suck at their pipes and cackle reminiscently while they tell you of Casey's tumul-tuous youth - when he drove the six fastest horses in Colorado on the stage out from Cripple Creek, and whooped past would-be holdups with a grin of derision on his face and bullets whining after him and passengers praying disjointed prayers and clinging white-knuckled to the seats. They say that once a flat, lanky man climbed bareheaded out at the stage station below the mountain and met Casey coming springily off the box with whip and six reins in his hand. The lanky man was still pale from his ride, and he spluttered when he spoke:

This carefully crafted ebook: “CASEY RYAN & THE TRAIL OF THE WHITE MULE” is formatted for your eReader with a functional and detailed table of contents. Casey Ryan is a stagecoach driver known for fighting, gambling and drinking, but also for being the fastest one there is. Once he trades his coach for a Ford, things take a turn for the worse and Casey finds himself without car, money and job. In order to get back on his feet, Casey decides to start the search for the legendary Injun Jim's gold mine. The Trail of the White Mule – Casey Ryan tried to settle down, but his restless spirit just couldn't take long. One day Casey bought a Ford and a tent, and went on a prospecting trip, leaving everything behind once again. Bertha Muzzy Bower (1871-1940) was an American author who wrote novels and short stories about the American Old West. She is best known for her first novel “Chip of the Flying U” about Flying U Ranch and the "Happy Family" of cowboys who lived there. The novel rocketed Bower to fame, and she wrote an entire series of novels set at the Flying U Ranch. Several of Bower's novels were turned into films.

Liam and Adam arrive at their grandparents' caravan site like any pair of young cousins: mischievous and fascinated by mystery and adventure. But when the disappearance of their dog leads to a terrifying discovery deep in the nearby woods, Liam and Adam are plunged into a very adult world of secrecy and suspicion. As the story twists and turns towards a shocking conclusion, the dark secrets of the seemingly sleepy community begin to unravel... What We Saw is a touching and thrilling British mystery novel with elements of comedy, friendship, fear and suspense. It poses the ultimate question: if you stumbled upon a shocking discovery as a child, how would you react? Praise for What We Saw: "A hundred-percent up-to-date... reinventing the mystery novel for a new generation." - Andrew Toynbee, author of A Construct of Angels. "Powerful... an impressive first novel for Casey - a writer to keep an eye on." - James Parsons, author of The Astrologers. "A mystery that will keep you sitting on the edge... I truly loved this book. 5-stars." - Barbara Brown, BookShelves of Dreams. "Fabulous writing and fabulous characters coupled with an awesome plot make for one amazing novel." - Liz Terek, book reviewer.

From the perspective of cultural conservatives, Hollywood movies are cesspools of vice, exposing impressionable viewers to pernicious sexually-permissive messages. Offering a groundbreaking study of Hollywood films produced since 2000, Abstinence Cinema comes to a very different conclusion, finding echoes of the evangelical movement’s abstinence-only rhetoric in everything from Easy A to Taken. Casey Ryan Kelly tracks the surprising sex-negative turn that Hollywood films have taken, associating premarital sex with shame and degradation, while romanticizing traditional nuclear families, courtship rituals, and gender roles. As he demonstrates, these movies are particularly disempowering for young women, concocting plots in which the decision to refrain from sex until marriage is the young woman’s primary source of agency and arbiter of moral worth. Locating these regressive sexual politics not only in expected sites, like the Twilight films, but surprising ones, like the raunchy comedies of Judd Apatow, Kelly makes a compelling case that Hollywood films have taken a significant step backward in recent years. Abstinence Cinema offers close readings of movies from a wide spectrum of genres, and it puts these films into conversation with rhetoric that has emerged in other arenas of American culture. Challenging assumptions that we are living in a more liberated era, the book sounds a warning bell about the powerful cultural forces that seek to demonize sexuality and curtail female sexual agency.

Food Television and Otherness in the Age of Globalization examines the growing popularity of food and travel television and its implications for how we understand the relationship between food, place, and identity. Attending to programs such as Bizarre Foods, Bizarre Foods America, The Pioneer Woman, Diners, Drive-Ins, and Dives, Man vs. Food, and No Reservations, Casey Ryan Kelly critically examines the emerging rhetoric of culinary television, attending to how American audiences are invited to understand the cultural and economic significance of global foodways. This book shows how food television exoticizes foreign cultures, erases global poverty, and contributes to myths of American exceptionalism. It takes television seriously as a site for the reproduction of cultural and economic mythology where representations of food and consumption become the commonsense of cultural difference and economic success.