All new tales of William Hope Hodgson's Carnacki. Meet an Edwardian occult detective who goes where no other gentleman will dare. Nine stories and a novella that take Carnacki deep into neolithic barrows, into the crypts of ancient cathedrals and see him fighting the elemental powers of darkness on his own terms. The Blooded Iklwa: A malevolent spirit is intent on blood. Can Carnacki identify the source of the attacks and stop the Zulu blade from its nightly haunting? Or will his client be forced to suffer a death of a thousand cuts? The Larkhill Barrow: A pounding terror has been called up out of Salisbury Plain; an ancient darkness that will haunt your dreams. The Sisters of Mercy: Battle hardened old soldiers lie sick abed in fear for their souls. Only someone with intimate knowledge of the powers of darkness can help them. The Hellfire Mirror: The rituals of an infamous club have left their mark on a mirror, leading Carnacki into a fight to stop his own home from being overrun with the forces of darkness. The Beast of Glamys: Danger to the daughter of a Scottish Lord leads Carnacki to a remote castle, and the uncovering of the secret behind a legend that has persisted for centuries. The Tomb of Pygea: Something serpentine whispers in the dark under Admiralty Arch, and only Carnacki has the skills, and the nerve, to descend, and to listen. The Lusitania: A cruise ship is berthed in Liverpool, deserted by passengers and crew, stuck in port until Carnacki can remove the cause of their terror; apparitions of disaster and shipwreck The Haunted Oak: Ghosts of the recent dead walk beneath its spreading boughs and the Church needs Carnacki's expertise. But some things are best left to take their course -- natural, or supernatural. The Shoreditch Worm: When one of the churches of London changes its chimes, something old starts to wake. Can Carnacki stop it before it is too late? The Dark Island: Carnacki uncovers a gateway to a dark realm of magic and myth, where the far future of our planet can be touched and seen, if a man has the stomach for it. Meet Carnacki: Ghosthunter. "William Meikle does a stand up job here, of capturing the tone of the original stories. He falls naturally into the more formal language of the period, without making it any less easy to read." - The British Fantasy Society

Derek Adams is a Glasgow PI with plenty of time on his hands. Until the Bogart Case walks in. A priceless family heirloom has been stolen and everyone in town is looking for it. The stars are right once more, and an ancient evil has been awakened from its dreaming sleep. It was supposed to be an easy case, fast money. But pretty soon Derek is up to his armpits in bodies, femme fatales and tentacles. The city's dark side has him. And it doesn't want to let the Midnight Eye go!

#1 Amazon Best Seller in Philosophy Criticism. The world is increasingly unthinkable, a world of planetary disasters, emerging pandemics, and the looming threat of extinction. In this book Eugene Thacker suggests that we look to the genre of horror as offering a way of thinking about the unthinkable world. To confront this idea is to confront the limit of our ability to understand the world in which we live – a central motif of the horror genre. In the Dust of This Planet explores these relationships between philosophy and horror. In Thacker's hands, philosophy is not academic logic-chopping; instead, it is the thought of the limit of all thought, especially as it dovetails into occultism, demonology, and mysticism. Likewise, Thacker takes horror to mean something beyond the focus on gore and scare tactics, but as the under-appreciated genre of supernatural horror in fiction, film, comics, and music. This relationship between philosophy and horror does not mean the philosophy of horror, if anything, it means the reverse, the horror of philosophy: those moments when philosophical thinking enigmatically confronts the horizon of its own existence. For Thacker, the genre of supernatural horror is the key site in which this paradoxical thought of the unthinkable takes place. The cover of In the Dust of this Planet can be seen in a New York gallery, on a banner at the 2014 Climate Change march in New York and on Jay-Z's back promoting Run. The book influenced the writers of the US TV series True Detective and has been lambasted by ex-Fox News broadcaster, Glenn Beck in this podcast https://www.youtube.com/watch?v=2IW8OK4_1gQ

"Slatsky builds dread from page one, and is not shy about amping up the weird." - THE ARKHAM DIGESTThe debut collection from Christopher Slatsky, author of NO ONE IS SLEEPING IN THIS WORLD. Contents:Loveliness Like a ShadowAn Infestation of StarsCorporautolysisNo One is Sleeping in this WorldMaking SnakesThe Ocean is Eating Our GravesThis Fragmented BodyTellurian Fa�adeFilm MauditA Plague of Naked Movie StarsScarcely Have They Been PlantedIntagliosAlectryomancer

Occult scholars explore how H. P. Lovecraft’s fictional book of magic became a cultural phenomenon and real-life legend in this revised and expanded volume. What if a book existed that revealed the answers to all of life’s mysteries? For those who believe in it, The Necronomicon is exactly that—an eighth-century occult text of immense power. In. fact, The Necronomicon is a creation of science fiction writer H. P. Lovecraft, who referred to the work in a number of stories and gave weight to its legend by inventing its own elaborate history. In The Necronomicon Files two occult authorities explore all aspects of The Necronomicon, from its first appearance in Lovecraft’s fiction to its ongoing pervasive appearance in cult and occult circles. The authors show how Lovecraft’s literary circle added to the book’s legend by referring to it in their own writing. As people became convinced of the book’s existence, references to it in literature and film continue to grow. This revised and expanded edition also examines the lengths people have undergone to find the Necronomicon, and the cottage industry that has arisen in response to the continuing demand for a book that does not exist. The Necronomicon Files illuminates the transformations of a modern myth, exposing a literary hoax while celebrating the romance of Necronomicon lore.

Available for the first time in a collection, three of William Meikle's Sigils and Totems novellas—The Job, Broken Sigil, and Pentacle. THE JOB Dave Wilson is down on his luck, with gambling debts coming due. He takes on a risky burglary at a Scottish country house, but the job goes badly wrong, and all too soon Dave is embroiled in a fight he wants no part of—an ages-old battle for ownership of the house. Opposing factions are at work, and both want Dave's help. There are demons to fight, both metaphorical and literal, and there are hard choices to be made, if Dave has the strength to make them. BROKEN SIGIL There are houses like this all over the world. Most people only know of them from whispered stories over campfires; tall tales told to scare the unwary. But some, those who suffer…some know better. They are drawn to the places where what ails them can be eased. If you have the will, the fortitude, you can peer into another life, where the dead are not gone, where you can see that they thrive and go on, in the dreams that stuff is made of. When a New York cop is called to investigate a murder at one such house, he is sucked in to a world he cannot fathom, cannot control, a place where past and present have no meaning, and where symbols and memories are as valid as facts and truths. The black bird is speaking, but can he afford to listen? PENTACLE There are houses like this all over the world. Most people only know of them from whispered stories over campfires; tall tales told to scare the unwary. But some—those who suffer—know better. They are drawn to these places to ease their pain. If you have the will, the fortitude, you can peer into another life, where the dead are not gone, where your love might live forever. But that’s not the case for the residents of the Edinburgh house, for something has disturbed the quiet reflection in that old building. A creature has slipped through, sniffling and snuffling in all the dark places, disrupting the balance of time and space. And it's John’s job to fix it…by any means necessary.